Kleine tapfere Jo

Since RKO had done such a classic version of this story back in 1933 one does wonder why MGM bothered to do the story again.

In watching Little Women I believe I found the answer. In 1949 the nation was still healing from World War II. The sacrifices made on the homefront supporting the troops overseas were fresh in everyone's mind. One thing that this version reminds us of more than the 1933 film is that it does take place during the Civil War. So this quaint 19th century novel all of sudden took on a relevance for the audience of 1949.

Of course this version did not have Katharine Hepburn. And of course June Allyson is no Kate, but CHRISTOPHER COLUMBUS, who is? Allyson does make a winning Jo March and MGM got a great opportunity to get four of its loveliest contract players a showcase vehicle. Elizabeth Taylor, June Allyson, and Janet Leigh all surely had substantial careers with better roles, but it's a treat to see them all together here. And Margaret O'Brien capped her career as child star at MGM with her performance here as Beth.

Hard to believe that the hardboiled Brigid O'Shawnessy and the beloved Marmee March could be played by the same actress. But Mary Astor was just that talented. Her role is very similar to that of Claudette Colbert in Since You Went Away. Her best scenes are concerning her care for the less fortunate Hummel family, both in telling her kids how important it is to care for the less fortunate and in actually leading the March brood over to the Hummel household.

MGM definitely made a version that will stand on its own merits even without the great Kate. CHRISTOPHER COLUMBUS who'd have thought it possible?

Maybe it's because I saw this version after seeing the Katharine Hepburn and Winona Ryder versions, but I consider this version to be the least out of the 3. I don't know why. The girls seemed to be a tad to nice and cosy for my liking, and I just couldn't stand Jo's accent. And has already been said some of the ages of the characters seem to be completely out of line with the novel. In a related quibble I didn't like how they switched the ages of Amy and Beth around to make Beth the youngest - I guess this was done so they could get Elizabeth Taylor to play Amy seeing as how Beth dies. And I know it's probably typical of the times but the obvious use of studio sets for just about every single scene made the whole thing seem rather fake.

Overall though it is still an enjoyable film. However I'd recommend the above mentioned Katharine Hepburn and/or Winona Ryder versions over it.

Out of all of the versions of "Little Women" that I've seen, this one is the only one that I've really enjoyed. I think I first saw this one when I was about 10. There isn't any one particular aspect of the movie that I like, the whole thing is marvelous. Acting, cast, costumes, you name it. I watched it again for the first time in years the other day (13 years from the first time I saw it) and it is just as good as ever. "Little Women" in my opinion, is a classic. It's a great movie for all ages. Probably not a movie most guys would want to watch being a chick flick, but great for a bunch of girlfriends hanging out, or sleepovers (that's where I first saw this version of "Little Women").

I thought this was a beautiful movie, and very entertaining. My only real complaint is Elizabeth Taylor as Amy, (Amy is supposed to be the YOUNGEST??)I liked June Allyson as Jo, and I really liked Margaret O'Brien as Beth. I've seen the three versions of the book, and even though the one with Winona Ryder is my favorite, I really enjoyed this movie. There was one aspect that I noticed about this film. The sets are the exact same as the one with Katharine Hepburn!!!!!

The opening scenes of Little Women are so beautifully captured on film that it looks almost like a Currier and Ives post card. It is so magically evocative of a New England in the early 1860's that the viewer is transported to that time visually and emotionally. The characters are so well crafted, warm and human that you truly wish you knew them. The way the movie glides through the season's, from the deep snows of winter, to the bright flowers of spring, through the summer into the golden hues of autumn each season is so wonderfully captured that viewers one hundred years from now will feel that they time tripped to that age so long ago. With the brutal civil war as the backdrop to the play, the movie tells the sensitive and gentle story of four young sister's on the homefront. Each sister is defined and likeable. Brought to life brilliently by June Allyson, Janet Leigh, Elizabeth Taylor and Margaret O'Brien. Each actress captured fully the innocents, decency and depth of their roles, imprinting forever the definitive characterizations that would have made Louisa May Alcott proud. I love this most beautiful work of cinematic art so much that I never tire of watching it. It is a treat for the eyes, the heart and the soul and at the end when the camera pans back to view the sky festooned with a glorious rainbow your emotions leap for joy that a movie can so utterly express the simple elegance of human decency and goodness.