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Atlantis, der verlorene Kontinent

Originaltitel: Atlantis: The Lost Continent
  • 1961
  • 12
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
5,5/10
2247
IHRE BEWERTUNG
Atlantis, der verlorene Kontinent (1961)
Official Trailer ansehen
trailer wiedergeben2:51
1 Video
34 Fotos
AdventureSci-Fi

Füge eine Handlung in deiner Sprache hinzuWelcome to Atlantis, where royal guardsmen wear uniforms that could easily be from the wardrobe of Ming the Merciless and some unfortunate slaves are turned into bovine-headed beasts.Welcome to Atlantis, where royal guardsmen wear uniforms that could easily be from the wardrobe of Ming the Merciless and some unfortunate slaves are turned into bovine-headed beasts.Welcome to Atlantis, where royal guardsmen wear uniforms that could easily be from the wardrobe of Ming the Merciless and some unfortunate slaves are turned into bovine-headed beasts.

  • Regie
    • George Pal
  • Drehbuch
    • Daniel Mainwaring
    • Gerald Hargreaves
  • Hauptbesetzung
    • Sal Ponti
    • Joyce Taylor
    • John Dall
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,5/10
    2247
    IHRE BEWERTUNG
    • Regie
      • George Pal
    • Drehbuch
      • Daniel Mainwaring
      • Gerald Hargreaves
    • Hauptbesetzung
      • Sal Ponti
      • Joyce Taylor
      • John Dall
    • 55Benutzerrezensionen
    • 21Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:51
    Official Trailer

    Fotos34

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 29
    Poster ansehen

    Topbesetzung63

    Ändern
    Sal Ponti
    Sal Ponti
    • Demetrios
    • (as Anthony Hall)
    Joyce Taylor
    Joyce Taylor
    • Antillia
    John Dall
    John Dall
    • Zaren
    William Smith
    William Smith
    • Captain of the Guard
    • (as Bill Smith)
    Edward Platt
    Edward Platt
    • Azor
    Frank DeKova
    Frank DeKova
    • Sonoy
    • (as Frank De Kova)
    Berry Kroeger
    Berry Kroeger
    • Surgeon
    Edgar Stehli
    Edgar Stehli
    • King Kronas
    Wolfe Barzell
    Wolfe Barzell
    • Petros
    Jay Novello
    Jay Novello
    • Xandros
    Paul Frees
    Paul Frees
    • Narrator
    • (Synchronisation)
    • …
    Nina Borget
    • Noblewoman
    • (Nicht genannt)
    Chet Brandenburg
    Chet Brandenburg
    • Citizen
    • (Nicht genannt)
    George Bruggeman
    George Bruggeman
    • Guard
    • (Nicht genannt)
    Alan Callow
    • Norseman Slave
    • (Nicht genannt)
    Charles Cirillo
    Charles Cirillo
    • Slave
    • (Nicht genannt)
    Phyllis Douglas
    Phyllis Douglas
    • Girl
    • (Nicht genannt)
    Dennis Durney
    • Norseman
    • (Nicht genannt)
    • Regie
      • George Pal
    • Drehbuch
      • Daniel Mainwaring
      • Gerald Hargreaves
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen55

    5,52.2K
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    Empfohlene Bewertungen

    5de_niro_2001

    Fantasy or Allegory?

    I thought this film would be a bit of a turkey but it turned out to be very entertaining. There are echoes of the same director's The Time Machine and The War of the Worlds in it. It combines sci-fi with Greek mythology very well. Although it is very much a fantasy film the pre-title sequence where the narrator talks about the things in the Old World and the New whose similarity which must be more than coincidental is quite thought provoking and you wonder what the real reason was for there being cave paintings of elephants in America and paintings of witches being similar on both sides of the Atlantic. It was made in the early sixties and it seems also to be making a statement about nuclear power with one crystal being used for lighting and heat and another being used for destruction. That scene seems to be a veiled warning about controlling our technology and not letting it run away. The rulers of Atlantis seem also to be a metaphor for the Nazis with their ideas of racial superiority and their desire to conquer the world together with their use of slave labour. A good film for all the family.
    hammjp

    A fun movie

    I first saw this film when I was a child. My friends and I were enamored of it, and played "Atlantis" for weeks after. Watching the movie with adult eyes, however, reveals that it is not George Pal's best work. Even so, it continues to have sentimental value for me and I do watch it occasionally. I still believe it to be a "fun" movie, real Saturday Matinee, popcorn and juju beads, sticky floor fun. Just turn off the brain, drop your expectations, and enjoy.
    HalfCentury

    Paul Frees All Over The Place

    Anyone else notice that Paul Frees, the worlds greatest voice, doesn't just do the narration. He is doing the voice for Demetrius' father. Weird accent and all. And the Princess' father as well! Which is strange since the actor playing him has such a distinctive, tired old man delivery that goes with his appearance much better than Frees voice. There can't be any argument Frees sounds more like a King. Pal obviously loved the guy. He's in every film Pal made from '53 on.
    6sloopjohnb37

    Possibly one of the finest movies ever made - thanks, George Pal!

