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In 1943, a group of RAF Officers, including Eric Wiiliams, decide to escape from a POW camp using a Gymnastic Vaulting Horse in the courtyard. In 1950, it was decided to film his account, and it kick-started a peculiar British Film Genre- the Military Prison Camp story that reached its apogee in Danger Within (1959).

The Wooden Horse is one of the quietest films I have ever watched. There are no great dramatic moments, but a steady storyline eventually builds to a climax that has more tension because the story doesn't give way for unlikely drama, jump cuts or jacked up (somethings about to happen!) music. It is utterly of its time and works beautifully.

Leo Glenn, Anthony Steel and David Tomlinson lead a curiously low key cast of extras and (I suspect) non-actors. Without exception, all are constantly mono-tonal and quiet. They keep emotion out of their roles. As so many were, until recently, ex-service, I suspect they recreated their war time roles as 'Officers and Gentlemen'.

This unemotional approach does not detract from any dramatic tension. On the contrary, unlike most Wartime Escape Films, the story doesn't end at the barbed wire: and that fact alone keeps me glued to the end.

The Wooden Horse was one of the first "great" escape stories from World War II, telling the true story of Eric Williams and others in their escape from Stalag-Lufft III in October of 1943. I really like this film, but had to by it on VHS from Amazon in England and get it transferred from PAL format in the U.S. I read the book when I was in hight school, after having seen a portion of the film in the early 60's on T.V. The taunt drama of Peter and John trying to escape from Germany during the war is more realistic than the treck of the escapes portrayed in the Great Escape. This film is a lost treasure, that should be made more available to American audiences.

While thinking of "The Great Escape" I allowed my mind to wander back to this little gem of a movie from my childhood. I had read and re-read the autobiographical novel from 1949 which inspired it, and when it came to the only cinema (we never used that word then , actually) in town that showed "foreign" films, I was first in line to buy my ticket.

As someone brought up on wartime newsreels and propaganda films during WWII, I had an avid interest in exploring the realities of that conflict as reflected in the memoirs and stories of men who were there in person. That extended later to a keen willingness over the years to buy any book on the subject, and eventually to read the equally compelling novels of Hans Helmut Kirst and Erich Maria Remarque, which provided an even deeper sensibility. The movie versions, however, were unlike this one in that they rarely delivered the goods.

The medium of black-and-white film has never been served so well as it was in those years. I have never seen any technicolor version of war that seems as authentic as do the deep chiaroscuros of films like "The Wooden Horse." If it is true that we are destined always to be captive to the images of our childhood, then I confess it freely.

And there will never be another the likes of Leo Genn as the emblematic British war hero on film. Not even Sir Alec.

The British stiff upper lip way of filming POW escape movies is evident here, since this is a low-key telling of how three men escaped from a German prison camp right in front of their captors by using the age-old device of a Trojan Horse in the guise of gym equipment.

LEO GENN, ANTHONY STEEL and David TOMLINSON are the men who conspire to use a vaulting mechanism as a means of escape. The first part of the film deals with the tension that mounts as the escape is prepared by tunneling to the escape point far from the men's barracks. The second half of the story follows their escape route as they hide from German authorities in order to escape to Denmark and then to safety in Sweden.

All of it is told in crisp, no frills fashion and in the very understated British style of filmmaking, vastly different from the way the subject matter would have been treated in an American film. Particularly impressive are the sequences where Genn and Steel must rely on their own wit and abilities to deceive the enemy after their escape from camp.

Tension mounts toward a satisfying ending. All told, an excellent British film that tells a true story without a lot of false bravado.

