The Walking Hills

Despite presence of cowboy vet Randy Scott, this is not really a western. Instead it's a modern adventure tale of gold fever. A bunch of disparate saloon characters goes hunting for buried treasure amid treacherous sand dunes of the Southwest. Each has his own reason for going and his own past, so naturally conflicts develop. And, oh yes, lovely Ella Raines shows up on horseback as relief from the ugly guys. Scott's the most level-headed of the bunch, but he's no paragon— is his willingness to abandon the wounded Johnny because of hard-headed realism or selfish greed.

It's an unusual collection of distinctive Hollywood players, including a shifty Kennedy, a nasty Ireland, a sneaky Collins, and, of course, a jovial Buchanan. Too bad the star-crossed William Bishop died too young to establish a screen persona. And how unexpected for blues singer Josh White to turn up as one of the fortune hunters. His musical interludes may seem artificially inserted but are pleasantly entertaining.

For me there are two highlights. The sandstorm, of course, is really well done-- on a set I would assume, but still a marvelously staged effect. The other is that battle of shovels atop a swirling dune, (move over Japanese martial arts). It's like nothing I've seen. Then too, the location staging in Death Valley may send you out for water, so bring a canteen.

Including flashbacks, the narrative itself is pretty crowded for a 78-minute runtime. So don't expect a tight format. Action and characters tend to be sketched through the proverbial glass darkly. Nonetheless, the movie's an unusual production that's remained oddly memorable since my first viewing, lo, so many years ago.

It doesn't take $175 million to make a good movie. Hollywood just squandered $175 million on a stupid comedy called Evan Almighty, which garnered scant public attention. I doubt that John Sturges and Columbia Pictures spend as much as $175 THOUSAND making The Walking Hills; but people are still searching for it on eBay some 60 years later.

Sand dunes are "walking hills" as my family found out in North Carolina when I was 8 years old and we found our motel room at Nags Head 90% buried under the sand, following a gentle storm.

Eight men playing poker in a bar's back room meet a young guy who accidentally blurts out a king sized clue on the whereabouts of a gold carrying wagon train that legend says disappeared in the desert a hundred years earlier. Eight men and one woman (Ella Raines) band together and quietly head out into the desert --- just 8 miles from town --- looking for the gold. The men will battle Mother Nature and each other seeking the gold --- in a story which is relentlessly compelling. Find this movie and watch it.

Excellent western ,where what is apparently the main subject (the search for gold) is actually of secondary importance in the end.The director is much more interested in his characters and the relationships that are formed between them.He superbly films the desert ,which has got something lunar ,disturbing ;the signals in the distance increases this feeling of mystery.Even the flashbacks are strange ,they seem completely out of place (Ella Raines could have told her story ) and they add to the threatening atmosphere.Most of the time,the viewer does not know who is searching who and almost all the action takes place in the same place (apart from the beginning) ,which is very rare in a western.Impressive sand-storm scene.

Since 1945 when Randolph Scott decided to concentrate almost exclusively on westerns only one of his westerns was set in the modern west and that is this one, The Walking Hills. Shot on location the film holds it own with such gold hunting classics as The Treasure Of The Sierra Madre and Lust For Gold.

Sitting around a poker table one night Edgar Buchanan starts recounting a tale in which a wagon train loaded with sacks of gold dust got lost in the desert in the great Southwest. They're quite an assortment of characters in the place, they include at least one private detective in John Ireland and he's after one of the people in the room. But more than one of them has a reason to fear the law.

So all that were in that small barroom set out to the desert fueled by another story that Jerome Courtland tells about coming across an old wagon wheel that would have been contemporary with that gold train. Quite an assortment go besides those in the cast I've already mentioned the guys include William Bishop, Arthur Kennedy, Joe White, Russell Collins and Charles Stevens. Bishop adds an additional plot component, not only is he a suspect, but he's wooing Ella Raines who used to go out with Scott. As for Scott he's concerned with a mare in foal and he brings her along as well. Later on Ella Raines declares herself in on the gold hunt.

Although with a lot more cast members out in the desert some people's true nature starts to surface. Quite a few of the cast meets their doom. As for the gold, just about the same ironical ending as in The Treasure Of The Sierra Madre.

In a book on the Films of Randolph Scott there's a story told about Ella Raines's husband Ransom Olds who was an air ace from the recent war and would be one again in Korea and Vietnam. It seems as though for a joke he buzzed the company on location. He thought it was funny, but the roaring jet passing over frightened all the horses and the wranglers spent the rest of the day rounding them up. Ella was not amused either, nor I'm sure was Harry Cohn.

Not as good as Lust For Gold or The Treasure Of The Sierra Madre, The Walking Hills still holds its own with the others and holds up well for today's audience. Greed is a timeless and universal theme.

John Sturges, later to direct The Magnificent Seven and Bad Day at Black Rock, does extremely well with this little sleeper about modern day westerners hunting for a lost gold caravan in the California desert. William Bishop isn't bad as the honest murder fugitive, and John Ireland and Arthur Kennedy are strong as usual as a couple of not-very-ethical types. Randolph Scott gets to play some interesting notes here as a horse rancher caught up in the hunt, and the supporting parts are all well played. The sandstorm in the last act is really terrifically exciting, and speaking as one who's filmed during a sandstorm, it's hard to believe the stars put up with filming such a long sequence in those conditions. My hat's off to them and to Sturges for a fine little movie, written by Alan Le May (of The Searchers and The Unforgiven fame).