Odette
- 1950
- 2 Std. 4 Min.
IMDb-BEWERTUNG
6,8/10
1144
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuDuring WW2, a French woman living in England volunteers to work for British Intelligence in Nazi-occupied France.During WW2, a French woman living in England volunteers to work for British Intelligence in Nazi-occupied France.During WW2, a French woman living in England volunteers to work for British Intelligence in Nazi-occupied France.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Gilles Quéant
- Jacques
- (as Gilles Queant)
Fritz Wendhausen
- Colonel
- (as F.R. Wendhousen)
Eddie Boyce
- Man in Fingerprint Queue
- (Nicht genannt)
Marie Burke
- Mme. Gliere
- (Nicht genannt)
Wolf Frees
- Major
- (Nicht genannt)
Liselotte Goettinger
- German POW Camp Officer
- (Nicht genannt)
Campbell Gray
- Paul
- (Nicht genannt)
George Hilsdon
- Guard
- (Nicht genannt)
John Hunter
- American Officer
- (Nicht genannt)
Hugh Morton
- Italian Officer
- (Nicht genannt)
Empfohlene Bewertungen
A British biographical drama: A story about the French widow of an English soldier who offers her services to British Intelligence who send her undercover to assist the French Resistance in Vichy France, but soon the enemy sets a trap. This gripping, moving, and grim fact-based melodrama is a daunting and vivid tale. Anna Nagle gives a fine performance, immersing herself in the role in the same way as many Method actors would do in a later generation. Trevor Howard and Peter Ustinov are equally convincing. Although the film doesn't provide much mystery, the factual elements are sensitively handled.
10clanciai
Painstaking reconstruction of lost heroes of the war in an almost documentary character, in this case the French resistance organized from England with a quite ordinary woman as the main link and foundation of the operations, as she as an ordinary woman is best fit not to attract attention. When she is asked to volunteer she has no experience whatsoever, an ordinary woman with three children separated from her husband, whom we never hear a word of throughout the film. Instead there is Trevor Howard as a certain Peter Churchill as the other main link in the operations together with Peter Ustinov as the indispensable radio operator. He is caught and killed by the Gestapo, which you learn already in the beginning of the film, but you never see it happen. Instead you see the full torture sessions and ordeals of Trevor Howard and Anna Neagle.
It certainly is one of her best performances, the direction by Herbert Wilcox is completely natural all the way, and Anthony Collins has provided the film with discreet but eloquent music perfectly suited to the action; but the perhaps most interesting performance is that of the dubious Marius Goring as the Abwehr man, who like Canaris is well aware of the fallacy of Hitler's regime and continuosly seeks a way out of the war dilemma but falls in with the tragedy and must take the consquences of being part of it.
It's a gripping film of the unknown heroes of the war that never reached any public acknowledgement, while they were the ones who risked their lives more than most and often lost it. Still, this is also a film of survival against all odds by sheer obstinacy and refusal to cooperate with a dictatorship.
It certainly is one of her best performances, the direction by Herbert Wilcox is completely natural all the way, and Anthony Collins has provided the film with discreet but eloquent music perfectly suited to the action; but the perhaps most interesting performance is that of the dubious Marius Goring as the Abwehr man, who like Canaris is well aware of the fallacy of Hitler's regime and continuosly seeks a way out of the war dilemma but falls in with the tragedy and must take the consquences of being part of it.
It's a gripping film of the unknown heroes of the war that never reached any public acknowledgement, while they were the ones who risked their lives more than most and often lost it. Still, this is also a film of survival against all odds by sheer obstinacy and refusal to cooperate with a dictatorship.
Odette Sanson is recruited by British Intelligence to spy in occupied France during World War Two.
Based on a real case. The film conveys the real danger in the French resistance of capture at any moment and the horror if you were. The prison and camp scenes are very well done too.
Anna Neagle carries the movie almost single handed. Everyone else does their fill-in character parts very well but she is the star. Despite some dodgy French accents Trevor Howard and Peter Ustinov are the best of the rest.
It would have been nice to see more of her secret service training.
Based on a real case. The film conveys the real danger in the French resistance of capture at any moment and the horror if you were. The prison and camp scenes are very well done too.
Anna Neagle carries the movie almost single handed. Everyone else does their fill-in character parts very well but she is the star. Despite some dodgy French accents Trevor Howard and Peter Ustinov are the best of the rest.
It would have been nice to see more of her secret service training.
Being a connoisseur of 1940/early 50s films with an extensive collection, I was surprised that I had never seen "Odette" before but have now done so courtesy of Youtube.The plot is similar to "Carve her name with pride"(1956) starring Virginia McKenna), that is a French woman living in the UK who volunteers to help the allies and Resistance in France during WW11.Anna Neagle showed her lack of linguistic ability speaking French & lapsing into English several times even when speaking to French Resistance workers.On the other hand the German speaking actors were quite authentic in their roles with the producers NOT providing English sub-titles in certain German only sequences where the action was clear.
