Sieben gegen die Hölle

"The Long and the Short and the Tall" is a 1961 war drama by director Leslie Norman. Dated and plodding, the film watches as a platoon of British soldiers apprehend a Japanese scout during WW2's Malayan Campaign. The platoon then wrestle over questions of ethics. Some soldiers abuse the prisoner, some want him executed, whilst others rush to his defence. Laurence Harvey, who plays a gruff private, becomes the platoon's voice of conscience.

"Long" was once renowned for its foul language and gritty tone, but such things are passé today. The film's "do unto others as you'd have them do unto you" plot ends with a handful of British soldiers captured by the Japanesese, a "shocking" twist which is meant to jolt us into contemplation. This, unfortunately, has little to do with contemporary warfare. Today the shoe is never on the other foot, and it's no longer an issue of populaces failing to "empathise with the enemy", but rather, something far more toxic; the ability of men to rationalise war as something just, necessary and humane, the apathy of populaces, the designed distortion of history and the ability of leaders to remain at a state of perpetual war yet hide such conflicts from prying eyes. The philosophical questions "Long" poses have little bearing upon either modern warfare or WW2 itself. The film costars Richard Harris.

4/10 – Slow and unconvincing. See "The Burmese Harp".

What at first seems to be your typical British war film about a squad of soldiers behind enemy lines in Burma actually turns out to be something far, far different - and better. THE LONG AND THE SHORT AND THE TALL is actually a morality play about the importance of human life, the nature of warfare, and mankind's humanity towards his own kind. It was based on a play and occasionally feels very staged and studio-bound, but it overcomes these flaws to become something very compelling.

What's especially good about this film is that it takes careful time to develop each of the main characters in turn. So we get Richard Todd as the tough, incredibly ruthless sergeant, and Richard Harris as his volatile corporal. Ronald Fraser does well as a man conflicted between kindness and brutality, and David McCallum is a delight as the coward of the group. Best of all is Laurence Harvey, who plays a racist on the outside but at the same time becomes the most humane one of the lot.

THE LNG AND THE SHORT AND THE TALL doesn't pack a great deal of action into the running time, but when it does occur it's incredibly hard-hitting due to the aforementioned characterisation. Kenji Takaki also deserves kudos for playing the Japanese soldier; without a single word of English, he manages to create a thoroughly sympathetic character. Less is more, and this underrated war movie is a great example of that ethos.

Looking at this bunch out on patrol in the China/Burma/India theater of World War II I was reminded of what Clark Gable said to Charles Laughton about the impressed seaman on the Bounty, them not being king and country volunteers. Sergeant Richard Todd has his hands full keeping good discipline and order with crew in The Long And The Short And The Tall. Using that British wartime ballad as a title tells about all the different types one gets in the Armed Services.

So it is in this film where Sergeant Richard Todd has a mission which he figures is a light one. Just go out to get background recordings of jungle sounds to be played in real battle to confuse the enemy. But the Japanese are also full of tricks. This patrol is drawn into enemy held area and then the idea is for the British soldiers to get out alive.

Based on a stage play and the stage roots of his project aren't all that well concealed, the patrol captures a Japanese scout. Just his presence among them brings a breakdown in discipline that spells disaster. It is inevitable in war that one does not see the enemy as human. If you did you couldn't kill them. The more popular the war, the more that spreads to the civilian sector.

Standing out among the patrol members are Richard Harris and Laurence Harvey who would dislike each other intensely in civilian life in any event. Harvey in fact has no kind words for anybody. With him it's like is Joe Lampton character from Room At The Top went off to war, most likely drafted.

The Britsh whose island nation was threatened far worse than continental USA have this film as being the first at least I know of to show their fighting men as less than heroes. The film's main weakness is not successful transition to the screen from the stage. But the acting is vivid especially from Todd, Harris, and Harvey.

Rarely does a movie transform from the stage to the screen successfully. The Long and the Short and the Tall is one of few exceptions. A harrowing and moving story of how a group of British soldiers find themselves engaged in combat with the enemy in the Burmese jungle. Not only does the imagery capture the intense feeling of fear engaging the soldiers as they realise the enemy forces are aware of their existence, it also takes the viewer into the minds and exposes the smell of death as it envelopes the humid moment of combat. Well worth watching. One of the best war movies ever made with an all star British cast delivering a perfect script.

A great film which I had not watched for twenty years or so.But what really struck me was Lawrence Harvey's terrible accent.What was it supposed to be? I think it was on a par with Dick Van Dyke's in Mary Poppins.Some actors can move effortlessly between upper class and working class and be totally believable but in this case it almost ruined the film for me.It was a little "stagey" I agree and I think it could have been much better if the actors had swapped their parts around in a couple of cases.I would like to see a new version put onto film with a really good cast of contemporary actors and maybe shot on location.