Ist ja irre - Der Schiffskoch ist seekrank

Marking the end of the first era of the franchise with a glorious jump to colour, Carry On Cruising has a distinct summer holiday vibe to the proceedings, even if it was all shot in a studio and relies on plenty of stock footage to showcase its sunny relaxation destinations. There's something so wonderfully fresh, cheery and bright with that naught, picture postcard brand of humour just about forming with a lot of charm, falling pretty neatly between the early gentle comedies of the late '50s and the double-entendre-laden gems to come. However, as such, it feels like a film that should be funnier than it is, or maybe gentler and more innocent than it tries to be, but the script is sharp with some great gags deftly delivered by the ensemble, the perfect setup for a series of disasters and the film duly delivers thanks to dialogue bursting with puns and wordplay. Carry On Cruising certainly feels like a transitional period for the series, providing enough laughs and remaining as watchable and good-natured as any other entry in the series, even if at times it can feel rather limp.

When captain Wellington Crowther (Sid James) boards his ship the S.S.Wanderer he finds several of his crew replaced by apparent incompetents. Kenneth Williams is a sarcastic know-it-all, Kenneth Connor is a love-hungry doctor, and Lance Percival plays a chef with strange ideas about cake ingredients. Soon he realises the passengers are just as loopy: tiny old dear Esma Cannon is a "mad pixie" with a passion for mixers, Ronnie Stevens plays an alcoholic who drinks himself around the world without leaving the ship's bar, and Dilys Lane is on the prowl for a man much to the annoyance of her best friend (Liz Fraser).

The replacement crew do their best to please their temporary captain, but all efforts only serve to frustrate him. When they find out this cruise is to be his last on the ship they set about organising a surprise party to make amends.

The first colour Carry On is slightly smuttier than the earlier films, an indication of things to come, and boasts a large and realistic ocean liner set. Due to obvious budgetary limitations the action doesn't leave the ship, so brief stock footage is used to establish foreign locales when the ship drops anchor.

Sid James is rather underused in his mainly straight (and non-lecherous) role as ship's captain, his trademark cackle only appearing once or twice. Kenneth Williams doesn't get to do much more, as here the talented Kenneth Connor takes centre stage. He shyly pursues Dilys Lane's husband hunting young woman, who stalks both the gym tutor and the captain before realizing the doctor's intentions. Lance Percival (a face created for comedy) amuses as the ship's chef, and Esma Cannon provides a few laughs as a dizzy pensioner.

Those who prefer the earlier Carry Ons may find this one falling between two stools, as the transition to the series' middle period is much in evidence here. As always though, it provides enough real laughs and remains as watchable and good-natured as any in the series. A good example of vintage British humour for those interested.

Before the 'Carry On' series had busty Barbara Windsor and more than a subtle touch of the bawdy about it, this funny example took to sea with some of the regulars (the crumpled Sid James, the priceless Kenneth Williams, and boggle-eyed Kenneth Connor). With the wonderful Esma Cannon getting tiddled in the bar, and Lance Percival as a disgustingly inventive cook, it couldn't miss.

The best bits by a long way include Connor's clumsy courtship of Liz Fraser; alongside Williams' stilted and self-righteous officer, all nostrils and hardly-hidden indignation. Very funny, as most of the 'Carry Ons' were.

Based on a suggestion by Eric Barker to base a film around a package holiday - for which he received a story credit - the fifth 'Carry On' in many ways marked an attempt to make something more ambitious.

Anglo were beginning to invest in colour and sanctioned its use on 'Carry On Cruising' since it a was lot cheaper than filming on location (only the second-unit actually left Shepperton, and they only got as far as Southampton).

The result is one of the most charming and mellow of the series, as indicated by the fact that Kenneth Williams is still a clever dick and Sid James for once doesn't play a lecher. (The lack of an appearance by Charles Hawtrey being that he was replaced by Lance Perceval after being placed on suspension for demanding a star on his dressing room door).

I'm a Yank who's always loved British comedy and I'm sorta amazed that the reputation of this series never really traveled over to this side of the pond.

I haven't seen all of the Carry Ons, but of the ones I've enjoyed, Cruising stands out. I'm not sure why it doesn't get the love of the later films. Maybe it's because it's a relatively laid-back affair with a breezy sense of humor that never really sinks into toilet jokes or smutty double entendres.

Some say that Sid and Kenneth are underused - my opinion is that they're like a dash of cayenne pepper in the mix. A little dab'll do ya! I miss Charles Hawtrey but Lance Percival is hilarious. The color works well and the sets are very elaborate, especially the shot when the camera pans down into the ship's swimming pool. I showed this one to my girlfriend (who generally doesn't like older movies) and she was laughing out loud the whole time.

There seems to be a minority who rate this entry highly. For my money this one's better than Cleo and Cowboy...maybe not as good as Screaming. Just my 2 cents.