Füge eine Handlung in deiner Sprache hinzuWhen their ship docks the crew disembark as usual to pick up their lives in postwar London. For one of them his petty smuggling turns more serious when he finds himself caught up with a robb... Alles lesenWhen their ship docks the crew disembark as usual to pick up their lives in postwar London. For one of them his petty smuggling turns more serious when he finds himself caught up with a robbery in the City.When their ship docks the crew disembark as usual to pick up their lives in postwar London. For one of them his petty smuggling turns more serious when he finds himself caught up with a robbery in the City.
- Regie
- Drehbuch
- Hauptbesetzung
- Plainclothes Policeman in Squad Car
- (Nicht genannt)
- Squad Car Officer
- (Nicht genannt)
- Cafe Waitress
- (Nicht genannt)
- Ethel the Barmaid
- (Nicht genannt)
- Garage attendant
- (Nicht genannt)
Empfohlene Bewertungen
This film is pretty unique--one of its best features is Earl Cameron as Johnny Lambert, the sole black crewman on board ship and MacDonald's very good friend. The level of friendship between these two men is refreshing to see in a film from 1951. Also a potential romance between Johnny and a wonderful white girl (named Pat) he meets nearly blooms and we are made to feel sympathetic to their desires (at this period in time deemed inappropriate by many) as an audience. There are a number of entertaining characters in this film. Unique is that one of the robbers is actually an acrobat and makes use of it in the robbery.
The film has a very realistic feel to it-like something which could possibly have happened and the words written for characters to utter here is very thoughtful and reflective. An underrated film.
I can see why it is sometimes called 'noir' but I think that's more to do with the effective cinematography than the storyline, which is enhanced in interest by including a Jamaican seaman. sympathetically played by Earl Cameron. As another commentator said, it is nice to see that he has consistently acted until today.
I appreciated the comments from admirers of this film who were involved in the film-making, and lived in the area where it was filmed. These kind of comments help make IMDb the informative and interesting film site it is; thank you to them.
Thoroughly enjoyed this film and recommend it to anyone interested in this crucial period of British film-making.
Wusstest du schon
- WissenswertesFirst British film to show a mixed-race romance.
- PatzerWhen Bonar Colleano exits Southwark cathedral the shadow of the camera is clearly visible on the churchgoers leaving with him.
- Zitate
Johnny Lambert: When you're at the wheel of a ship at night, far at sea and nothing else to do, you think about a lot of things you don't understand. You wonder why one man is born white and another isn't. And how about God himself? What color is he? And the stars seem so close and the world so small in comparison to all the other worlds above you. It doesn't seem to matter so much how we were born.
- Crazy CreditsOpening credits prologue: FRIDAY AFTERNOON
- VerbindungenFeatured in London: The Modern Babylon (2012)
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Details
- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
- Pool of London
- Drehorte
- Produktionsfirma
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- Laufzeit1 Stunde 25 Minuten
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- Seitenverhältnis
- 1.37 : 1