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Wilder Strom

Originaltitel: Wild River
  • 1960
  • 12
  • 1 Std. 50 Min.
IMDb-BEWERTUNG
7,5/10
6487
IHRE BEWERTUNG
Wilder Strom (1960)
A TVA bureaucrat comes to the river to do what none of his predecessors have been able to do - evict a stubborn octogenarian from her island before the rising waters engulf her.
trailer wiedergeben2:59
1 Video
23 Fotos
DramaHistoryRomance

Ein TVA-Bürokrat kommt an den Fluss, um das zu tun, wozu keiner seiner Vorgänger in der Lage war - eine hartnäckige Achtzigjährige von ihrer Insel zu vertreiben, bevor das steigende Wasser s... Alles lesenEin TVA-Bürokrat kommt an den Fluss, um das zu tun, wozu keiner seiner Vorgänger in der Lage war - eine hartnäckige Achtzigjährige von ihrer Insel zu vertreiben, bevor das steigende Wasser sie verschlingt.Ein TVA-Bürokrat kommt an den Fluss, um das zu tun, wozu keiner seiner Vorgänger in der Lage war - eine hartnäckige Achtzigjährige von ihrer Insel zu vertreiben, bevor das steigende Wasser sie verschlingt.

  • Regie
    • Elia Kazan
  • Drehbuch
    • Paul Osborn
    • William Bradford Huie
    • Borden Deal
  • Hauptbesetzung
    • Montgomery Clift
    • Lee Remick
    • Jo Van Fleet
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    6487
    IHRE BEWERTUNG
    • Regie
      • Elia Kazan
    • Drehbuch
      • Paul Osborn
      • William Bradford Huie
      • Borden Deal
    • Hauptbesetzung
      • Montgomery Clift
      • Lee Remick
      • Jo Van Fleet
    • 63Benutzerrezensionen
    • 45Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Gewinne & 2 Nominierungen insgesamt

    Videos1

    Trailer
    Trailer 2:59
    Trailer

    Fotos23

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 19
    Poster ansehen

    Topbesetzung32

    Ändern
    Montgomery Clift
    Montgomery Clift
    • Chuck Glover
    Lee Remick
    Lee Remick
    • Carol Garth Baldwin
    Jo Van Fleet
    Jo Van Fleet
    • Ella Garth
    Albert Salmi
    Albert Salmi
    • Hank Bailey
    Jay C. Flippen
    Jay C. Flippen
    • Hamilton Garth
    • (as J.C. Flippen)
    James Westerfield
    James Westerfield
    • Cal Garth
    Barbara Loden
    Barbara Loden
    • Betty Jackson
    Frank Overton
    Frank Overton
    • Walter Clark
    Malcolm Atterbury
    Malcolm Atterbury
    • Sy Moore
    Mark Anthony
    • Night Clerk
    • (Nicht genannt)
    Ross Apperson
    • Attorney Armstrong
    • (Nicht genannt)
    Big Jeff Bess
    • Joe John Garth
    • (Nicht genannt)
    James Campbell
    • Small Role
    • (Nicht genannt)
    Donna Carnegie
    • Small Role
    • (Nicht genannt)
    Bruce Dern
    Bruce Dern
    • Jack Roper
    • (Nicht genannt)
    Mike Dodd
    • Sheriff Hogue
    • (Nicht genannt)
    John Dudley
    • Todd
    • (Nicht genannt)
    David Ferrell
    • Small Role
    • (Nicht genannt)
    • Regie
      • Elia Kazan
    • Drehbuch
      • Paul Osborn
      • William Bradford Huie
      • Borden Deal
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen63

    7,56.4K
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    Empfohlene Bewertungen

    10gayeshortland

    my forty-year search rewarded

    There is little to add to the eloquent appreciations of Wild River by other users. Still, I want to pay my tribute. My father took me to see the film when I was a little girl and it made such an impression on me I have been searching for it for years. Odd, since I remembered nothing of the plot, retaining only fleeting images of autumn colours, Lee Remick's autumnal hair, the old ferry, an indelible impression of Montgomery Clift's face, the old woman surrounded by still 'figures in a landscape'. And the creation of a unique atmosphere so tangible, so lyrical, so elegiac it stayed with me for 40+ years. I've been wanting to know why it clung to me so. And wondering why it seemed to have disappeared without trace. This Christmas, in the fullness of time, my niece presented me with the DVD and I have at last seen it again. Why did it affect me so profoundly? That one's easy. Why had the film disappeared. That one's complex, as you know. What I hadn't expected was that stunning performance from the incomparable Jo Van Fleet. No Oscar? Were they mad? It is intensely interesting and sobering to reflect how politics can hold art hostage.
    pocomarc

    Jo van Fleet is terrific as usual

    This movie features Jo van Fleet, a terrific actress who has been forgotten.

    As usual, her performance carries the movie.

    Some should remember her as the mother of the James Dean character in East of Eden, where her scenes with Dean are the most powerful in the film.

    Elia Kazan, who directed Wild River, also directed East of Eden.

    Kazan said in an interview he considered van Fleet a "great" actress, and expressed irritation that she had been "forgotten."

    In Wild River the character she plays so believably is decades older than she actually was.

    One previous reviewer here is so fixated on politics that he really uses his pretense of reviewing this movie to give his own personal political views, which are of no interest to me, and which do not belong in a forum of this type.
    stephen-357

    The traditionalist. . . the modernist. . . and a river between them.

