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Alec Guinness stars in "Last Holiday," a 1950 British film which was remade years later with Queen Latifah as the star. Though I enjoyed the warmth of the later version, the Guinness "Last Holiday," no surprise, is superior.

Guinness plays a lower class Brit, George Bird, who is told he is going to die of a rare disease and has maybe a few months left to live. George quits his job, takes his savings, and goes to stay at a ritzy resort. There, he changes, and circumstances change for him. With nothing to loses any longer, he becomes outspoken. He also wins at poker, croquet, and a horse race. He's offered jobs. And there's the possibility of romance.

This is supposedly a comedy, but it's not an uproarious one. It's more drama, in fact. George Byrd finds that all these wealthy people aren't all they're cracked up to be. He also finds out that when you let go and stop trying, opportunities appear. And he learns the difference between passing the time and doing something with your time.

Alec Guinness is brilliant as George, timid at first, gaining stature with his new clothes, and asserting himself once he gets to the resort. It's a beautifully layered performance.

Despite some sadness within the film, this is an excellent story of a man who learns life's lessons in a narrow space of time.

Although most Americans have little knowledge of his work other than Star Wars, Alec Guinness produced an amazing body of work--particularly in the 1940s-1950s--ranging from dramas to quirky comedies. I particularly love his comedies, as they are so well-done and seem so natural and real on the screen--far different from the usual fare from Hollywood.

This movie is the story of a man who thinks he is dying and decides to go out in style--living it up among the wealthy and well-bred. After all, he figures, he certainly won't need the money after he's gone! The marvelous acting and experiences among the upper crust make this a must-see. However, be forewarned, this is an incredibly depressing film. I doubt if I would have allowed the movie to be as dark as this one, but at least I can commend those who made it for not taking the easy way out and making a typical Hollywood style ending.

What makes a film good? In this case it's the writing that first draws you in. Writer and co-producer J.B.Priestly (The Old Dark House '32 ~ An Inspector Calls '54) has a way with words that compels the viewer to want to know more about his characters. With wit and a sense of mystery, he surrounds us with multi layered groups of people that are mostly drawn together by chance. In 'Last Holiday' the cruel hand of fate brings us face to face with ultimate irony.

It's filled with marvelous situations, at first upsetting, then wryly funny, leading to an unexpected ending that invites us to examine the way we not only relate to others, but how we treat them. Priestly is examining the bias that all too often accompanies class consciousness. The cast is exquisitely diverse, everyone from bit players to mains, deliver sterling performances under direction from Henry Cass (Glass Mountain '49). Welsh born Cinematographer: Ray Elton (Quartet '48) with his strong grounding in documentaries, brings a realistic look to the fine work of Scottish art director Duncan Sutherland (San Demetrio London '43 ~ The Human Monster '49).

I found the music score by Romanian born composer Francis Chargrin surprisingly melodic for a 50s film of this type. Its thoughtful main theme is equally likable as his later 'The Beachomber' in '54. You might also remember Chargrin for his 'Colditz Story' '55, and 'Grey Friars Bobby' '61. Those who enjoy the always professional performances of Alec Guinness will enjoy his generally dour role in this off-beat mini classic.

My viewing was hindered by Australian TV broadcaster Gem's, persistence in supering 'pop-up' adds for up-coming shows, and their ridiculous LARGE lolly 'Pink' station ID. At least this time they screened the full film after inadvertently leaving out a reel in an earlier screening! Sure wish this broadcaster would treat their viewers, and the films they run with far more respect!

The central character (Guiness) is "a modest unassuming salesman of agricultural implements" (Wikipedia). A respectable almost classless person whose unassuming manner, unglamorous job and modest salary have limited his social circle. For the first (and last) time circumstances allow him to spend freely and, for want of any other idea, stay a few weeks at a very upmarket seaside hotel. Its clientele have only one thing in common: either possessing wealth or using the opportunity to accumulate it. Some are rich and lack class, others have power and status as well as wealth. The Guinness character for the first time has an opportunity to network with important people.

Guinness in a way reprises his role in The Man in the White Suit - a thoroughly honest man innocent in the ways of the world whose modest manner and appearance belies his inventive genius. Yet is remarkably unchanged by success and continues to treat both high and low equally - and cause a surprising degree of unintended upset.

