Your Witness

This thriller moves at a snail's pace towards its very predictable conclusion.The first half of the film dwells on differences between American and British court procedures.This film was not only the swan song Of Robert Montgomery but also Leslie Banks.There is a brief glimpse of Stanley Baker at the early stages of his career.It is difficult though to realise that the Robert Montgomery who directed this film is the same one who directed the impressive Lady In the Lake.The fact that this was his last film wad probably more to do with the fact that he had bigger fish to fry.In any event at his age he was unlikely to attract many leading roles.Produced by Hitchcock colleague Joan Harrison.

In his final film Robert Montgomery's boredom is only too apparent in this uninvolving courtroom drama that however boasts a cast that manages to include both Leslie Banks and Stanley Baker.

It bears a striking resemblance to the similarly titled 'Hostile Witness' (also directed by and starring a visitor from Hollywood, on that occasion Ray Milland), even down to the judge being played by Felix Aylmer; the later film's most obvious concession to the passage of time being that that was in colour.

Robert Montgomery's final screen appearance,which he also directed,is a slow moving mystery which spends far too much of the running time on irrelevant scenes pointing up the supposed differences between the British and American character. Montgomery meets a gallery of UK stereotypes such as garrulous publican,dim witted police sergeant and stuffy judge.

The plot concerns RM travelling to England to help clear an old army buddy of a murder charge. There is some mild suspense during the last twenty minutes when the identity of a secret witness is revealed. Leading lady Patricia Cutts (called Patrcia Wayne here) is one of those rather horsey English blondes with a cut glass accent. Her acting is rather stilted and there is little chemistry between her and Montgomery. It's a far cry from his wonderful acting/direction job on Lady In The Lake.

As director, Robert Montgomery displays considerable intelligence here, using a leisurely pace and disarming comedy relief in emphasizing British versus American conversation. When those crucial scenes central to the main story and high drama come to pass, they are all the more effective by way of contrast. The kid on the witness stand is as potent as "Witness for the Prosecution" with Dietrich by Billy Wilder years later (Agatha Christie's play was first produced in 1953).

In his final movie role as actor, Montgomery impressively dominates the screen as protagonist in nearly every scene, investigating the case and interacting, sometimes comically but potently as the show's drama escalates. Similarly, the supporting performances by Patricia Cutts, stepdaughter Ann Stephens and Leslie Banks move from low-key to powerful and poignant by the eventful final reel.

I adore Robert Montgomery. He was a totally classy guy without being self-consciously so.

Here he plays a tough NYC attorney who is urged by his secretary to not just send money to the man who saved his life in the war but to cross the Atlantic to assist in his defense.

Montgomery directed and while there's a blessed minimum of cutesy quaintness added in the English village setting, it has a consistently British "literacy" bordering on wordiness, perhaps not out of place in courtroom scenes. It's all very low key and well done. Robert Montgomery had not lost any of his style since his early days and is still wry and bemused in one of his final acting roles.