IMDb-BEWERTUNG
6,7/10
1254
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuVicious hood 'Red' Kluger escapes from Folsom State Prison and follows through on his threats to the detective who arrested him and the D.A. who convicted him.Vicious hood 'Red' Kluger escapes from Folsom State Prison and follows through on his threats to the detective who arrested him and the D.A. who convicted him.Vicious hood 'Red' Kluger escapes from Folsom State Prison and follows through on his threats to the detective who arrested him and the D.A. who convicted him.
Norman Nesbitt
- Policeman on Television
- (Unbestätigt)
Lois Austin
- Ann's Friend
- (Nicht genannt)
Phillip Barnes
- Motorcycle Officer
- (Nicht genannt)
Gregg Barton
- Reporter
- (Nicht genannt)
Barry Brooks
- Detective
- (Nicht genannt)
Devera Burton
- Ann's Friend
- (Nicht genannt)
Edgar Dearing
- Roadblock Police Sergeant
- (Nicht genannt)
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It took about 10 minutes for me to get into the story, because I didn't recognize any of the actors at first and I wasn't sure who I was supposed to identify with; but this turned out to be a typically tough and snappy little crime caper (65 minutes long) from director Felix Feist.
Feist really knew how to use his small budgets wisely. He creates a tension-filled atmosphere, keeps things moving at a crisp pace, deftly establishes and stokes conflicts, and can usually be counted on for one "bravura" piece of camerawork in every film (here, it takes place at the climax in the desert shack). He was just a very sound and capable filmmaker.
What also seemed to stand out about his work was how single-mindedly sadistic and downright mean his bad guys were. Here, Charles McGraw plays an escaped convict whose thirst for revenge against the detective and D.A. who put him away, really fuels the film and keeps it on track. McGraw emerges as very controlled, coiled and menacingly methodical. It's a good part and a very fine performance - the guy just doesn't give an inch and you find yourself having to respect that.
Generally, when low budget crime movies fail it's because the bad guy is stupid or lets his guard down at a crucial moment - none of that here. McGraw is going out on a limb with his plan and he knows sooner or later that limb is probably going to snap, but the way he figures it it's well worth the risk.
Feist really knew how to use his small budgets wisely. He creates a tension-filled atmosphere, keeps things moving at a crisp pace, deftly establishes and stokes conflicts, and can usually be counted on for one "bravura" piece of camerawork in every film (here, it takes place at the climax in the desert shack). He was just a very sound and capable filmmaker.
What also seemed to stand out about his work was how single-mindedly sadistic and downright mean his bad guys were. Here, Charles McGraw plays an escaped convict whose thirst for revenge against the detective and D.A. who put him away, really fuels the film and keeps it on track. McGraw emerges as very controlled, coiled and menacingly methodical. It's a good part and a very fine performance - the guy just doesn't give an inch and you find yourself having to respect that.
Generally, when low budget crime movies fail it's because the bad guy is stupid or lets his guard down at a crucial moment - none of that here. McGraw is going out on a limb with his plan and he knows sooner or later that limb is probably going to snap, but the way he figures it it's well worth the risk.
When vicious killer Arnold Kluger (Charles McGraw) and his pals escape from Folsom Prison, they go after the detective (Michael O'Shea) and the DA (Frank Conroy) who put Kluger in prison in the fist place.
The two, plus a woman Kluger thinks ratted him out are holed up with the men in a desert shack where Kluger and his pals are to be picked up by another confederate, Anthony.
Michael O'Shea plays a police officer who, with is wife, is awaiting the birth of their child. He's not supposed to be out on the street but to his wife's chagrin, he runs out when he learns of Kluger's escape, only to be captured by him. At first, Kluger makes him call in as if all is well.
Virginia Grey is the woman Kluger thinks betrayed her, and she spends most of the movie screaming and crying to let her leave. Meanwhile the officer and DA are tied up in the next room after being taken to this out of the way cabin. Not looking good.
Charles McGraw is dynamite in this film, incredibly mean, without one drop of human kindness. As someone on the board pointed out, people like this exist, making the story scarier. He's absolutely frightening because he's capable of anything.
If you're a baby boomer, you'll recognize the voice of Inspector Henderson from Superman right away, Robert Shayne as Police Inspector Murphy. The man worked into his nineties but is probably best remembered as Henderson. The film was made in 1949, and most if not all of these actors wound up in television.
Michael O'Shea was always likable, and he's no different here, playing a police detective who keeps his cool. Married to Virginia Mayo, the two did a lot of theater together, and after he retired he became a plainclothes CIA operative.
Virginia Grey was a good actress and a lovely one, though this role called for her to be hysterical a good part of the time.
This is a short film that packs a wallop - a real wallop. Very hard- hitting.
