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Das Gänseblümchen wird entblättert

Originaltitel: En effeuillant la marguerite
  • 1956
  • 18
  • 1 Std. 41 Min.
IMDb-BEWERTUNG
6,0/10
692
IHRE BEWERTUNG
Brigitte Bardot and Gisela Röder in Das Gänseblümchen wird entblättert (1956)
Screwball ComedyComedy

Füge eine Handlung in deiner Sprache hinzuA Paris schoolgirl unwittingly ignites hellfire in the minds of men from Seine to Sorbonne.A Paris schoolgirl unwittingly ignites hellfire in the minds of men from Seine to Sorbonne.A Paris schoolgirl unwittingly ignites hellfire in the minds of men from Seine to Sorbonne.

  • Regie
    • Marc Allégret
  • Drehbuch
    • William Benjamin
    • Roger Vadim
    • Marc Allégret
  • Hauptbesetzung
    • Daniel Gélin
    • Brigitte Bardot
    • Robert Hirsch
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,0/10
    692
    IHRE BEWERTUNG
    • Regie
      • Marc Allégret
    • Drehbuch
      • William Benjamin
      • Roger Vadim
      • Marc Allégret
    • Hauptbesetzung
      • Daniel Gélin
      • Brigitte Bardot
      • Robert Hirsch
    • 8Benutzerrezensionen
    • 7Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos47

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    Topbesetzung37

    Ändern
    Daniel Gélin
    Daniel Gélin
    • Daniel Roy
    Brigitte Bardot
    Brigitte Bardot
    • Agnès Dumont
    Robert Hirsch
    • Roger Vital
    Jacques Dumesnil
    Jacques Dumesnil
    • Le général Dumont
    Jacques Fervil
    • Le régisseur au premier strip-tease
    Jacques Jouanneau
    • Édouard - un ami de Daniel
    Mauricet
    Mauricet
    • Monsieur Valentin
    Madeleine Barbulée
    • Madame Dumont
    Yves-Marie Maurin
    • Toto
    Anne Collette
    Anne Collette
    • 'Croquemitaine' - la secrétaire
    Gabrielle Fontan
    • La prof de musique
    Luciana Paluzzi
    Luciana Paluzzi
    • Sofia . l'amie italienne
    • (as Luciana Paoluzzi)
    Nadine Tallier
    Nadine Tallier
    • Magali
    Darry Cowl
    Darry Cowl
    • Hubert Dumont - le frère d'Agnès
    Andrès
    • Un journaliste à l'Assemblée Nationale
    • (Nicht genannt)
    Françoise Arnoul
    Françoise Arnoul
    • Elle-même
    • (Nicht genannt)
    Mischa Auer
    Mischa Auer
    • Alexis - le chauffeur de taxi
    • (Nicht genannt)
    Charles Bayard
    • Un spectateur à Vichy
    • (Nicht genannt)
    • Regie
      • Marc Allégret
    • Drehbuch
      • William Benjamin
      • Roger Vadim
      • Marc Allégret
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen8

    6,0692
    1
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    Empfohlene Bewertungen

    5Euphorbia

    Cheerful fluff

    This is a harmless screwball comedy, mostly fast-paced, always amusing, but never laugh-out-loud funny. The striptease is a tiny and almost incidental part of the film, and Mlle Bardot never undresses on camera. A damn shame. But she really could act, and is better than the rest of the deservedly unknown cast. Maybe that is why they were chosen, so as not to upstage the luminously beautiful star.
    rooprect

    Fun romp, a little disturbing

    On a sheer entertainment level this film delivers some good gags, a breezy delivery, and of course the incomparable talents of Ms Brigitte Bardot to breathe her signature innocence into a sexually charged role. But, much like watching Al Jolson do blackface in the 1927 classic "The Jazz Singer", this movie requires a lot of... shall we say, 'nostalgic license'?

    Plot: an 18 year old female writer (played by 22 year old Bardot) runs away to Paris to try to get published, since her ultra conservative hometown and ultra-ultra conservative father is not so accommodating. In Paris nobody bothers to read her manuscripts (and in fact the whole premise of her being a writer disappears in the first 15 mins) as every male tries to seduce, grope, manipulate and objectify her. The worst part is that she herself soon becomes resigned to being a simple object of desire, forsaking any greater ambitions, and deeper plot themes, than to snare the most eligible suitor. What began with a great setup (a talented female writer cracking the male dominated field) devolves into a basic boy(s)-chase-girl formula. And she goes along with it.

