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This is yet another classic from William Castle, the king of the gimmicks. The gimmick used for this film, often compared with "Psycho", was the idea of a "Fright Break" during which the viewer has 30 seconds to determine if they want to see the 'terrifying' conclusion to the film. When released in theaters initially, there was a separate section that patrons could go to during the "Fright Break". Gimmicks aside this is a very well crafted, often goofy, and quite effective little thriller. The murders, acting, and storyline are all over the top and everyone in the movie puts on quite an effective performance. Standing out in her role as Emily is Jean Arliss. It seems that Emily is quite disturbed as the movie opens with an alarming murder sequence. The story goes downhill from there and, just when you think you have all of the answers, the film changes the questions! The ending is very shocking for first time viewers and yet this is the kind of film that also gets more and more entertaining with each additional viewing. Highly recommended for horror fans, even though it's often compared with "Psycho" I feel that the film stands out on it's own and it's ending is actually more effective than Hitchcock's. Watch this movie, you won't regret it!

Universally bombed by the critics--but they miss the point. This was classic Saturday matinee fare--and it was quite effective back in 1961. William Castle put his special touch on it and produced a quite entertaining, if campy take-off on a more famous varietal. OK, the acting was rather bland, perhaps to be expected from Glenn Corbett and Pat Breslin and a lesser known cast, but Jean Arless stole the show, with kudos also to Eugenie Leontovitch. This wasn't the best of the Castle fare, that award belonging to "Mr. Sardonicus" easily, but there were enough scares and suspenseful moments in "Homicidal" to titillate the adolescent (as I was then) in all of us TRUE horror film buffs.

William Castle's 1950s camp classics 'The Tingler' and 'House On Haunted Hill' are lots of fun, and highly recommended to all horror fans with a strong sense of the absurd. I expected 'Homicidal' to be a similarly silly but entertaining affair, especially as it was also written by Robb White, but was quite surprised at just how dark and effective it was. Apart from Castle's typically hammy introduction, and the "fright break" towards the climax (a not too dissimilar idea to the one Gaspar Noe used several years ago in his shocking 'I Stand Alone'!), 'Homicidal' is nowhere near as gimmicky and tongue in cheek as most of Castle's best known movies. Maybe that is why it is rarely mentioned when his work is discussed. Too bad, to me it is one of his most interesting and effective shockers. While obviously inspired by 'Psycho', and made on a shoe-string budget with variable acting, I was quite impressed by it. The opening sequence is memorable - a beautiful blonde (Jean Arliss) checks in to a swanky hotel, and offers a shocked bellhop cash to marry her, assuring him that the marriage will be annulled immediately after the event. He is puzzled but agrees, and at the ceremony the next day the mysterious blonde quite unexpectedly murders the JP! We then follow her to a house where she looks after an elderly woman (Eugenie Leontovich) who is mute and confined to a wheelchair after a stroke. The old woman is obviously terrified of her, but is unable to convey this to any visitors to the house. Pretty soon we meet the other characters, and learn of a $10 million inheritance, and things start to get real interesting... I won't elaborate any further for fear of spoiling the plot. The major twist will no doubt be guessed by the viewer fairly quickly but there are still some surprises and shocks in store. Arliss (actually Joan Marshall) gives an intriguing performance. Why she didn't go on to bigger and better things after this is beyond me. I urge fans of Castle's better known movies to check out this little gem. I really enjoyed it and highly recommend it to all fans of b-grade thrillers and horror movies.

William Castle claims that he had the idea for this film while he was sleeping. If so, I can only assume that he was dreaming about Alfred Hitchcock's masterpiece, 'Psycho' because the blatant homage to the earlier film is difficult to ignore. Castle injects all the same themes and many of the ideas from Psycho into this film, but luckily; the master of entertainment has enough ideas of his own to ensure that Homicidal isn't merely a rip-off. Besides, Castle himself had a small hand in the events leading up to the release of Hitchcock's low-budget thriller...so I guess he earned the right to homage. The film starts off with one of Castle's campy intro features, and we also get a 'Fright Break' towards the end; but on the whole, this film is slightly more serious than earlier films such as The Tingler and House on Haunted Hill. The film opens properly with a sequence that sees a beautiful blonde woman pay a hired hand at a hotel to marry her. One thing leads to another, and she quite shockingly ends up sticking the knife into the Justice of the Peace...the plot thickens with the introduction of the elderly Helga and an inheritance of $10 million.

This film is never as good as Hitchcock's Psycho, but the master of entertainment always ensures that there's enough going on to ensure that it doesn't get boring. Much of the plot takes place in a dark, creepy house; which helps the director to implement a morbid and macabre atmosphere. One of the major faults with the film with regards to the scare factor comes from Castle's own showboating. The 'fright break' towards the end kills the shocking atmosphere that Castle has spent the rest of the film implementing, and as a result; the final macabre sequence is not nearly as effective as it could have been. The final twist is a clear derivative of Psycho, but it's actually quite well worked. The film introduced the talents of Joan Marshall (appearing here as Jean Arless) to the cinematic world, and her performance is what makes the film what it is. It's a shame that she never went on to make much of a splash after this film. I wouldn't hesitate to label Homicidal as one of William Castle's better efforts, as even though it's not quite what audiences have come to expect from the master of entertainment, and it's purely derivative; Homicidal is still a fine quality B-movie shocker.

I watched this late one night on my own in the 1970s and was scared and shocked. For years I wondered who Jean Arliss was until I was able to do some research on the internet. William Castle was a master of horror and gimmicks. This was one of a few horror movies that really left an impression on me.

Other movies which scared me on TV as a child or teenager in the 1960s and 1970s were:- The Tingler, 13 Ghosts, Psycho, Carnival of Souls, The Mad Magician and House of Wax.