The two, plus a woman Kluger thinks ratted him out are holed up with the men in a desert shack where Kluger and his pals are to be picked up by another confederate, Anthony.
Michael O'Shea plays a police officer who, with is wife, is awaiting the birth of their child. He's not supposed to be out on the street but to his wife's chagrin, he runs out when he learns of Kluger's escape, only to be captured by him. At first, Kluger makes him call in as if all is well.
Virginia Grey is the woman Kluger thinks betrayed her, and she spends most of the movie screaming and crying to let her leave. Meanwhile the officer and DA are tied up in the next room after being taken to this out of the way cabin. Not looking good.
Charles McGraw is dynamite in this film, incredibly mean, without one drop of human kindness. As someone on the board pointed out, people like this exist, making the story scarier. He's absolutely frightening because he's capable of anything.
If you're a baby boomer, you'll recognize the voice of Inspector Henderson from Superman right away, Robert Shayne as Police Inspector Murphy. The man worked into his nineties but is probably best remembered as Henderson. The film was made in 1949, and most if not all of these actors wound up in television.
Michael O'Shea was always likable, and he's no different here, playing a police detective who keeps his cool. Married to Virginia Mayo, the two did a lot of theater together, and after he retired he became a plainclothes CIA operative.
Virginia Grey was a good actress and a lovely one, though this role called for her to be hysterical a good part of the time.
This is a short film that packs a wallop - a real wallop. Very hard- hitting.
In my opinion, Charles McGraw is probably the best and best known actor of the post war / film noir genre. Sometimes he was one of the good guys, and sometimes one of the bad. In "The Threat", he's the baddest. Michael O'Shea and Virginia Grey get top billing, but compared to McGraw they're hardly even in the film at all. McGraw is clearly the star of this movie, and he's absolutely terrific as a no nonsense, cold blooded killer. Those piercing eyes of his go right through you. Just about as scary a movie criminal as there ever was. Scary because criminals like this actually do exist, and a great little film like this brings the audience enough into the movie that you can't help but think "what if I were kidnapped by a homicidal lunatic like this?" At 65 minutes, "The Threat" is a very tight film noir type crime drama filled with tension, and Charles McGraw is the center of picture. Great film and a great under rated actor with Charles McGraw. I've been a fan of his for years, and thanks to a recent run on TCM, I finally got to see what has to be his best starring role.
"The Threat" is an effective "B" film noir that is kind of a junior league "White Heat" with Charles McGraw starring as an escaped killer seeking vengeance on those who sent him up. The storyline is relatively clever and the threadbare production values are easily overlooked due to the earnest acting and fast pace.
McGraw was so evilly convincing as the heavy that RKO subsequently signed him to a seven-year contract and starred him in "Armored Car Robbery", "Roadblock" and "The Narrow Margin". When you consider that this picture was shot in under three weeks with a total budget of $221,000, it is quite an achievement for director Felix Feist.
One doesn't have to be 8 years old to appreciate economical film making that rises above the typical RKO "B" film sausage grinding of the time.
McGraw was so evilly convincing as the heavy that RKO subsequently signed him to a seven-year contract and starred him in "Armored Car Robbery", "Roadblock" and "The Narrow Margin". When you consider that this picture was shot in under three weeks with a total budget of $221,000, it is quite an achievement for director Felix Feist.
One doesn't have to be 8 years old to appreciate economical film making that rises above the typical RKO "B" film sausage grinding of the time.
I remember the first time I saw this movie- almost twenty years ago on AMC. Charles McGraw BLEW me away!!! He has been my favorite actor EVER SINCE!! He steals this movie from Michael O'Shea and with his steel blue eyes totally captivates every scene he is in. McGraw clearly IS the movie and in every scene demonstrates why he was and is considered to be one of the movies best villains. McGraw's "technique" lets us know that he was an actor to be reckoned with and that he was going to be around for a long time, which he was- another forty years as one of our better character actors who was given the lead in a few "B" movies and provided support in many "A" and "B" movies. To say nothing of the numerous television appearances he made. I can not envision too many actors taking this role and fully making it his own the way Mr.McGraw did. Even though his "look" left him for the most part typecast, he was one of our best character actors and "The Threat" bears the proof. Once you hear that voice, see those eyes and watch him do his stuff you can't take your eyes off him!! A Wonderful and Compelling Actor. Signed Mercedyz
Wusstest du schon
- WissenswertesGloria Grahame was assigned the part of Carol, but she refused and was put on suspension by the studio.
- PatzerA newspaper article incorrectly identifies the District Attorney as MacDonald Barker when his name is actually Barker MacDonald.
- Zitate
Arnold 'Red' Kluger: Give me your watch!
[Smashes it]
Arnold 'Red' Kluger: Now you don't have to worry about the time!
- VerbindungenFeatured in Noir Alley: The Threat (2018)
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