Die Plünderer von Nevada

Watched this movie last night for the first time, and I thoroughly enjoyed it. As one reviewer said, they sure don't make them like this anymore.

The pace was good......the romances were given just the right amount of screen time (I'm a softie that way), along with the fisticuffs.

I only have one nagging feeling about this film: the title it was given. Okay, I understand (I guess) that "The Plunderers" could be considered the white bad guys in cahoots with the Indian bad guys to wreak some havoc; but, for me, the title seems to not hit the mark of this film. It seems to me that there was not really the "feeling" of plundering being the main attraction here. As other reviewers point out, it's the friendly relationship between the good man lead and the bad man lead characters that is the thrust of this story. And that is something that sets this film apart from other standard westerns.

As if the plundering were just a side event.

Wish they could have come up with something more meaty for a title.

"The Plunderers" is a color western from Republic Studios. While it's filmed in Cinecolor (which usually looks awful over time), the color on this YouTube copy is exceptionally nice.

John Drum (Rod Cameron) is a soldier in the US Cavalry and who is on a special undercover assignment. He is to convince everyone he's a horrible criminal in order to, hopefully, ingratiate him to a criminal gang...thus joining them and learning who is in the gang and what local is helping them. Unfortunately, over time, John becomes good friends with the gang leader and his heart isn't into bringing him to justice...where he'll hang. How to get out of this dilemma? An Indian attack out of nowhere!

The first 75% of the film is pretty good and there is an interesting possibly gay subtext as well. But the ending seemed like a giant cliche...as if the writer just thought an Indian attack was the way to resolve everything. An okay western overall...watchable, of course, but it could have been better.

It's a Western set in the 1870s that sees stranger-in-town Rod Cameron (John) buy a coconut from a shop and meet Lorna Gray (Julie Ann) and Ilona Massey (Lin). Sheriff George Cleveland (Sam) comes into the shop after hearing a gunshot. Cameron has shot into the coconut to get the milk and share it with the girls. He's a smooth operator. However, the sheriff recognizes Cameron as a wanted man and Cameron is forced to escape town. Whilst on the run, he bumps into fellow outlaw Forrest Tucker (Whit). Things aren't what they seem...

It's an entertaining Western with a good cast and a buddy-buddy feel to it as we follow Cameron and Tucker Throw in some Indians at the climax and this film covers all bases. It has plenty of action, there is tension, the lead characters are appealing and you root for the bad guys. Well, I did. It's a shame that Massey gets 2 rubbish songs to sing. I like my Western saloon girl songs to be uptempo with a catchy tune. Not here, unfortunately.

I can't wait to go to my local shop, ask for a coconut and try out my latest way of getting into the damn thing. I might buy some arms as well whilst I'm there and sell them to the enemy. Everyone seems to be up to those tricks in Westerns. And in real life, just check out what our Governments are STILL doing!

A tight script, decent dialogue, and good supporting cast, separate this one from the routine shoot 'em ups. Sort of a "buddy movie" with Cameron, the lawman and Tucker the outlaw, forced to set aside differences to avoid a sioux massacre. Fix, as one of the bad guys, delivers cynical wit throughout. They just don't make 'em like this anymore.

At a lesser scale than DARK COMMAND, which I commented a few minutes ago. Not the same actors either, but at least this is an outdoor western, unlike so many other westerns from this company. Anyway, it is action packed, pense, rough, very entertaining. However don't expect any surprise on the story. Jo Kane was a western maker who worked entirely for Republic during his entire career, he knew his job, and was familiar with Rod Cameron and Forrest Tucker; they will work together several more times for Republic. But here, you can not avoid cabaret sequences, a trademark of westerns at Republic, but there are not too long, as it was for JUBILEE TRAIL, with river boats and cabaret scenes, too many for a western, if my memory is faithful. So, enjoy this western. One more thing, as in many Republic westerns, if you removed riding sequences, scenes where you watch cow boys on their horses thru sierras, plains, mesas, desert, valleys, if you removed those long scenes, you will remove one third of the film. This was a trick used by many film makers for western, to fill up the feature length. Ha ha ha.