Excellent P.O.W. adventure, adapted by Eric Williams from his own book (a paperback copy of which forms part of my father's library) that was inspired by true events; it may well be the first film of its kind and, therefore, has a lot to answer for – not just similarly stiff-upper-lipped examples such as ALBERT, R.N. (1953; which I'll be watching presently), THE COLDITZ STORY (1955) and DANGER WITHIN (1959) but higher-profile releases from the other side of the Atlantic, namely STALAG 17 (1953) and THE GREAT ESCAPE (1963). This, then, sets the basis pretty solidly: British soldiers interned in a German camp devise an ingenious plan of escape, borrowing a page from Greek legend – burrowing from under a vaulting horse used during physical exercise and in full view of their captors! Actually, the film is neatly split into two halves: the first deals with the slow process of digging the tunnel, culminating in the escape itself, while the latter stages depict their fortunes outside the camp as they try to make it to neutral Sweden. Typically of these British films, the cast showcases several established (Leo Genn), current (Anthony Steel) and up-and-coming (Peter Finch, David Tomlinson and Bill Travers) stars, to say nothing of innumerable reliable character actors (Anthony Dawson, Bryan Forbes, Michael Goodliffe and Walter Gotell). The three leads/escapees are Genn, Steel and Tomlinson: while the first two stick together, the latter goes his own way – only to run into the others on reaching safety. As can be expected, the narrative involves plenty of suspense and excitement; as with most male-centered P.O.W. sagas, too, female interest is kept to the barest minimum. Director Lee didn't have a lengthy career – with this and the somewhat similar (albeit with a change of both setting and viewpoint) A TOWN LIKE ALICE (1956) his most noteworthy achievements – but he certainly milked every gripping situation in this case (even if, reportedly, delays in filming saw Lee quitting his post prematurely…leaving producer Ian Dalrymple with the task of tying up loose ends!). Anyway, worth special mention is the exquisite lighting (particularly during night-time sequences) throughout.

In the long line of distinguished & inspiring war movies made in England in the 40's & '50s (Went The Day Well, Dam Busters, Cockleshell Heroes, One of Our Aircrafts is Missing, We Dive At Dawn) about British military personnel resisting German aggression in the second War, comes this little gem. This movie tells the story of Stalag Luft III where British airmen Leo Genn & David Tomlinson (both more famous for their roles in Quo Vadis & Mary Poppins respectively) are imprisoned. In a daring attempt the duo with one more accomplice break out of the heavily guarded camp by digging a tunnel from under their exercise title instrument. The second half of the movie concerns their attempts to reach Sweden, a neutral territory from where they can reach England.

Leo Genn performs convincingly as the pipe-smoking elder Flight Lt. who goads & coaxes the younger David Tomlinson on, first through the tunnel & then through enemy territory. Both had war time experiences & borrow heavily from that. Peter Finch has one of his first roles as a Australian soldier who helps in the escape plan. Two of the funniest parts of the movie are the 'venture capitalists' in the form of the escape committee headed by senior officers approving of the plan & later financing it, & the retort of one of the injured soldiers in the hospital to a German comment that Beethoven is a good German.

So ignore some of the incongruencies and enjoy this suspensor. It is no 'Stalag 17', but still a good entertainer all the way.

I saw a documentary about this true story and was very impressed, so I looked forward to the film and wasn't disappointed.

The Wooden Horse is about officers attempting to escape a prison camp. This is actually a pretty decent camp - beds, exercise yard, and cooking facilities. The men have one tunnel started in their barracks, but they realize it's going to take too long to dig until they get under the wire fence. So they come up with another plan. They make a wooden exercise horse which they bring outside, closer to the fence. Someone hides inside who then digs a tunnel while the men leap over the horse and do various exercises. At the end of the exercise day, the person inside uses boards to cover the hole and then puts dirt over it as a camouflage.

That's the first part of the film. The second part has to do with escaping to Sweden. It's all very suspenseful and engrossing and sports good performances from Leo Genn, Anthony Steel, and David Tomlinson.

Really a great story, all the more amazing because it's true. A good watch.

