Ohne Liebe geht es nicht

For fans of "It Happened One Night," it's fun to see how they remade it in the 50's, in Technicolor, and as a quasi-musical.

The young Jack Lemmon is a delight to see, and it would have been stupid to try to follow Clark Gable's act--no one could.

The oddball casting has June Allyson playing the Claudette Colbert role, but since June was producer/director Dick Powell's wife, it's comprehensible. June had a lot of appeal in many of her roles, but sexy she wasn't; she was more the girl next door, or the long-suffering, proper wife. Here, playing a post-debutante, June was, in real life, pushing 40. The supposedly sexy scenes had that sanitized 50's feel to them, and the chemistry between the two stars was minimal.

But June makes the movie in the scene where they sleep in a field, as she sings & dances to a scarecrow, with moves that would have done Donald O'Connor proud. Such energy & wit, paired with her funny, froggy voice, are a delight. Who knew she had all this talent hidden away?

There's a lot to enjoy, even though, like nearly all remakes, it falls a bit short.

You Can't Run Away From It is a re-make of Frank Capra's It Happened One Night. That being said, one knows already what to expect. Film makers, no matter how hard they try, generally fail at reproducing classic films. This is no exception, not to say that this movie isn't good, but it cannot hold a candle to the original.

June Allyson stars as Ellie Andrews, a wealthy society dame rebelling against her father's strict command. She has eloped with a wealthy gigolo type, but has been kidnapped away from him by her family in hopes of being granted an annulment. Before the papers can be signed, Ellie runs away again, this time on a bus to find her new husband. On the way she meets Peter Warne (Jack Lemmon), a news reporter out for a good story. He agrees to help Ellie in exchange for the exclusive story, but the two develop a relationship while on the road.

Allyson is not quite elegant enough to pass as a member of the elite upper class and Lemmon lacks the charm of Clark Gable, so each fall short in their parts. However, it is always nice to see them, whether they excel or not.

All of the classic moments are here from the group song in the bus, the search for raw carrots, the hitch hiking scene, and the "walls of Jericho" bit. These inclusions should have been done like a proud tribute to the original, but they're played like they've never been done before, and fall very flat. It's like they found a stunning old gown in a trunk thats become threadbare and moth eaten over time and tried to pass it off as new. Who were they kidding? Part of the problem is comparing this version to the original film. If one has never seen It Happened One Night, this movie might fare better. It has its moments, and once they get going, the musical numbers aren't all that bad. The color is quite striking too. This version is perfect for younger audiences who refuse to watch black and white, but adults will prefer the wit of the original.

It it worth noting that the TCM print is a pan-and-scan version, so we lose some of the original splendor. Shame on you TCM for denouncing pan-and-scan and then showing it!

This was one of Jack Lemmon's first films. He is cast in the role of Peter Warren, a free-lance journalist who takes on the challenge of escorting spoiled rich girl Ellie Andrews (played by June Allyson) back to her Father (Charles Bickford) and husband. Peter and Ellie didn't plan on falling in love during their bus trip, but it happened ... just as in "It Happened One Night" starring Clark Gable and Claudette Colbert. This re-make is remarkably faithful to the original in plot and content. I would classify it as a charming, very tame movie worth the 80 minutes or so to watch it.

Pale imitation of It Happened One Night fails to capture the magic of the original, a fools errand to attempt in the first place, but is pleasant enough.

One of the problems is that Jack Lemmon and June Allyson share little chemistry, a vital component to the first film or any romantic comedy. Another is that June, 39 when this was made, while still very attractive is a bit mature to be convincing as a madcap runaway heiress. Debbie Reynolds, who was in her mid-twenties at the time would have been a better fit.

Scenes that crackled in the first just move the story along in this from place to place. Full of forgettable music which adds nothing to the original tale and a the high gloss look that was a signature of 50's cinema.

Well made but lacking the Capra touch.

The last review I read at IMDb for this film stated that it starred a "young" June Allyson. Actually, she was 39, seven years older than her co-star, Jack Lemmon, and MUCH too old to play the part of a young heiress fleeing her father. This in a nutshell is what ruins the film (along with it being made into a musical for the 2nd time). Not that she didn't do her best, but that she was simply miscast.

Besides, it was foolish to try to recreate a film when the original was already perfect. They had nowhere to go but down. Apparently, Allyson's husband (director of the film) was trying to bank in on what he thought would be a sure thing. The film did indeed make money, but not one person who ever lived thought it was remotely as good as the original. If you haven't see the 1934 version called It Happened One Night, do yourself a favor and watch that one first. There's a very good chance you won't want to bother watching another version once you see how good Clark Gable and Claudette Colbert were. Incidentally, this film was remade into a musical once before during the 1940s, and again was quite inferior to the original. Perhaps Hollywood should learn to leave a good thing alone.