A good story with excellent cast, it is a less demanding part for the chameleon genius of Guinness. As usual with Priestley very well crafted story-telling. However the film dates from 1950 - 5 years after WW2 when people were looking to a better future and trying to put grief behind them. During WW2, Priestley had been the nation's uncle, providing not false comfort but a steadying presence putting the worlds events into a assimilable form for the average person. With the end of the war, the public's need for Priestley (much as their need for Churchill) ended. The film's sour end seems to have no point other than to say just when things are looking up and people at their most cheerful and optimistic, everything can be be dashed to the ground in an instant.

Unadventurous and safe agricultural equipment salesman George Bird (Alec Guinness) is diagnosed with Lampington's disease and told within a matter of time he will eventually painlessly slip into a coma before passing on. On the advice of his doctor as George has no close friends, is unmarried, and has no living family he liquidates his savings and insurance with his intention being to travel to the opulent Regal Hotel with his plans to spend every bit of his money and live more than he had up to that point.

Last Holiday is a 1950 comic drama directed by theater turned film director Henry Cass, and written by noted novelist, playwright, and political commentator J. B. Priestley. While a relatively small film in its day, retrospective analysis has been favorable to it, particularly in the performances of Alec Guinness as George Bird, Kay Walsh as Mrs. Poole, and Sid James as Joe Clarence with many divided on the film's "trick ending". Despite some very questionable decisions involving the ending, Last Holiday is a very poignant story that works on both a humorous level as well as a character based one.

The plot of Last Holiday is pretty thin at first glance as the movie is pretty much the setup with George Bird being a simple working-class man of strong character and principles who's been overly cautious throughout his life while neglecting things like the cultivation of friends and family. Guinness is undeniably the heart of this film as there is a humorous element to seeing George Bird throw caution to the wind with thoughts of the future and societal and cultural expectations placed to the wayside as Bird enters the opulent world of The Regal and his knowledge of how things work on a day-to-day basis serve to humble those of a higher class. In many ways you can see Bird as something of a precursor to other similar characters such as Peter Sellers' iconic Academy Award nominated performance as Chance the Gardener/Chauncey Gardener where the deceptive simplicity of the character is contrasted against the considerably emptier characters who pride themselves on status, prestige, and influence. Guinness is given no shortage of supporting players to play off against with particularly good exchanges coming from head housekeeper Mrs. Poole played by Kay Walsh with the two forming a low key romance that is very endearing, and Sid James is quite entertaining as Joe Clarence. Unfortunately the movie makes a massive mistake in its application of a twist ending that feels like it robs the story of emotional impact and it really seems like it ends on a downer note for no other reason than to catch the audience off guard. I'll admit it's a bold move in terms of an ending but not only does it needlessly turn tragic it leaves a feeling of "so what?" to everything we've seen.

There's a fantastic film for 95% of the running time thanks in no small way to the legendary Alec Guinness as George Bird who we really grow to care about as a likable everyman in an extraordinary set of circumstances. There's some on point social satire involving the contrast of Bird's working class principles against the "view from 20,000 feet" held by those of higher status at The Regal, but the ending they go with detracts from those solid points and takes a story that should be uplifting and turns it rather bitter and cruel.

I love this film and it's one of the few I've watched time and time again. It's a forgotten jewel and is infrequently mentioned. For me it has everything that was important of it's era. The social comment is mingled into an entertaining story. How the Health Service is expanding but people go hungry. An over worked Doctor making mistakes. George Bird being projected into a world that is not his own. The irony of riches coming his way when he thinks he has little time left. The Union's getting their grip on the country with strike action. How the upper classes view the lower and vice versa. How George Bird is now viewed as upper class because of his new setting. Post war money laundering. How war heroes can't find work. Love and jealousy. And the ironies - how he buys a dead man's clothes. How he swerves a car to avoid a dog that is due to be destroyed and turns into a road called 'Fallow End.' Then there is the acting. Sid James gives one of his great performance. His 1940's and 1950's work was superb. Sadly remembered for his Carry On performances more than the superb actor that he was. He just holds the scenes and in some cases is competing well with Guinness. For Guinness this is an early film. Ernest Thiesiger makes a great appearance along with many others including the delightful Kay Walsh. Esma Cannon's acting is well done - better than her later performances where 'silly' scripts let her down.

Please do see it if you can. It's a little gem.

Told he has only months to live due to an illness, a man decides to spend his final days at a posh hotel. This enjoyable if lethargically paced comedy-drama is well acted by a large cast. Guinness, playing the sort of role he often played in the early 1950s, is perfectly cast as the poor chap who has lived an uneventful life but finds himself immensely popular just when his days are numbered. The fine British cast includes Bernard Lee, the actor who would go on to play "M" in the James Bond movies. The film builds slowly and grows on the viewer, but the ending is needlessly contrived, undermining the earlier developments.