    Yes, yes. Actually, I encountered this movie first as a "comic book based on the movie" when I was 11 years old (in 1961). That comic book really made an impression on me! (Money well-spent from my paper route). Anyway, the part I like best is where the Atlanteans are making men into beasts by grafting snouts and horns onto them. Impressive! I can't work out whether its "Island of Dr Moreau meets Ulysses" or "Pinochhio meets Jason and the Argonauts". However, all of that doesn't really matter. Let's just say they don't make em like this no more. Stiff, Biblical-epic-style acting abounds.

    Three cheers for George Pal!
    5bkoganbing

    Catch of the day

    At the age of 14 I liked Atlantis, The Lost Continent because I had 14 year old tastes at the time it was in theater. George Pal produced a really neat show for juveniles and it came out at a time when Italian studios were turning out dozens of these films based on classical ancient times.

    Looking at it more than five decades later I can now appreciate the great cast of character players brought in to support a pair of less than charismatic leads. Any film that has John Dall, Edward Platt, Berry Kroeger, Frank DeKova, Jay Novello, and Edgar Stehli should not be missed.

    Our leads are Anthony Hall as Demetrios a poor but humble Greek fisherman who catches Joyce Taylor a princess from a far away land. She's run away because she doesn't want to marry Dall and considering he's more than a bit off kilter who could blame her. She still insists on royal prerogatives in dealing even with her rescuer.

    In the end Hall takes his little fishing boat beyond those Pillars of Hercules at the mouth of the Mediterranean and they find Atlantis or Atlantis actually finds them in a metallic submarine that Dall is captaining. After that Hall is taken to the island of Atlantis where Edgar Stehli is the king, Taylor his daughter, Kroeger a mad scientist physician who has created a race of mutants, DeKova the court astrologer and Platt a priest. Each one of these people gets to strut the stuff that we expect from them. Pal gave them all their heads and they run with it. As an adult this is what I love this picture for.

    Especially Dall working that death ray machine. The man is truly achieving orgasm as he zaps people into non-existence with a phaser like device. The Atlanteans all dress in classical Peplum style, but have made some really far advances.

    Juveniles will still love it, many adults will too. But as Atlantis falls, didn't someone think to save that submarine. Whoever did would be ruling the planet.

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    Handlung

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    • Wissenswertes
      Following a preview of the film, a questionnaire was distributed among the viewers asking what scene they liked. One person answered, "The scene where Robert Taylor saved Deborah Kerr from the fire." This was in reference to the fact that much of the stock footage used in the film came from Quo vadis? (1951).
    • Patzer
      Demetrius states that he had a dream about Neptune. He is Greek, and he would not have known about Neptune. The Greek god of the sea was Poseidon, not Neptune who was the Roman counterpart of the Greek sea god.
    • Zitate

      [first lines]

      Narrator: When Columbus discovered America, a series of mysteries arose to confound the scholars of Europe. Here are two continents, completely isolated from each other, yet they simultaneously developed similar cultures. For example, the Mayans measured time on the same principle as the Gregorian calendar of Europe. They used the same signs of the zodiac, the same decimal and mathematical system. They valued silver and gold, using both for jewelry and barter. Another mystery was the banana plant, a native of Asia that cannot be grown from seed, yet Columbus found it thriving in the New World. Elephants at that time did not exist in the Americas, yet their likenesses were cleaved on the walls of prehistoric caves in Peru. The pyramids in Mexico and in Egypt were built on identical architectural principles. Then there was the striking resemblance of a witch of Spain, and the witch depicted in the New World. But the most significant of all, Mayan and Aztec legends shared with Greek and Hebrew and Assyrian literature an account of a terrible deluge, a deluge many believe had destroyed the link, the mother empire, that had spread her civilization to both sides of the Atlantic. The Greek scholar Plato recorded this theory first, over two thousand years ago. There was once another continent: Atlantis: The Lost Continent.

    • Crazy Credits
      For once in his life, Paul Frees gets an on-screen credit for a voice-over job, the narration in the opening and closing sequences. Strangely, he is billed not in the cast list, but in the technical credits.
    • Alternative Versionen
      When originally released theatrically in the UK, the BBFC made cuts to secure a 'A' rating.
    • Verbindungen
      Edited from Quo vadis? (1951)

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 5. Mai 1961 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Atlantis: The Lost Continent
    • Drehorte
      • Santa Catalina Island, Channel Islands, Kalifornien, USA
    • Produktionsfirmen
      • George Pal Productions
      • Galaxy Productions (IV)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      1 Stunde 30 Minuten
    • Seitenverhältnis
      • 1.85 : 1

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