    On May 18, 1933 the Federal Government under FDR's "progressive agenda", created the Tennessee Valley Authority, a vast scheme of regional development that involved, in part, the diverting of masses of water into valleys thus protecting large populations of people from the ravages of flooding rivers. Dams were created to assist in this enterprise and to harness the vast energy of the raging waters through turbines which in turn created electricity for communities that still lived in the "dark ages." WILD RIVER begins with stock news footage of the damage ravaged upon a community by a flood, in particular a heart rending first hand account of a man who has suffered a great loss. In comes the Tennessee Valley Authority (TVA) to save the day, a bastion of progress with Chuck Glover (Montgomery Clift) as its representative. The TVA, in order to complete its mission, must relocate all the residents within a particular area slated for water relocation but Mrs Ella Garth, an old hard-as-nails woman living on a small island in the middle of the valley, refuses to leave her land for any price. This is the context of WILD RIVER, but for director Elia Kazan, the TVA and its surrounding controversy are a microcosm for America's growing pains and the divisions between North and South that have persisted since the Civil War brought them to a head. Kazan contrasts rugged individualism, so much a part of the Nation's heritage, with an activist Federal Government citing the best interests of the community. The traditional attachment that the South has to "the land", where "the elements" are an accepted part of life is contrasted with the North's reliance on technology to tame the elements. The sophisticated Montgomery, full of enthusiasm and conviction for his mission, is immediately jolted into reality first by the steadfast conviction of the old landowner (in a towering display of acting by Jo Van Fleet), then by overt Racism "for a minute I forgot where I was.", and finally by his own mixed emotions. His passions are aroused by Carol (Lee Remick), Mrs Garth's stepdaughter, who is suffering from under stimulation, both physically and mentally. Widowed for over two years, she lives with her two children and the old woman on the island. When the handsome, educated Chuck arrives on the scene, she finds in him a source of combustion to feed a very deep well of passion. Once ignited, the fire threatens to envelope Chuck's controlled existence and intensify Carol's feelings of displacement. Rarely has confusion, vulnerability and molten sexuality been rendered more effective by an actress. Remick completely dispenses with any pretense about her sexual and emotional hunger and sets the screen on fire! While still smoldering, she manages to convey her separate, but equally passionate emotions for man and child during a tender scene between Clift and her daughter.
    8marcslope

    A flop, and I can't imagine why

    Lee Remick's own favorite among her movies, and fine late Elia Kazan, this historic romance of the TVA and progress vs. tradition is beautifully crafted, gorgeous to look at, exquisitely acted, and quite frightening in its depiction of potential mob violence. Cleverly adapted from two books by Paul Osborn, it takes its time spinning out a gripping tale of a government agent (a restrained Montgomery Clift, his private life a wreck, but none of it shows on screen) trying to evict a stubborn, proud old woman (Jo Van Fleet, magnificent; Shirley Jones won over this? Really?) from her island so it can be flooded and power brought to all those poor Tennesseeans. He enlists the aid of her widowed-mom granddaughter, Remick, and the relationship between her and Clift is wonderfully ambiguous and rich. It's intelligent, moving, and convincing, and nobody went to see it in 1960. Very worth seeking out.
    10llmann-1

    The movie is great

    I had to say this movie was so stunning for me. The beginning black and white newsreel of a man who lost his three children in a flood is actually a real clip and it is my grandfather, so I was so amazed to see this. He passed away in 1972. My father lost his brothers and sisters in the flood which was in the 1930s Trumansburg, NY. I believe is was the flood of 1935. How amazing to see an actual news reel of my grandfather!!! I had a hard time finding the movie until I come across it on ebay. My father once had it, but he ended up losing it as the movie was not marked it was a blank VHS and it was unfortunately thrown away. I am holding onto the movie that I got until his birthday. It will make a unforgivable gift.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Lee Remick picked out two local Charleston kids to play her children. She chose the little girl because she looked like Lee at age 7. She chose the little boy because he loved hugging and kissing Lee.
    • Patzer
      When Chuck and Carol stop for gas, a torn movie poster is displayed prominently on the wall of the station. Although the title and the name of the players have been ripped off, it's quite obviously Morgen ist die Ewigkeit (1946) with the images of its three stars, Claudette Colbert, George Brent, and Orson Welles, easily identifiable; this film was not actually produced until 12 years later, in 1945, and released in 1946.
    • Zitate

      Carol Garth Baldwin: [to Chuck] I'm leaving here, with you or without you, but I want you to know something... I'd be a good wife for you. A DAMN good wife. I'm smarter than you in some ways and I know what's good about you and I know what's bad and I'm not afraid to tell you... I have two children who love you. They love you and I love you... and you're not easy to love, but you do need someone... and I love you. I love you, I love you.

    • Verbindungen
      Featured in Mirror for Our Dreams: The Director: A Matter of Viewpoint (1968)
    • Soundtracks
      In the Garden
      (uncredited)

      Written by Austin Miles

      Sung by Lee Remick

    Top-Auswahl

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    FAQ17

    • How long is Wild River?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 11. August 1960 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Wild River
    • Drehorte
      • Hiawassee River, Tennessee, USA
    • Produktionsfirma
      • Twentieth Century Fox
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    Box Office

    Ändern
    • Budget
      • 1.595.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 50 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • 4-Track Stereo
    • Seitenverhältnis
      • 2.35 : 1

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    Wilder Strom (1960)
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    By what name was Wilder Strom (1960) officially released in India in English?
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