Last Holiday contains the first really dramatic performance by Alec Guinness. It's also the first time he's carrying a film as per the billing on the strength of his abilities. It's one beautiful performance in a picture with a universal message.

Alec Guinness plays your British every man who having no wife, no family, and no close relatives is likely to be remembered by very few when he passes on and then for a short time. He's given the news that the grim reaper is close, it might be a matter of a few weeks or a few months. What to do but go out and just enjoy things while you can.

So he packs off and stays at the small but posh Regal Hotel, a seaside resort much prized by the British vacationers. And he has some phenomenal luck there, winning huge poker pots, longshot horse racing bets coming in. He even finds some love with hotel housekeeping manager Kay Walsh. But how to tell the new friends he's made what is in store for him?

J.B. Priestley wrote the original script and in my opinion should have been a candidate for all kinds of awards. It is direct and simple and never maudlin. Guinness got the character down perfectly. And the ending is truly ironical.

Which must have pleased and singed director Henry Cass a bit. Back in the 30s when Guinness was starting in the profession he tried out for a stage production directed by Cass who told him in no uncertain terms he was a no talent bum. This comes from a biography of Guinness. Kind of like Phil Rizzuto who was told he'd never be a ballplayer by Casey Stengel and then having him as his manager on the Yankees after becoming an All Star.

One should watch Last Holiday together with Grand Hotel and note some of the similarities and the differences with Lionel Barrymore and Alec Guinness both portraying men under a death sentence.

I think the message is the same, you never know when you're checking out so live accordingly.

A British drama-comedy; A story about a man who is advised by his doctor he has a terminal disease and only weeks to live. It prompts him to think that he's been missing out on the finer things in life. This is a slightly structured, dark-toned and droll ensemble film with a fine cast of English supporting character actors. Alec Guinness's moody salesman draws in characters of all sorts, especially of English gentility and civility, which yield some good humour. He handles the change to romantic, confident and carefree from meek and friendless through a stoicism, and it is interesting to see different situations unfold through that guardedness. It is a moving and delicately handled story with a theme about rebirth and regret.

I'm commenting as a devotee of both Alec Guiness and of British post-WWII cinema, and once again I must be the skunk at the garden party of positive reviews here. I was very disappointed. The movie's premise was heavy-handed and it was all too easy to see where things were headed. Subtlety was not in evidence, as the film's point is hammered home over and over again with a sledgehammer, no less. On the positive side it is always wonderful to see this roster of great British actors, and the film is a marvelous look at the intricacies of the British class system (take particular note of regional accents). But nothing rings true; all is contrived. And the pace is, as a previous user commented, absolutely leaden. Guiness, who I revere, seems here to sleepwalk through his role. Recommended only to really serious fans of postwar British cinema.

This film struck me with it's similarities to Altman's Gosford Park. Both are in the same time frame, both deal with the changing social structure in Britain during the middle of the last century. While Guinness is very much the star, the ensemble support cast more than hold their own. Great to see Sid James in a relatively straight role. A neglected gem, it should be more available and not relegated as an overnight schedule filler, where I caught it last night on Britain's Channel 4.

A poignant, bitter-sweet comedy that drives home its points in clever, subtle ways. Surprisingly, for a film 50 years old, the acting, direction and story line keep it fresh and timely. Alec Guiness "made his bones" in excellent early films such as this and gave us a sneak preview of the greatness that was to come.

Absent for years in Europe on both TV and Video, I finally managed to acquire this one on a VHS tape from the US. A man learns he has a short time to live and decides to make the most of it by living it up in a luxury hotel. His life suddenly becomes far more interesting, makes more money than ever before and luck generally smiles him in the face. I remember seeing it about Thirty years ago and wondered how a new viewing would affect me. There were one or two disappointments, I had a memory of the film being rather more romantic than it actually is ( nothing much actually happens on this side ) and parts of the film are rather 'chatty'. This said the overall story is quite original. The film captures that now long-lost atmosphere of a luxury 1950's English hotel in the bright sunshine presumably situated in Devon or Cornwall (as we see palm trees in the garden. There are many well-known actors and the script is quite original to say the least. Another of J.B. Priestley's stories 'An Inspector Calls' was also made on film and is actually very good, even better than 'Last Holiday'. Nevertheless, the haunting theme music (solo fiddle) and thedécors are A1. Picture and sound quality are very good for the time (1950) and I am surprised that the film is not readily available on VHS and DVD everywhere! Of course, Alec Guinness was a great actor and his performance here is totally up to standard. If the romantic side of it all had been pushed just a little further the film would have been perfect for me ! The ending of the film is the Wickedest and most unexpected in the history of cinema !

