Die rote Lola

Eve Gill (Jane Wyman), an aspiring actress studying at The Royal Academy of Dramatic Arts is interrupted in the middle of a rehearsal by her friend, actor Jonathan Cooper (Richard Todd), with whom she is secretly attracted. The frantic Jonathan explains that he is the lover of flamboyant stage actress/singer, Charlotte Inwood (Marlene Dietrich). Eve Gill will stop at nothing to clear her old boyfriend , who has been accused of murdering the husband of his mistress. Jonathan flees from the police taking refuge in his friend's house. Along the way, she's helped by her father (Alistair Sim). Disguising as a maid she falls in love with the investigating detective (Michael Wilding). Every time I'm beginning to think what color your eyes are, you disappear!. The Stage is Set for Warner Bros. Most Exciting Hit Yet!. Love held its breath as sudden terror held the stage!. Hands that applaud can also kill!

A gripping and suspenseful new greatness from Warner Bros that contains thrills, emotion , intrigue , twists and turns. An underrated Hitch thriller in which the killer of a famous actress's husband remains unidentified until the final, hectic and suspenseful moments. It is based on a novel by Selwyn Jepson , the special operations major who recruited many wartime agents, including Violette Szabo. Here Hitchcock uses his particular sense of suspense to involve the viewer in a plot full of traps. Main and support cast cast are pretty good, giving decent acting. Stars Jane Wyman who's very nice as the young who will stop at nothing to discover the murderer, she made this film right after winning a well-deserved Oscar for Belinda, costars Richard Todd as the man on the run from a murder rap and Alastair Sim's own special brand of humour steals the show, he's given fair play as he starts to diagnose the cause of foul play. And the German idol Marlene Dietrich who sings ¨The laziest gal in town¨. It also include Sybil Thorndike, Kay Walsh, Miles Malleson, André Morell each apparently determined to act the other off the screen. The rest of the cast , Hector MacGregor, Joyce Grenfell, though, could have easily been better chosen. And brief appearance from Patricia Hitchcock , Hitch's sister who often shows up in his films, and cameo Hitchock's himself as a pedestrian walking and watching Jane Wyman.

Made after Hitch's first British period when he directed silent films such as ¨The lodger¨ (1926) , ¨The ring¨(1927) , ¨Easy virtue¨ (1927) , ¨The Manxman¨(29) ; being ¨Blackmail¨(29) made as a silent , this was reworked to become a talkie . Following sound movies and early talkies as ¨June and the Paycock¨(30) , ¨Skin Game¨(31) , ¨Rich and strange¨(32) , ¨Number 17¨(32) , ¨The man who knew too much¨(34) , ¨The 39 steps¨ (35) , ¨The secret agent¨(36) , ¨Sabotage¨(36) , ¨The lady vanishes¨(38) , ¨Jamaica Inn¨ (39) until he is hired by David O'Selznick to shoot ¨Rebecca¨(40) in the US . And following: ¨Foreign Correspondent¨(1940), ¨Suspicion¨ (1941), ¨Saboteur¨ (1942), ¨Shadow of a doubt¨ (1943), ¨Lifeboat¨ (1944), ¨Spellbound¨ (1945) , ¨Notorious¨ (1946), ¨Paradine Case¨ (1947) , ¨The rope¨ (1948), ¨Under Capricorn¨ (1949) and this ¨Stage Fright (1950) the Master's last film made in England until ¨Frenzy¨ (1972). Rating ¨Stage fright¨: 7/10. A good film but something unknown and low ranked in Hitchcock's top career.

Often considered to be one of Alfred Hitchcock's lesser known films, "Stage Fright" has unfortunately gotten a bad wrap. Even mediocre Hitchcock is better than most movies ever get, though. And this one is a solid, entertaining picture. With an eclectic cast one doesn't expect to see together, each diverse actor provides a little something for everyone. And with Jane Wyman, Marlene Dietrich, Richard Todd and Michael Wilding how can you go wrong?

Wyman convincingly plays a drama student who gets involved over her head in a purely Hitchcockian case of murder. When her ex-lover Todd is suspected of killing Dietrich's husband, Wyman hides him and helps him allude the police. Meanwhile, Wyman disguises herself as Dietrich's maid to help find evidence to save Todd's freedom. Wyman falls into a dangerous trap, and danger surrounds her.