A very popular film in the UK on release in 1950, this prisoner of war drama might be light on star power, but tells its story well. Based on a true story, it concerns the escape plan of three inmates from Germany's infamous Stalag 3 P.O.W. camp using the device, inspired by the story of the Trojan Horse, of using a pommel horse for exercise as the means to conceal the building of an escape tunnel close to the camp's perimeter fence.

Very much told in a commendably naturalistic manner befitting the subject matter, it avoids unnecessarily heightening the action with overly contrived cliffhanger situations, not that there isn't dramatic tension as the plan is hatched and implemented as it follows two of the three men (Leo Genn and Anthony Steel) on the run as they seek the assistance of the French and Danish resistance to get to safety. For some reason the story of the third escapee, played by a young David Tomlinson, who unusually wants to make his freedom bid by travelling alone is ignored immediately after the three men make it under the fence.

It's well known that this escape was made from the same camp as the better-known separate events which Hollywood later filmed to great success as "The Great Escape" and I was reminded of this with the scene of the French resistance leader's testing of the British officers' stories to check if they weren't German spies, which was reminiscent of the similar technique used by the Germans to discover the identity of Gordon Jackson's character in the later film.

Shot in postwar Germany and Denmark to good effect and sterlingly acted by its lesser known mostly British cast, it just shows you don't need to have Steve McQueen tearing about on a motorbike to convincingly tell a war-time prison escape story.

This unsung quiet gem tells the true story of a POW escape during WW II. The performances are incredible, especially Anthony Steele. The movie works on many different levels: cerebral, emotional, visual, and literal. The dialogue is ingenious and rings very true. In fact, an unusual all-around authenticity puts this one head-and-shoulders above most war epics.

The Wooden Horse was one of the daring Prisoner of War escape films. It features the true story of Eric Williams and two others in their escape from Stalag-Lufft III in October of 1943. This was the same POW camp where the Great Escape took place as well and which also got turned into a more famous film.

The connection with the more grander film is important as you watch this film you see the prisoners trying to obtain permission from the escape committee with their plans which also occurs in The Great Escape as well.

In this film two British prisoners of war decide not to have the usual tunnel escape but build a wooden vaulting horse which could be placed near the wire fence thus reducing the distance they would have to tunnel from this starting point to escape.

The first half of the movie is more exciting as they carry out their daring plan with one or two prisoners hiding inside the vault and then digging the tunnel.

The second half of the film is once they have escaped they try to get to the safety of Sweden. Here David Tomlinson who plays one of the escapees disappears from the film as we concentrate on Leo Gen and Anthony Steel. This part of the film feels dull, long and oddly lacks tension especially compared to The Great Escape which made this part more thrilling.

I always had childhood memories of The Wooden Horse and the escape part. Its nice to be reacquainted with the film again. There are some nice unstated performances, an early appearance by future Oscar winner Peter Finch and parts for some British film stalwarts such as Bryan Forbes.

Its just a shame that the latter part of the film lets it down.

The Wooden Horse is a very clever movie about a very clever and successful escape plan worked out by British POW's during World War II. It is superbly acted with a wry sense of humor, especially the lines expressed by the acid-tongues Leo Genn. Anthony Steele and David Tomlinson (later George Banks in Mary Poppins) are marvelous as the two heroes. The direction is taut and fast-moving throughout. Highly Recommended.

The Wooden Horse is a real life World War Two escape story. Stalag-Luft III is supposed to be escape proof but this is proved wrong by three incredible escapers. The film is divided into two parts. Firstly, the escape from the camp and then the series of adventures while travelling through Germany and occupied Danmark. The method of escape is ingenious; a tunnel built under a vaulting horse that ends under the camp perimeter wire. The escapers of course are all officers (after all this is a Brtish film) and the camp itself has an air of an English public (private) school. The Germans are baited as if they were form masters or prefects. The film follows Eric William's book The Wooden Horse quite closely. There is an omission though. In the book the two escapers played brilliantly by Leo Genn and Anthony Steele meet up with members of the Danish resistance at a secluded farmhouse. One Jewish member of the resistance tells the escapers about the deportation of Jews and how members of the resistance helped Jews get to Sweden. Another member of the resistance tells of The Schalberg Corps an organization of Danish Nazis who the resistance battle with. However, The Wooden Horse is a very good film and well worth seeing.

