Füge eine Handlung in deiner Sprache hinzuIn 1849, an Indiana farmer develops a life-long gold fever and an obsession with finding the 'mother lode' in the Californian hills.In 1849, an Indiana farmer develops a life-long gold fever and an obsession with finding the 'mother lode' in the Californian hills.In 1849, an Indiana farmer develops a life-long gold fever and an obsession with finding the 'mother lode' in the Californian hills.
- Regie
- Drehbuch
- Hauptbesetzung
- Baxter
- (as Lewis Russell)
- Billy as a Boy
- (as Chris Olsen)
- Prospector
- (Nicht genannt)
- Prospector
- (Nicht genannt)
- Prospector
- (Nicht genannt)
- Prospector
- (Nicht genannt)
- Man in Hotel Lobby
- (Nicht genannt)
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The lack of really big box office names in The Naked Hills makes it all the more real. David Wayne stars in this film as a man seized with the gold fever who is demon possessed with the idea of making that big strike, so much so that he abandons his wife Marcia Henderson and infant son who grows up to be Chris Olsen and later Steve Terrell.
There was a great line in The Oklahoma Kid where James Cagney opines that the strong take it away from the weak and the smart take it away from the strong. The strong here is Keenan Wynn, a claim jumper of no particular redeeming features and the smart is a crafty Jim Backus. You can almost see him as Thurston Howell the first. Could be that what we see here is how the Howell fortune was obtained and the bloodline kind of thinned over several generations until he and the Mrs. got caught up in that three hour tour.
Next to Wayne, Backus is who you will remember best from this film and this might be his best dramatic performance. For those of you who remember Mr. Magoo, Judge Bradley Stevens, and Thurston Howell and some other goofy comic parts this is the most serious film role Backus ever essayed. Even better than his part as James Dean's father in Rebel Without A Cause.
Narrating this story of Wayne's useless life is Denver Pyle who comes west with Wayne, makes a small stake and then starts a dry goods business. He is carrying a torch the Statue Of Liberty couldn't hold for Marcia Henderson. In many ways he's the most touching character in the film. And James Barton who originated the part of a hard rock miner starring in Paint Your Wagon on Broadway essentially takes that character over to The Naked Hills. Watch in the end how Wayne's character has morphed into Barton.
Most moving scene in the film is Wayne trying to nurse his dying mule back to health. He's so cut himself off from the world that the only living thing he has any relationship with is that pack animal. It's some of the best acting David Wayne did in his whole career.
Probably a large budget would not necessarily have helped The Naked Hills. But a solid cast and a wonderful story put this memorable film over. It will linger with you long after you've seen it.
'The Naked Hills' is a very low-key (and low-budget) western, extremely downbeat, with little emphasis on gunplay or the usual elements that appeal to horse-opera audiences. Wayne plays a family man obsessed with striking gold. He stakes a claim in the middle of the desert, which is his first mis-stake: any good prospector knows that the best place to look for gold is near running water, just as the best place to look for silver is above the timber line. Wayne incurs the anger of local tyrant Jim Backus. Backus was an underrated actor, now sadly remembered for 'Gilligan's Island' and Mr Magoo instead of for his dramatic roles. This film is the only one in which I've seen Backus play a villain, and he's excellent. Keenan Wynn is good too, as Backus's goon, but in Wynn's case the casting is no surprise.
The most pleasant aspect of 'The Naked Hills' comes during the opening credits, when James Barton sings a Western ballad. Barton was a Broadway star who never quite caught on in films; among his other stage roles, he starred in the musical 'Paint Your Wagon', in the role Lee Marvin did in the film. As a character type, Barton was similar to Walter Huston ... and had a similar singing voice.
SPOILERS COMING. 'The Naked Hills' has a very simple plot. Basically, family man Wayne gradually abandons every other aspect of his life in order to work a goldmine stake that shows absolutely no promise of ever striking gold. His wife and their son Billy plead with him to give up the mine and settle into a normal life with them. The end of the film is surprisingly downbeat: after years of following his obsession, during which son Billy has grown to manhood largely without a father, the defeated Wayne calls it quits. He gives up the mine, and rejoins his family. This is a very surprising ending for a Hollywood film. The clichés require that the obsessive hero must eventually be vindicated, finally striking gold. Failing this, he must die tragically. 'The Naked Hills' avoids those clichés in favour of a far more uncertain ending: the protagonist abandons his obsession, but we never learn if he goes on to a better life with his wife and son. This ending is the best, most original and most surprising aspect of 'The Naked Hills', which in all other ways is an extremely routine Western: slower, duller, less violent (and made on a much lower budget) than most. (Denver Pyle and Fuzzy Knight turn in precisely the same performances they've given in a hundred other sagebrush sagas.) For that courageous ending and the pleasant theme song - and the performances of Wayne, Wynn and especially Backus - I'll rate this movie 6 out of 10.
1800s California and Tracy Powell (Wayne) is gripped by gold fever and deserts his friends and family to search the hills for the precious metal.
Very routine gold fever Oater that plays like a poor man's Treasure of the Sierra Madre. It spans decades as Powell lets the search for gold take over his life, while the background threads involving his partners, both romantically and gold seeking, make up the drama as he heads towards his day of destiny. An opportunity is wasted to really produce a psychologically strong film about an obsessive man who keeps failing, but Shaftel constantly resorts to formula fodder to tell his story and it hurts the piece. Cast are fine, especially Wayne, who gets a chance to be the lead man and delivers a performance of note in spite of the insipid screenplay. 4/10
Wusstest du schon
- WissenswertesDavid Wayne (Tracy Powell) and Keenan Wynn (Sam Wilkins) both later played Willard "Digger" Barnes, the father of Pamela Barnes Ewing and Cliff Barnes, in Dallas (1978): Wayne during its first two seasons and Wynn during its third.
- Zitate
Tracy Powell: I need a stake, Haver. It's a rich claim, I know it. Ain't expecting you to stake me without getting something in return. I'll pay.
Willis Haver: Tracy, you don't understand, you see... I'm running a bank now. It makes a little difference. It's not just me. There are others in San Francisco I have to account to. I can't invest the depositor's money in a claim without knowing what's in it first.
Tracy Powell: How can I know what I got unless I get the equipment to find out?
Willis Haver: Heh heh... Just a vicious circle, ain't it? Can't get the money unless you know what you have. Can't tell what you have unless you have the money to find out. Heh heh. Ah, it's like I said: it's a business now. A man don't stand a chance by himself. Unless he's, uh, willing to go along.
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- Laufzeit1 Stunde 12 Minuten
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