Still it did give Dame Anna a chance to do a spot of real acting and "suffer" for us on screen with Trevor Howard's nicely understated performance playing her husband, Peter Churchill.I do understand that film censorship in 1950 could not allow any special effects showing Anna Neagle's character having her toenails being pulled out by the Gestapo, even suggesting it was slightly shocking then.Marius Goring was often well cast in sinister yet intelligent roles as he plays here as an officer in the Deutsche Abwehr.Another role he played in the same year of 1950 was as a Balkan/Serbian police inspector with Margaret Lockwood in "Highly Dangerous".Good to see "M"(a youngish Bernard Lee) initially from "Dr.No (1962) learning his trade in military intelligence.I awarded this film 6/10.
Still it did give Dame Anna a chance to do a spot of real acting and "suffer" for us on screen with Trevor Howard's nicely understated performance playing her husband, Peter Churchill.I do understand that film censorship in 1950 could not allow any special effects showing Anna Neagle's character having her toenails being pulled out by the Gestapo, even suggesting it was slightly shocking then.Marius Goring was often well cast in sinister yet intelligent roles as he plays here as an officer in the Deutsche Abwehr.Another role he played in the same year of 1950 was as a Balkan/Serbian police inspector with Margaret Lockwood in "Highly Dangerous".Good to see "M"(a youngish Bernard Lee) initially from "Dr.No (1962) learning his trade in military intelligence.I awarded this film 6/10.
This movie is a tribute to all the women and men that risk their lives in resisting in France.
It tells the story of Odette, a French-born woman that decided to enlist in a British section working under cover in France to help resistance and gather intelligence.
The movie is inspired by real events and tries to give a good overview on what was that kind of life. It can only be commended for that. However in itself, the movie is so so, not to say disappointing. It lacks a few film to grasp the audience and make us feel the bravery shown by all this women and men!
I also did not understand the language management in this movie: We switch from English to French in France only to distinguish the British spys from the rest - at first - and then every French in relation with them speak English as well. It should have be either all in English or in French: to speak English in France under cover would be really amateurish... (I'll not mention the bad French spoken with an evident English accent). On top of it, same happens with German (with the secretary being told bad with English to the next scene fluently talking in that language...).
The movie is inspired by real events and tries to give a good overview on what was that kind of life. It can only be commended for that. However in itself, the movie is so so, not to say disappointing. It lacks a few film to grasp the audience and make us feel the bravery shown by all this women and men!
I also did not understand the language management in this movie: We switch from English to French in France only to distinguish the British spys from the rest - at first - and then every French in relation with them speak English as well. It should have be either all in English or in French: to speak English in France under cover would be really amateurish... (I'll not mention the bad French spoken with an evident English accent). On top of it, same happens with German (with the secretary being told bad with English to the next scene fluently talking in that language...).
Wusstest du schon
- WissenswertesAnna Neagle spent a year with Odette Hallowes visiting the various prisons and camps where she was held and being introduced to other surviving S.O.E. Agents. Odette said of her, "She was absolutely into it. In fact, it took one year after the end of the film to get back to normal. She was more upset by doing that film than I was reliving the experience."
- PatzerWhen Peter Churchill is being flown back to France, he takes off in a Mk1 Halifax B, but over the drop zone he's in a Mk2. This may seem esoteric, but the Mk1 had in-line Rolls Royce Merlin engines, triangular fins and a nose turret similar to the Lancaster. The Mk2 had Bristol Hercules radial engines, square fins and a blunt nose with no gun turret, a radically different aircraft.
- Zitate
Odette Sanson: [Odette has been tortured] Would it be possible to say a Mass?
German priest: I would gladly do so my child. But my duties here are to comfort the dying and to bury the dead.
German priest: I will ask... but I am sure the Gestao will not permit me.
Odette Sanson: Why... Are they so afraid of God?
- Crazy CreditsEpilogue, scrolls up the screen ... "It is with a sense of deep humility that I allow my personal story to be told. I am a very ordinary woman to whom a chance was given to see human beings at their best and at their worst. I knew kindness as well as cruelty, understanding as well as brutality. My comrades, who did far more than I and suffered far more profoundly, are not here to speak. It is to their memory that this film has been made and I would like it to be a window through which may be seen those very gallant women with whom I had the honour to serve." Odette Churchill
- VerbindungenFeatured in Al Murray's Great British Spy Movies (2014)
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Details
- Laufzeit2 Stunden 4 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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