Intriguing WW 2 POW movie.

Set in a German POW camp, Stalag Luft III, in 1943, the story of a daring escape attempt. The British POWs, mostly airmen, have been searching for a way to tunnel out of the camp. Their huts are too far from the perimeter for the conventional methods. They hit upon the idea of setting up a wooden vaulting horse in the middle of camp, ostensibly for exercise, but in reality as a starting point for a tunnel...

Quite interesting and exciting story. The use of the wooden horse is a bit far-fetched so it helps to suspend disbelief. Is quite an ingenious idea though and the planning, building, scrounging and subterfuge that goes on around it is quite engaging. The best part however is what happens once they're out - very suspenseful.

However, The Wooden Horse will always be compared to The Great Escape, and this doesn't help The Wooden Horse. The Great Escape has more action, bigger names, the coolness of Steve McQueen and is based on a true story and has better production values.

This all said, The Wooden Horse must claim some, if not all, credit for The Great Escape being made, as it started the POW escape genre and The Great Escape, 13 years later, was the high point of it.

Assuming you've seen the Great Escape, and you enjoyed it, you're quite likely to enjoy 'The Wooden Horse' too - a film made some 13 years earlier than it's well known big brother.

It tells a similar fascinating story of a daredevil escape attempt by British prisoners of war from the very same German camp (Stalag-Lufft III) during the second world war. It too is based on a remarkable true story.

Whereas The Great Escape has become a well known classic (shot in colour, quite lengthy and with very strong character development), The Wooden Horse is a much more modest affair. It is a short, low budget film presented in delightfully grainy black and white - but none the worse for it.

I appreciated the way this steadily paced film did away with anything overly melodramatic, and just kept up a steady pace and tension throughout. The escape method itself is quite extraordinary too - the POWs using a wooden vaulting horse to conceal their diggers, tunnel and spoil right under the noses of the watching guards.

No bells and whistles, just a thoroughly enjoyable watch.

To characterize this film only as a POW movie would not be accurate; half the film takes place after the escape. And quite frankly, the second half of the film after the escape moves quicker and is more interesting than the first half of the film. Of all the POW camp films I have reviewed, these British officers had it the easiest by far. They had sufficient decent food, good shelter, plenty of clothing, and even had a hospital for their care if needed. They had plenty of time for exercise (which is a key element in this film) and during this time, they develop an ingenious method for escape. After escaping, they have a harrowing journey to try and reach Scandinavia. A solid, entertaining film, with an especially good turn by Leo Genn and others.

Playing out as a sort of pre runner to The Great Escape some 13 years later, this smashing little British film plays it straight with no thrills and dare do well overkill. First part of the movie is the set up and subsequent escape of our protagonists, whilst the second part concentrates on their survival whilst on the run as they try to reach Sweden. The film relies on pure characters with simple, effective, and yes, believable dialogue to carry it thru, and it achieves its aims handsomely. No little amount of suspense keeps the film ticking along, and as an adventure story it works perfectly for the time frame it adheres to, so a big thumbs to the film that may well be the first of its type? 7/10

A great gathering of British acting talent - Leo Genn, Anthony Steel, David Tomlinson, Stanley Baxter (and his doppelgänger) et al - in this gentle yarn about ingenuity. They want to escape from a POW camp but their tunnels keep getting discovered. Rightio, they declare; let's multi-task. We can get fit and at the same time start our escape tunnel from underneath the pommel horse which we can move to right beside the fence - ergo, a lot less tunnelling and freedom will soon beckon. It's a gem of a film with just enough tension to keep it interesting and just enough humour to keep it entertaining. Really is worth a look.