Der geheime Garten

This movie is one of the best movies of all time. As the older version of The Secret Garden, you know that it must be the best! Margaret O'Brien is great as Mary- a girl that is spoiled but kind. I especially how they used the color only for the Garden, Just like in The Wizard Of Oz, but this movie is better. I found it a lot better than the 70's, 80's, and 90's versions. This movie is great!

Going in I was not familiar with the enormously popular children's book upon which it was based, but I have to believe the folks behind this version did a wonderful job condensing the material and preserving all the elements which helped make the book such a success. It's even a little hard to believe it was derived from a book targeted at children as the film deals with some fairly mature subject matter and has rather an adult, realistic edge. It's very impressive, certainly a meticulously crafted, heartfelt production that builds nicely to a moving conclusion. (Plus, the scenes shot in color are breathtaking.) The very visual director, Fred Wilcox, is remarkably adept at establishing mood and atmosphere through the ominous use of sets and lighting. Margaret O'Brien (repeatedly and inaccurately told in the movie how unattractive she is) who was soon to kiss childhood and stardom goodbye, is given a great part to play and is extremely appealing. (As is a very young Dean Stockwell, playing a difficult character who all too easily could've been unsympathetic.)

Also, I have to quarrel with the other post, where someone asserts that the movie is badly dated. Quite the contrary, the story zips along at a refreshingly swift pace and never lags. The movie should hardly be faulted (and in fact should be commended) for not having flashy MTV style edits every five seconds or a bombastic score. It's a very rewarding experience for both children and adults alike.

It looks like there have been a gazillion version of Frances Hodgson Burnett's popular novel for children made. This one apparently is the most popular, the one most people will remember.

It's a wonderful allegorical tale about how one has to give in life in order to receive. It also is about the maturing of a couple of really bratty kids.

Margaret O'Brien is a child of the British Raj in India, quite used to having things her own way as her parents are a big-shot and his lady. But when both are taken away by an epidemic, she has to go back to Great Britain to live with an uncle, Herbert Marshall for whom the mildest thing that can be said is eccentric.

She's given rather restrictive use of the vast house, though the grounds are her's to roam with the exception of a garden that is locked up. Many years ago Marshall's wife has died there and it's her death and the circumstances thereof that have driven him to the brink of dissolution and insanity.

O'Brien also finds she has a cousin roughly her age who is bedridden with paralysis in Dean Stockwell. Stockwell has not born his affliction well and in fact is a bigger brat than she is. Dealing with him has forced her to confront her own misbehavior.

A large part of Stockwell's problems are his doctor and caregiver in the persons of doctor Aubrey Mather and housekeeper Gladys Cooper. They like having him dependent on them, it increases their position in the house, as for Mather, he's making a whole living off Marshall treating his child.

The younger brother of maid Elsa Lanchester, Brian Roper, also becomes a friend to both as they discover the locked up and neglected garden and use it as a playground. With the special love that children bring to something, interesting things start happening there.

Most of the cast are familiar names to the American cinema, all the adults are card carrying members of the British colony in Hollywood. But Brian Roper was imported from across the pond because of the fact that he spoke with a Yorkshire brogue, he was native to that part of England. It does lend an air of authenticity to the film. Roper had a fair career for about a decade, mostly in his native country. I believe this is his one and only American film appearance.

The Secret Garden is a fine adaption of the children's novel, maybe the best one ever done. The adults are hard pressed in this one to even get their innings in as the kids totally steal this film.

This is a movie I never tire of seeing. Margaret O'Brien is just about perfect in the part of Mary Lennox, an orphan who finds herself in a house full of strange people.

Along the way she finds love in friendship, a love that was never shown to her by her parents.

The book on which this film is based by Frances Hodgson Burnett, was my favourite book as a child and I've given many copies to children over the years. This movie is quite a perfect replica of the book, apart from the injection of a totally unnecessary "crime" element. The characters are multi-dimensional, a wounded father flailing against the world and projecting illness on to his son. The son, Colin, played by a very young and handsome Dean Stockwell, in turn reacting with tantrums and hate to the world around him.

Mary has her own issues, feeling ugly and unloved due to her past in India.

Unhappiness reigns in the Manor House headed up by Herbert Marshall playing Colin's father - a brilliant performance.

There is a teeming cast of well known names to add to the flavour of the film: Dame Gladys Cooper as the housekeeper; Elsa Lanchester as the maid; Reginald Owen as the mysterious gardener.

The black and white filming adds a morbid darkness with the colour sequences in the garden contrasting beautifully.

The only flaw was the settish nature of the scenes, even the gardens are "back lot".

But these quibbles aside, some movies one can get immersed in afresh with each viewing. This is one that takes you in and doesn't let up till the final very satisfying frame.

9 out of 10.

If you're into life metaphors, or you would just like to see a wonderfully life affirming film, rent "The Secret Garden" with Margaret O'Brien, Herbert Marshall, Dean Stockwell, and a marvelous supporting cast.

The book (which I understood was a "girls" book when growing up) and the film have escaped me all these years, until today when I watched it via television off of the Turner Classic Movies screen.

It is fable, metaphor and dark tale all wrapped up into a story that promises tears and heart thumping wonderment that truth can be told. This film fulfills a contract with the viewer that while life may seem to be all falsehood, lies and deceit, that is not so. It is verity that courses through the veins and sometimes it is only a secret undone, or a truth revealed that can redeem life and restore happiness.