Pirat der sieben Meere

They appear to have shot two movies: One about Rod Taylor dashingly taking on Spaniards in the New World. The swordplay is passable, I suppose. But there's something about the way people perform their ''stunts'' or move about that is so laughably inept you wander whether a 94-year-old Douglas Fairbanks or recently deceased Errol Flynn couldn't have been remummified to do some scenes. Drake's sidekick has less athletic agility than Zero Mostel. And then there is the other movie they glued on to the adventure. One about palace intrigue and a love interest left behind. Who cares. And who cares. The producers, to their credit, spent enough money that we get scenes of real men on real ships on real water, on what I assume is the European coastline somewhere. So it has a visual appeal. On paper it probably seemed to Rod Taylor like it would be a fun way to spend the summer of '62. If they'd only concentrated on his adventures and hired a better choreographer, they might have had something here.

I Never saw the Italian version of "Seven Seas to Calais" but the English version aired on AMC and was delightful. I wish I could find it somewhere on DVD its definitely worth the purchase. Fairly Young Rod Taylor & Keith Mitchell are awesome in this one and completely in the vain of 'The Virgin Queen' & 'Sea Hawk' but with Captain Draco attacking the Spanish treasure fleet's sailors plundering the plunderers.

Not to mention If hearing someone mention the words 'princess potato' or yell out "Mr Marsh!" doesn't at least put smile on your face after seeing this film... I don't know what will.

I also have to mention this film inspired me to read up on Sir Francis Drake to which I am grateful.

I downloaded this movie to watch for free, mainly because of the main actor Rod Taylor. Beside the actor Terence Hill I really did not know of any of the other actors. If you are expecting a "Troy" like movie with 1,000's of CGI warships and 10's of 1,000's of soldiers/sailor you will be disappointed. This is made in the early 1960's! They did rather well with the actors they had, some real ships that they could use & decent use of model ships in the final battle.

Rod Taylor was clearly selected for the lead part because he was well known to most movie goers at this time. I have a number of his movies in my collection and he does not disappoint in any of them. This movie covered lightly the history of Sir Francis Drake. Played by Mr. Taylor. The supporting actors/actresses are mainly European and likely not as well known, but they provide a good enjoyable supporting cast. I really liked the role of Keith Michell, whom I did not know of as an actor. His role as 2nd in command to Drake had humor and action that was enjoyable. As a younger officer under Drake he found himself in a somewhat embarrassing position on one of their cruises. He also has a number of other scenes of action that are enjoyable.

I suggest you sit back and enjoy a movie made almost 60 years ago and that it is better than much of what is produced today.

It's 1577 Plymouth. English and Spanish swordsmen are battling over a document. It's a map to all the stored Spanish gold and it falls to privateer Sir Francis Drake (Rod Taylor). Queen Elizabeth I (Irene Worth) authorizes him to lead raids to steal the golden treasures.

This is a spaghetti historical drama. It's an Italian film for the English world. There is some swashbuckling. There are plenty of costume drama. The acting is fine if somewhat broad. Sometimes, it's almost camp. There are some impressive old style ships really on the sea. When the big battle finally happens, it is done with miniatures. It's a little too stuffy at times and I'm not taken with these characters. By the time of the final battle, I just want the movie to end.

Just as THE VIRGIN QUEEN (1955) dealt with Queen Elizabeth I's 'relationship' with Sir Walter Raleigh, this one involves her similar association with another well-known historical figure i.e. Sir Francis Drake. Unlike that film, however, which was done in lavish Hollywood terms, the title under review was a low-grade European venture, freely mixing the expected court intrigue and sea-faring stretches with elements of the swashbuckler genre, irrelevant romantic interludes and even instances of broad comedy (the discovery of potatoes, for instance, is attributed to a squaw's infatuation with Drake's right-hand man!). The brew proves uninspiring (despite interesting credentials, the best of which emerges to be Franco Mannino's rousing score) but undeniably entertaining in an unassuming way. Casting, too, is slightly above-average for this type of outing – with Rod Taylor (who had had an uncredited bit in the afore-mentioned THE VIRGIN QUEEN) a reasonably effective Drake, Keith Michell as his virile sidekick, Irene Worth as Elizabeth, Arturo (BLACK Sunday [1960]) Dominici as a Spanish ambassador, and there's even Terence Hill (still billed under his real name of Mario Girotti) as a conspirator and Michell's rival for the hands of one of the Queen's ladies-in-waiting.