I liked this movie, but there were some glaring holes in it. Shame ...

First, Alec Guinness was a prototypical British actor - near perfect (though his persona rarely strayed).

All of the supporting actors did an excellent job, but that's British acting (again) - consistently genuine.

Sadly, this story is where the film falters. The story had so much potential, really, so much to work with.

There's a common role in British Film Production ---- Continuity (which I harp on in other reviews).

There's some (continuity) failure here where the holes develop, that or poor writing, or both.

The film simply won't allow developments to unfurl like humor, romance, etc. It's as though someone said: "Let's have a bit of this, and a bit of that!" No. It's one thing to juggle multiple sub-plots - please do!

But someone (s) really failed to develop and / or keep any of these tangents - they were like story phantoms.

Shame ...

Then there's the ending. Maybe you will think it a natural play, but for me it was both far, far too obvious AND failed the story as a whole.

But, I invariably say that film requires good story, acting, and directing. And looking at the pedigree of the writers and director, I see where the fault lines were. Suffice to say that the actors were professional, but the managerial crew were "made-for-TV."

This film happen to be at the top of my all time favourites.

I always thought that Alec and Kay had a sparkle when acting together..."Oliver Twist";"Last Holiday";"The Horses Mouth";"Tunes of Glory"...I did not mention "Scrooge" because they did not appear together in any scene.

It is interesting to note that if two actors have a close rapport then their performance reflects this very well.

In "Tunes of Glory" a number of scenes were cut that had both actors in it. I remember one scene Still had Jock and Mary in bed together. Maybe it was deemed unnecessary and the censor would have made it an "A" movie instead of a "U".

I would greatly appreciate any comments you may have concerning these two actors as I am writing a book about British Film Actresses and a large section will be devoted to Kay Walsh.

Thank you,

MCG

When Englishman George Byrd, living out a very small life, finds out he has the rare Lampington's Disease with no cure, he decides to make the most of the time he has left. He quits his job as an underappreciated salesman and plans a vacation to a seaside hotel he's always wanted to visit. He doesn't tell anyone about his illness but instead becomes the man he's always wanted to be. He spends all his money, lets his nice personality shine through, makes friends, and even falls in love.

If this sounds a tad familiar, it's because Hollywood made a remake in 2006. The gender of the protagonist was changed (from George to Georgia) and a lot more humor and heartwarming scenes were added. I've always called Last Holiday the best remake ever because the original was so depressing and awful, I was sorry I watched it in the first place. The remake is one of my favorite movies of all time. Even if you're an Alec Guinness fan, you probably won't like this one.

A small-town salesman, George Bird, learns that he is suffering from an incurable condition, leaving him only weeks to live. With no family or friends to care for, he decides to spend his modest savings on his first and last stay in a grand hotel.

The other guests soon notice that he is new to hotel life, and react to him in different ways - some disdainful, some intrigued and friendly. These guests reflect the old English class-system, with its myriad of sub-classes, starting to die out by 1950, largely because of the left-wing postwar government that had been so championed by J.B. Priestley, author of this screenplay.

Before long, Bird's life seems to be opening out, with job-offers, investment opportunities, even a chance of love. A bitter irony of course, as these opportunities will never be enjoyed (or so we are to assume).

The comfortable hotel life gets a jolt when the staff are suddenly called-out on strike, instantly shaking-up the class-system, as all the guests have now got to try to pitch-in and help, as best they can. This provides for a number of accidental meetings that move the plot forward dramatically. And the effect on Bird's humdrum life, suddenly turned roller-coaster, is dramatic indeed.

Interesting to see the yet-undiscovered Sid James as a dodgy gambler, and David McCallum's father (also David) on the violin, beginning and ending the story with a simple but curiously haunting theme.

For a film that has given so much pleasure - check the other IMDb reviews - it may seem spoilsport to suggest that Alec Guinness does not quite carry conviction as such a small and narrow character as Bird. This is someone who just earns his daily pittance and then goes home to read the paper and smoke his pipe. For this role, Guinness simply looks and sounds too cultivated, too sociable, altogether too biddable. (Ironically there was a character actor called Norman Bird, who would have been perfect!)