Frühreife Generation

Progressive teacher Peter Gifford (William Shatner) allows the students in his class to write essays about anything they want. Most write about sex and their feelings about it. One student tells her mother, other parents find out, go crazy about their kids talking about sex in school (this WAS 1961) and order the principal (Edward Platt!!!) to fire Gifford. He does but the students led by Bobby (Billy Grey), Dan (Lee Kinsolving) and Janet (Patricia McCormack) decide to fight back. But will they win?

This film is laughably dated but still is not bad at all. The kids naivety is actually pretty interesting and the parents overreaction is convincing. This could have become a camp classic but competence at every level makes it work. The acting is pretty good--this is before Shatner became full of himself and it's amusing to see McCormack all grown up from "The Bad Seed". However Billy Grey is TERRIBLE in his role. And look for a young Beau Bridges in a few scenes. It's well-written (and based on a true incident) and I really liked how the students fought back in a non-violent fashion. Also well-directed in stark black & white. It also treats the teenagers (and parents) with respect. The ending was a little TOO goody-goody but still worked.

Worth seeing as a (I think) pretty accurate look at teen life back in 1961. Recommended.

Contrary to the lurid poster and title, The Explosive Generation is an enlightened, sensitive, and even-handed treatment of the issues involved in attempting to include a sexual education curriculum in high schools in the early 1960's. William Shatner is sensitive, realistic, gentle, and winning as the teacher trying to his best only to find his words and methods distorted by those with other agendas.

Patty McCormack (known for the Bad Seed, Kathy O, the Miniskirt Mob, and the Ropers) is quite good as the ingenue made to feel suddenly uncomfortable about her own sexuality in increasingly tense and challenging times. 50's TV fans will enjoy seeing Bud from Father Knows Best (Billy Gray) as one of the students. This is truly worth seeing both as a movie and as a history lesson.

William Shatner stars in this B&W classroom drama about the changing mores of the last 50s and early 60s. Released in 1961, this film would ring true to both adult and teenage viewers of the time. Only a few years before, Rebel Without a Cause had set the table for a new teenage paradigm. When we see a convertible full of teenagers speeding dangerously through a town (accentuated by a hand held camera in a trailing vehicle), we immediately recognize the form--a dangerous mix of freedom and rebellion.

It is in this setting that Shatner, as the young teacher, does his best to teach his students what they really need to know. One student (played by Patty McCormack only a few years after The Bad Seed!) suggests that the most relevant topic is sex, meaning the role of sex in teenage relationships. The newly claimed freedom of teenagers and their rebellion against the values of their parents made sexual behavior a volatile subject. When the parents discover the teacher is "making them" discuss sex, the town is ready to march with pitchforks (with a capital P, that rhymes with T, and that stands for Trouble!).

Except for the very obvious boom mike hanging over the classroom, I found the production values of this film excellent. The story was interesting. And Shatner doesn't even_talk with his_halting rhythms he became known for.

A previous comment wondered whether 21st century sarcasm should be applied to this film...I believe there's genuine enjoyment to watching this vintage film in that manner - the soundtrack alone is truly priceless.

And you should walk into this story with 21st century cynicism, sneer at the plastic performances and ridiculousness of the script, the scenarios it portrays...because it's only then that the real power of the film - I'm not kidding - comes through. When you're absolutely convinced that this generation and movie couldn't be further from "explosive" you are, with all the others, focused on the moment when our protagonist Janet reveals that which started all the fuss.

Then, even in this century, could a truth be more plainly and easily revealed to all. I danced to its music (for kicks) and ended astounded at its simple honesty. A great catalyst for discussion, if you can convince folks to relish, then release, their cynicism...

From the title I was expecting some fluffy 50's style juvenile delinquency. Actually, for folks wishing to bridge the gap between conformist youth 50's style and the rebellious 60's youth, this is a good flick to catch. 50's teacher Shatner is tired of processing his high school classes into dull adult conformity. So, he tries one day to get them to discuss topics that interest them apart from the settled curriculum. It just so happens that many of the kids attended an all-night stay-over at a beach house where many boy-girl things happened. Thus sex is upper-most for many, even though that's not fit subject matter outside of hygiene class. Still, teacher Shatner wants to fudge precedent and thus has them write about their concerns. However, one thing leads to another and the innovative-minded teacher's job is jeopardized once parents learn of the assignment and take their traditionalist concerns to the principal. Things reach a climax when the kids, hungering for treatment of their personal issues, react to Shatner's dismissal.

In many ways the script confronts the cultural conformity of the 50's with issues simmering beneath the outward calm. Among them-- education is more than simply preparing students for adult-level jobs; sex is as much a personal issue as a parental one; pressure to conform is reinforced by profits at the business level (Dunne's used car lot); real reform only comes about through mass action.

There may be more, but these are issues brought to the fore by what amounts to a daring script for its time (1961). It's also revealing that the movie was produced by independents and not a big studio. Anyway, the acting is skillfully unmannered and doesn't overshadow the important topics, while the staging uses location shots rather than studio sets giving the results a better sense of realism, even though I found the upshot to be a little too "Hollywood". All in all, the movie may be obscure; still, the 90-minutes reflects a significant undercurrent in the evolution of modern American culture. After all, Vietnam may have triggered the youth explosion, but the fuse was smoldering long before as the movie providentially suggests.