Der Fluch der Urwaldhexe

I remember watching "The Leech Woman" when I was twelve years old. There is something absolutely terrifying about this movie, but yes I agree it isn't Oscar caliber. For a movie made back in 1960 I don't think it's that awful. (Ever mindful that another movie one year later came out called "Psycho") There is something sensual in the way men and women are punctured in the back of the neck and then their blood is consumed by a woman. Or perhaps at twelve my testosterone was starting to make itself known. I vividly remember the very end of the movie with Colleen Gray laying flat on her back looking like some old tattered witch. It terrified me. Know why? Because the old woman that lived next door to us looked very similar! For a long time after seeing this movie I went outside wearing a turtle neck sweater!

Not a great movie but certainly not as bad as others .

While traveling through the African wilderness, an aging woman discovers the secret of youth, but she will have to kill to stay young.

A clever story and an outstanding performance from Coleen Gray uplifts this old B thriller. You've gotta give Leech Woman a little more credit for being a drive-in movie from the late 50's that doesn't rely upon some 'monster' to drive it. Leech Woman is instead a more thoughtful thriller that examines a woman's desperation. It's low budget indeed, but does have some decent makeup FX, a nice music score, and a better-than-average cast to hold it together.

** 1/2 out of ****

Enjoyable low-budget horror schlock from Universal-International has Colleen Gray giving a juicy performance as the hard-drinking wife of doctor Phillip Terry, an endocrinologist who is turned on to a youth potion by an ancient African woman that utilizes orchid pollen and the secretions of the male pineal gland. Unfortunately, the male has to be killed to get the chemical from the gland--plus, the youthful effect is only temporary. First-half of the movie--wherein Gray, Terry and John van Dreelen travel through the jungles of Africa, learning the secret of the potion before being told they will be killed in the morning--looks and sounds like a reel from a Tarzan adventure. Second portion with Gray using the youth serum on herself and pretending to be her own niece is far more entertaining (it's rather like a straight-faced precursor to "Death Becomes Her"). Pulled together quickly by the studio, "The Leech Woman" is better than it has any right to be, with a good cast and fine make-up effects helping to bolster its shaky structure. ** from ****

Leech Woman was a great flick,regardless of what anybody says about it.Colleen grays acting was powerful and convincing as the bitter alcoholic wife of an opportunistic rat who wants to use her as a guinea pig for his youth serum experiments.If you ask me colleen should have gotten a face lift instead.And dig that estelle helmsley,she looked like a human prune.Gloria Talbott also added interest to the film as the jealous rival.As for grant williams,he was just a cad,typical easily tempted weak male.To constantly have to kill people with a ring to stay beautiful,what,s wrong with makeup and hair dye? As for colleens killing it was a toss up,some of the people deserved it and some did,nt.

Speedily put into production in order to offer exhibitors a second-feature lure with bookings of The Brides of Dracula, this little movie suffers from a tedious First Act. The initial scenes were obviously designed merely to fill in time, so that latecomers would not feel at any disadvantage. We're told absolutely nothing that doesn't develop later on in the plot. A bit of judicious trimming here would do wonders. And in any event, Coleen Gray doesn't seem nearly old enough in these early scenes to make her motives credible. Fortunately, she is marvelously made-up later on—and in these sequences she also gives by far the best performance of her career.

Despite Dein's flat-footed direction and the obvious constraints and inhibitions imposed by a tight "B" budget, interest is kept at a high level in the last half of the movie not only by Gray's forceful portrayal (and the skillful way she is lit and make-up) but by some neat yet unexpected plot twists

Alas, the film cheats on special effects, the transformations being accomplished without camera trickery in a most tame and disappointing manner.

Nonetheless, although horror devotees will find the going pretty dull until the halfway mark, the movie does eventually hit its stride. In fact, I'd describe it as a key item for any keen fan's personal collection.