Roughshod

I stumbled into this by not changing channels after watching another movie. I was engaged within 5 minutes by the not-quite-formula everything - dialog, setup, even acting. I don't want oversell it. It's competent and interesting, partly for surprisingly good dialog occasionally, for a "western". I would call it a skillful addition to the short list of actually adult westerns. It could reasonably be called a skillful addition to the short list of actually adult westerns.

There's an exchange that serves as a good example of how the movie succeeds. At one point Mary Wells (Grahame) and Clay Phillips (Sterling) get to the moment that any film buff knows must come, where she confronts him about his attitude towards her past, we get this exchange:

MARY: Well, why don't you just say it.

CLAY: Okay, it's said.

There's a lot of that, economy of dialog and action where lesser writers would drag in familiar stuff from the standard inventory.

Other reviewers have analyzed plenty that's good. I mainly wanted to toss in another high rating for it.

Brothers Robert Sterling (Clay) and Claude Jarman Jr ((Steve) are heading to Sonora with 9 horses to start up ranch life. On the way they pick up 4 ladies of ill-repute who are heading the same way – Gloria Grahame (Mary), Myrna Dell (Helen), Jeff Donnell (Elaine) and Martha Hyer (Marcia). Sterling also has John Ireland (Lednov) and two other escaped outlaws after him for revenge. We follow Sterling and his merry band as they follow their dreams to Sonora. Not all of them make it there, though.

This engaging western is easy to watch as the fates of the 2 brothers and 4 women is revealed. The end shoot-out scene is well done with a degree of tension that sustains itself throughout. The cast are all good with particular mention to John Ireland, Gloria Grahame and Myrna Dell. Robert Sterling in the lead isn't as memorable as these three. John Ireland makes the most of his screen time and he is definitely not a good guy. The fate of Myrna Dell is the most unfortunate and is dealt with in, what was for me, the film's most powerful segment. It will leave you asking yourself what happened.

I usually find children in films quite annoying, especially if they run around saying "swell". Well, Claude Jarman Jr is the exception to this rule and he adds some nice moments to the developing relationship between Sterling and Grahame. I would have liked to see some Indian trouble as well but you can't have everything! And there is no need for it, really. It's an enjoyable character-driven western.

Born in 1965, I cannot count how many westerns I watched as a child, not including TV western series' reruns ad nauseum, such as Gunsmoke and Bonanza. I stopped watching them in the '80s, except for maybe the critically acclaimed feature films that are few and far between since then. But when I saw Ms. Grahame was in the cast, it piqued my interest; and I'm glad I gave it a go.

It's your average plot. Good guy 20s-something cowboy and his teenage brother set out to deliver ten horses to a buyer. Hot on their trail are three escaped convicts bent on revenge. To spice things up, the two brothers encounter four stranded women along the way and agree to let them ride in their wagon.

You can pretty much figure the rest. If you can't, then you must be a newcomer to the genre. But what really propels this one into the much-better-than-average category is Ms. Grahame.

Usually associated with sassy, unstable dames that deliver sarcastic quips with a dangerously sharp tongue, here she's given a much more approachable, likeable character to play. And she does a great job of showing us her softer side. But don't be fooled, she can still keep up with the rest of them.

The cast is good The direction is good. The editing is good. And the music score fits very nicely, especially with a melodic yet bold opening theme that sets the tone, composed by Roy Webb, a sadly overlooked, strong contributor to film music.

As good as it is, it's still like pulling teeth to get me to watch a western. Just like war movies. Grew up on those, too.

Keeping in mind this western classic was released in 1949 more than seventy (70) years earlier when film censorship was at its peak. I felt that the director Mark Robson, took liberties with the films storyline about four loose and attractive saloon girls that was borderline risky for the times, and kudos to him for doing so.

The story is filled with personal stories of survival in the rough surrounding hilly countryside by the exiled saloon girls, three escaped convicts who come after the ladies and their rancher hero brothers the young Steve and older brother Clay played respectively by Claude Jarman Jr. And Robert Sterling.

It is a very entertaining classic western if you consider it was released in 1949 so keep that in mind when listening to the dialogue of the saloon ladies and how tame the escaped convicts seem to behave.

I give this early western a more than respectable 7 out of 10 IMDb rating.

Unfortunately, this was the only Western directed by the talented Mark Robson. It has an excellent, tight screenplay by Daniel Mainwaring (aka Geoffrey Homes) and Hugo Butler, from a story by Peter Viertel. Most surprisingly it boasts unusual violence for the Genre, thus making ROUGHSHOD hold up the test of time so well. Uniformly outstanding performances by a very young and luminous Gloria Grahame, Claude Jarman Jr, Myrna Dell, John Ireland and Jeff Donnell. Character actors James Bell, Jeff Corey and Sara Haden were very good in small roles and it must be said that the usually dull leading man Robert Sterling here proved he could act.

It has impeccable photography by Joe Biroc, an evocative score by the underrated Roy Webb and remarkable women costumes by Renie. Unfortunately, as with so many RKO Titles, WarnerVideo never released it on VHS and the first DVD Edition (Made on order) came out as late as January 2016!. Fans of Westerns should not miss ROUGHSHOD, unavailabilty pushed it into oblivion but definitely is worth of a reappraisal.