Champagner in Paris

I guess a trip to France is as good a reason as any to be in a film and Walt Disney took a whole bunch of American players over to France to film a rather innocuous and over long comedy Bon Voyage. Everybody here has done much better work.

The Willard Family of Terre Haute consisting of parents Fred MacMurray and Jane Wyman and kids Deborah Walley, Tommy Kirk, and Kevin Corcoran all head to Paris on a long anticipated vacation. Each of them has some issues to deal with.

MacMurray just can't seem to do what he wants to do, some family crisis is always interrupting. Walley has fallen for American playboy Michael Callan who is dying to get out from under his rich dowager mother Jessie Royce-Landis. Wyman has attracted the attention of a gigolo in Ivan Desnys. Kirk is having the old badger game run on him by Georgette Anys, the mother of a girl he met on the Riviera beach. Only Kevin Corcoran seems to have no problems, but he gets separated from MacMurray in a tour of the Paris sewer system. That by the way provides the best laughs in Bon Voyage.

Given the Disney parameters Bon Voyage had certain restrictions placed on it that the more successful National Lampoon's European vacation didn't have. That was a far better film and the Griswolds will linger in your memory way after the Willards have gone.

In a recent biography of Fred MacMurray, Tommy Kirk did not have fond memories of the film. His sexuality had come to light at the studio and Jane Wyman treated him horribly. As for Fred MacMurray he and Fred had a decent relationship from previous films, but it was never quite the same after that. In addition Kirk felt his character was something of a doofus and I'm inclined to agree with him.

Even with the European locations Bon Voyage is probably the weakest of all the films Fred MacMurray did for Disney.

Wow, this movie is boring. I think it's supposed to be a comedy, but I didn't really find it very funny. It's not one thing or another. It's not really terrible, but then it's not really good either. The scenes when they walk around Paris are better than most of the film, for at least you get to see some of the scenery, but that doesn't really make up for the bland, boring movie that this is. I think the concept is okay and they had a real opportunity to make a decent film, but somehow they just couldn't. I don't think it would have been quite so bad if it hadn't been so long. They could have easily have made a decent film by just cutting about an hour of the movie's runtime. It's not offensive or horrible in any way, however, and it wouldn't hurt to have it on in the background.

Bon Voyage Let's See. On board for 'Bon voyage' is my mother's favorite actor 'Fred MacMurray'. There is actress and Ronald Regan's ex 'Jane Wyman'. Disney maverick's 'Tommy Kirk' and 'Kevin Anthony "Moochie" Corcoran' are on board as well. And then there is Deborah Walley, who I never heard of before, but she seems like she's a good actress.

OK, there is the wholesome Disney atmosphere, some wacky situations, one involving Fred getting lost in the sewers of Paris and other wacky things including Fred almost getting arrested from causing a scene at a restaurant. He has some other wacky conversations with some relatives who have never meet him, but think it's horrible that Jane Whyman's character has marred of all things 'A plumber'. He slyly reveals that he is the plumber much to their shocked snobbery surprise. Overall there is the interesting sitcom concept and premise of a family taking a vacation in Europe.

This concept was used in 'National Lampoon's European Vacation' and produced a rather funny film. The concept used in this film produced a rather dull and boring movie. Despite the cleaner friendly film, it isn't a Disney film worth adding to your collection and I would have to say it isn't worth renting either. NLEV is crude in parts and is not worth letting your kids watch unless you find a way to severely edit out all the inappropriate parts.

But 'Bon Voyage' is not the better equivalent. With Fred MacMurray you expect better work. His character is annoying. When a man hits on his wife instead of hitting him, he guzzles down booze and gets upset at his wife because a guy is flirting with her. He does finally sock the guy, so justice wins out in the end, even though you have to wait for it to happen while enduring his whining about it. The melodrama that bubbles up from this film is also annoying and leaves you wondering about the deeper storyline that they never reveal. Even if they did you probably wouldn't care anyway.

The Disney magic does not flow upon everything that it does. This is not the worst film ever made or the worst film Disney ever made, it's just a rather boring dull film. So I say Bon Voyage 'Bon Voyage ( and don't come back)

BON VOYAGE (1962) is a curious, mildly entertaining live-action Disney artifact about a typical American family's long awaited trip to France, and an odd attempt at semi-sophisticated comedy from a studio not exactly known for the genre.

In the mom-and-pop leads are the Disney period Fred MacMurray, a long way from DOUBLE INDEMNITY, and the ex-Mrs. Reagan, Jane Wyman, whose dignity manages to hold up better than Fred's. As the two sons we have Disney protégés Kevin "Moochie" Corcoran in a relatively tolerable appearance, and Disney maverick, Tommy Kirk, in a buzz cut that does nothing for him.

For the young love interest daughter Deborah Walley and cynical playboy Michael Callen (Riff in the original stage cast of WEST SIDE STORY) are re-teamed after 1961's GIDGET GOES HAWAIIAN. As Callen's expatriate mother Jessie Royce Landis does her best to bring a touch of giddy sophistication to her Paris soirée sequence.

Around this time they used to say Disney got their live-action performers on the way up (Julie Andrews) or the way down (most of the cast here). It's also somewhat difficult to gage the target audience - adults, teens, family? - because there's not much here to hold a child's interest.

Certainly interesting is the authentic (if brief) footage of vintage ocean liners and their NYC piers (including a comically confused boarding and departure sequence), and location shots of an early '60s Paris.

Most curious sequence: MacMurray meeting what is subtly coded as a Paris street walker, played by the authentically French and rather grave Françoise Prévost, who seems to have inexplicably wandered in from a Godard film. Later she also picks up Kirk, an encounter dad is quick to defuse.

So it's no spoiler to mention that American Family Values triumph at the end in spite of a climactic trip to the decadent French Riviera. On the plus side the film presents a generally positive, even admiring view of French life and culture.

And Bunuel and Dali would surely love the extended sequence in which Fred MacMurray's wiggling finger protrudes from a street level Paris sewer lid.

This turned out to be a good movie. Fred MacMurray and Jane Wyman finally take the European trip they've always dreamed of, including taking their three children along. Tommy Kirk and Doborah Walley are their teen-aged children and bring along their romantic escapades. On location shooting make for a better than average Disney film. Saw this on the Disney channel.