Füge eine Handlung in deiner Sprache hinzuThe backstage romances of an egotistical singer and his under-valued manager, a lovelorn bandman and a nude dancer.The backstage romances of an egotistical singer and his under-valued manager, a lovelorn bandman and a nude dancer.The backstage romances of an egotistical singer and his under-valued manager, a lovelorn bandman and a nude dancer.
Masaaki Hirao
- Susumu Ueno
- (as Masaaki Hirai)
Tatsuo Nagai
- Maruoka
- (as Tatsurô Nagai)
Ausgewählte Rezension
Not bad I guess? Looks like it was Shinoda's first feature, and through exploring his filmography, I've him to be a director who consistently puts out decent to good movies. None that I dislike, but also none that I can quite say I love.
This too falls under decent, though maybe on the lower end. It's less experimental or new-wavey than his other 60s films, with simple/fairly clear characters and a simple plot that's sort of there if you care, but isn't hugely important if you more just want to watch this for the characters and the overall vibes.
And there are vibes to be had. Plenty of music, and Shinoda's movies had pretty good visuals right off the bat, it seems.
Not bad, not great. As part of his early works, it helps give context to what came after (and still so many more to see from this always interesting director, who along with Yoji Yamada remains one of the last living Japanese directors of this era of Japanese cinema).
This too falls under decent, though maybe on the lower end. It's less experimental or new-wavey than his other 60s films, with simple/fairly clear characters and a simple plot that's sort of there if you care, but isn't hugely important if you more just want to watch this for the characters and the overall vibes.
And there are vibes to be had. Plenty of music, and Shinoda's movies had pretty good visuals right off the bat, it seems.
Not bad, not great. As part of his early works, it helps give context to what came after (and still so many more to see from this always interesting director, who along with Yoji Yamada remains one of the last living Japanese directors of this era of Japanese cinema).
- Jeremy_Urquhart
- 26. Dez. 2021
- Permalink
Fotos
Handlung
WUSSTEST DU SCHON:
- WissenswertesInspired by the Neil Sedaka song "One Way Ticket," a huge hit in Japan in 1959.
- PatzerWhen you see him play his fingers do not move.
- Zitate
Kenji Shirai: Isn't he a good guy?
Mitsuko Maki: Yes. Where does he work?
Kenji Shirai: He's like an underling for a big shot in the area.
Mitsuko Maki: An underling?
Kenji Shirai: To be frank, he's a yakuza. He had no luck finding a job either and ended up like that.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- One Way Ticket to Love
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 22 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
By what name was Koi no katamichi kippu (1960) officially released in Canada in English?
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