Disappointingly underdeveloped as it starts, "Stage Fright" eventually turns into a first-rate thriller. While Wyman has been better, Dietrich is hilariously catty and Todd is wickedly suspicious. This is undoubtedly a Hitchcock film all the way around, but adding a nice twist to the formula is a soaring, romantic soundtrack. A seriously satisfying film, "Stage Fright" hits most of the right notes.

I had never heard of this movie before and had low expectations. However, I was amazed at what a wonderful movie it is. Not only is it "Hitchcocky" and suspenseful, it is also humorous and touching. Jane Wyman and Richard Todd did particularly well in this film. I do not usually like Marlene Dietrich, but I have to admit that she did a splendid job as the flamboyant theater star. This movie is set in London, and Hitchcock did a wonderful job of picking out the crew's British actors and actresses such as Alistair Sim and Michael Wilding. Surprisingly he even gave his own daughter, Patricia Hitchcock, a bit part towards the end. It is too bad "Stage Fright" is not more well known, and I highly recommend it.

I don't think it is as good as North By Northwest and Rebecca, but Stage Fright was a great film, and this is coming from a Hitchcock fan. The photography is beautiful, and so is the music, making some scenes like the one in the taxi very touching. The script is well crafted, and while you think you know what's happening, the final solution is very unpredictable. My only complaint for the film was the last couple of minutes, the film just ended abruptly without a rounded finish or even a monologue. I liked the story, about a man who is accused of murder and a friend of his sets out to clear his name, it is well told, and doesn't have a sense of contrivance, and I did fear it would do. As for the acting, I had very little problem with it, Jane Wyman was perfectly alluring as Eve. Michael Wilding delights as "Ordinary Smith", and while he started off a tad wooden, Richard Todd was fine too. Two of the film's stars impressed me the most though. One was Marlene Dietrich, who was deliciously frosty as the stage actress and singer Mrs Winstead. I find Dietrich quite captivating, with her lovingly designed clothes, beautiful face and distinctive voice, I thought she was a great actress. The other was Alistair Sim, who I consider the best Scrooge ever, with George C. Scott close behind- he had some very funny moments, the most notable one being at the garden party and the doll stall. Even Hitchcock himself has a cameo 30 minutes into the film, as does his daughter Patricia. I didn't know until the end credits, that Kay Walsh, Nancy in Oliver Twist, played the maid. All in all, a very overlooked film, that is actually very clever. It isn't Hitchcock's best, but it is a very good film. 9/10 Bethany Cox

What a great flick. At times ill-paced, but the performances more than make up for it. What's not to love? Doe-eyed Jane Wyman shifts effortlessly between the roles of aspiring dramatist to lovestruck protectress of Richard Todd to infiltrating false maid of Marlene Dietrich. Managing also to string along Michael Wilding, as the ubercool Inspector "Ordinary" Smith, she might sound like some cold calculating wench who uses up people like Marlene goes through hats. But that wouldn't be strictly accurate. Her Eve Gill is sweet and naive, but her gentler qualities are tempered with a genuine acting talent that allows her to juggle identities with the slyness of a fox-chameleon hybrid. The scene at the garden party when she switches from Dietrich's cockney maid to Smith's innocent date with every turn is delightful.

It is the masterful presence of the great Alastair Sim, however, that makes Stage Fright one of Hitchock's most enjoyable to watch. Few actors have his ability of making the most average of dialouges sound like a powerful oration, and as Eve's doting father, he makes the movie. His Commodore Gill is always at the ready to harbor a fugitive, clip off a snappy witicism, or scrounge blackmail money for his beloved daughter. He is equally at home playing comic relief as he is to serving as the plot glue that makes Eve's capers possible. But live with his wife? Thank you, no! He is content to live on his boat. Whether he is staging an amusing diversion to aid Eve, dispensing sage bits of fatherly advice, or merely strolling out in public, the man bleeds coolness with every move.

Some can argue that Stage Fright gives but an average treatment to the usual whodunnit murder-suspense formula that Hitchcock (and countless others) have used. This is perhaps true. But compared to the whole lot of crappy facsimile suspense films made since 1950, Stage Fright is quicker to entertain than most.

Be sure to check it out if you want to see Hitch cast his own daughter Patricia in the supporting role of "Chubby Banister." Is that some kind of sick joke or was that name flattering in the fifties?

P.S.-- I can't watch Marlene Dietrich anymore and not be reminded of Madeline Kahn's Teutonic Titwillow. Is there some free therapy I can get for this?