Ein mürrischer, exzentrischer Priester rekrutiert drei widerwillige Sträflinge, die ihm helfen sollen, eine Leprakolonie für Kinder von einer Pazifikinsel zu retten, die von einem schwelende... Alles lesenEin mürrischer, exzentrischer Priester rekrutiert drei widerwillige Sträflinge, die ihm helfen sollen, eine Leprakolonie für Kinder von einer Pazifikinsel zu retten, die von einem schwelenden Vulkan bedroht wird.Ein mürrischer, exzentrischer Priester rekrutiert drei widerwillige Sträflinge, die ihm helfen sollen, eine Leprakolonie für Kinder von einer Pazifikinsel zu retten, die von einem schwelenden Vulkan bedroht wird.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
- Jacques
- (as Jean Pierre Aumont)
- Marcel
- (as Gregoire Aslan)
- Camille
- (as Barbara Luna)
- Aristide Giraud
- (as Lou Merrill)
- Margot
- (as Michele Montau)
- Citizen
- (Nicht genannt)
- Radio Operator
- (Nicht genannt)
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Yet the greatness of the film is not about the missionary zeal of Catholic priests but more about faith in God--the loss of faith and the process of regaining it. It is not an action film, it is a spiritual journey where convicts turn religious by observing selfless actions of others. It brings to mind Pearl S. Buck's "Satan never sleeps". The choice of the title "Devil at 4 O'clock" is unfortunate as the film is not about any devil--there is only a volcanic eruption at that time.
Even if you choose to discount the story, the film is admirable for its earthquake and volcano/lava flow sequences. I wonder how they were able to splice in realistic lava scenes as well as scenes of a small plane flying in close proximity to a volcano in full fury.
Along with "The Seventh Cross" and "Bad Day at Black Rock" this film ranks high as a Spencer Tracy film. He carries the film on his shoulders with good support from Frank Sinatra and Gregoire Aslan. Joseph Biroc's camerawork and Mervyl Leroy's decision to direct this film are commendable. If you have not seen the film see it, it will uplift your spirits and your faith in human values.
The music complements the movie's theme. I am going to purchase this film because it has a timeless story and is entertaining at the same time. Spencer Tracy was able to convey so much with facial expressions and gestures that seem completely realistic unlike the stilted Method Acting technique ( which seems to me so patently artificial). I rate this film an eight out of ten.
One of the most interesting things about DEVIL is the cast. Frank Sinatra headlines as another likable rogue of the kind he did so well. Old-timer Spencer Tracy is a delight as the hard-headed priest who essentially runs the island while the French bores in charge look on. Sinbad star Kerwin Mathews is here too as the young priest sent to replace a retiring Tracy. The supporting cast includes Barbara Luna, a truly exotic-looking beauty, and Bernie Hamilton as one of Sinatra's fellow cons. Hamilton would later go on to TV stardom in STARSKY & HUTCH.
I think it's fair to say that THE DEVIL AT 4 O'CLOCK is a dated film and the special effects haven't held up particularly well, the back projection being a stand out. The first hour is a little slow too. However, once the disaster scenario kicks in, it becomes exciting and often gripping entertainment, and the ending is unexpectedly emotional. Solid Hollywood entertainment, in other words.
Pleasantly old fashioned film making, a disaster movie from the early 60s that boasts star appeal and nifty effects for the era. Plot finds Tracy as Father Doonan, a cleric who has lost his faith and likes a tipple or two. Ensconsed on a pacific island that houses a children's leper hospital, Father Doonan is to be relieved of his duties by Father Joseph Perreau (Mathews).
Enter three convicts who have to stop by the island, fronted by angry agnostic Harry (Sinatra), the cons are put to work in the leper hospital just as the island volcano decides it is time to erupt and level the island post haste.
What transpires sees a race against time formula adhered to, with added slices of sacrifice and redemption unfurled for our emotionally tickled enjoyment. It's undeniably too long at over two hours, really stretching the premise to breaking point, but such is the fine work of cast, photographer and director, it rounds out as spiffing entertainment. Great ending as well! 7/10
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- WissenswertesThe volcano in this film was built from scratch on farmland outside Fallbrook, California. Each shot required packing with hundreds of pounds of explosives and a carefully-orchestrated "eruption" to be filmed by the cameraman seated on the front skids of a helicopter. One eruption went off a little early and nearly took out the chopper, burning off the cameraman's eyebrows and some of his hair. Because the eruptions looked so good, this ersatz volcano provided stock footage for other films, commercials, etc., for decades.
- PatzerAfter the island explodes, the sea is perfectly calm. A huge eruption like that would have produced a huge tsunami.
- Zitate
Charlie: I was a pretty good thief in my time.
Father Matthew Doonan: I believe that.
Charlie: It's too late. Can't you get out now?
Father Matthew Doonan: It's never too late to change.
Charlie: My mother, that's what she used to say, "It's never too late."
Father Matthew Doonan: She was right.
Charlie: She kept after me - kept tellin' me - there was another thief once dyin' on the cross right next to Christ.
Father Matthew Doonan: The Good Thief.
Charlie: That's what she called him.
Father Matthew Doonan: He didn't chicken out. He just got smart and at the very last moment, he stole Heaven.
Charlie: That's pretty good stealin', huh?
- VerbindungenEdited from Der jüngste Tag (1951)
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- Erscheinungsdatum
- Herkunftsland
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- El diablo a las cuatro
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Box Office
- Budget
- 5.721.786 $ (geschätzt)
- Laufzeit2 Stunden 6 Minuten
- Seitenverhältnis
- 1.85 : 1