    On the plus side: Toward the end it turns into a fun little Shakespearean comedy of errors & mistaken identities, and that is the story's saving grace. I just wish some of the other scenes, like all the drooling office workers propositioning anyone wearing a skirt, could've been toned down. Like seriously, male office workers randomly groping and kissing coworkers may have been funny to audiences 60 years ago, but it's a little disturbing today, and that kept distracting me from the real strengths of the film.

    As a historical document detailing the unique career of Brigitte Bardot, this film deserves its place. It shows her to be a naïve yet morally confident young woman who can handle herself in tough situations without losing sight of her femininity. Unfortunately this role kept her submissive the whole time, so it's as if this early work was just a primer for her later roles where she triumphs. I would sooner suggest watching "Naughty Girl" released the same year (1956), where Bardot shines with her impish portrayal of a young girl who is smart enough to turn all the drooling men into playthings, rather than this where she seems to be just below that level of command.
    6ulicknormanowen

    Fiftease.

    Looking back on Bardot's movies which were banned by the Office Catholique du cinema, it's sometimes difficult to understand what all the screaming was about ; it's certainly less hot and less "scandalous" than,say , Rita Hayworth in "Gilda".

    This actress with un petit je ne sais quoi brought something new on the Gallic scene ,and perhaps one of the first manifestoes of woman's lib,showing a firm independence of men ,in fact burning with a desire to live as free as them ,considering the sexual act natural and no big deal .

    Her way of life threatened the bedrocks of the French society ,the family ,the Church and the army.It would be even stronger when she was directed by great directors such as Claude Autant -Lara ("en cas de malheur" ) and most of all Henri-Georges Clouzot ("la vérité ", BB's favorite movie of hers ,and the one to choose if you want to undertand what she meant to the French audience ).

    "En effeuillant la marguerite" can't be mentioned in the same breath ;it's a harmless comedy ,but it features a small rebellion against the establishment ,here represented by her father ,a general ,no less, who intends to rule his family with an iron hand ; the heroine 's brother has already left the family nest to become a would be painter ,and she too wants to leave her native Vichy for the broader horizons of Paris.

    There are good funny moments : the visit of the Balzac museum by the brother/guide (although Darry Cowl is not very credible as BB's sisters ,he's palatable for once) , BB selling a rare signed copy of the writer's "le lys dans la vallée " ,an invaluable item from the museum ;her strip tease,principally showing the males salivating like Pavlov's dogs ,although it 's going to look chaste for today's audience .

    Directed by Marc Allégret whose career spanned almost half a century and who made estimable works .

    This film features future Bond Girl Luciana Palluzzi ("thunderball")as a shy Italian girl .
    6ksf-2

    headstrong girl finds adventure...

    Plucking the daisy (in the us..) aka "en effeuillant la marguerite" in europe. A twenty two year old brigitte bardot is agnès dumont, who has written a scandalous book, embarrassing her father. So she is sent away. But she runs away to where she thinks her brother lives. And ends up at le musée de balzac! She sells a first edition book. But when she realizes what she has done, she enters a "contest" to win money so she can buy it back! Can she solve this dilemma before she goes to jail for theft ? Rather convoluted. And the subtitles were also not translated as spoken. But all's well that ends well. Directed by marc allégret. One of the writers, roger vadim, was actually married to brigitte bardot while this was being filmed. Vadim also did the screenplay for barbrella!
    5shepardjessica-1

    Average Comedy with Lovely BB!

    Made right before AND GOD CREATED WOMAN, this little comedy is no great shakes, except for the lively and vivacious Ms. Bardot who is charming as always. The guy who plays her brother is strangely bizarre and amusing. A pretty tame film (considering the title), the plot isn't worth discussing, but Brigitte is coy and beautiful.

    A 5 out of 10. Best performance = Ms. Bardot. Her next film (GOD) would completely change her image from fun and innocent to passionate and a lasting sexual creature of the 50's. Roger Vadim, who wrote this one finally got to direct her and make a lasting impression. This film is enjoyable, but nothing to brag about.

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    • Wissenswertes
      En effeuillant la marguerite (Das Gänseblümchen wird entblättert (1956)), was Brigitte Bardot's 16th film in four years, her second one directed by Allegret (Reif auf junge Blüten (1955) (Futures vedette) was first), and also the second film written for her by Roger Vadim. It's a typical French romantic comedy, complete with a meet-cute on a train, and plenty of loving shots of Bardot's pert behind.
    • Zitate

      Monsieur Dubreuil - Casino Director: And the bookseller with a sideline in dirty books?

      Un livreur de journaux: You should know, you're my best customer.

      Monsieur Dubreuil - Casino Director: Isn't that General Dumont?

      Un livreur de journaux: In the flesh! I bet he wants "Plucking the Daisy."

    • Crazy Credits
      EPILOGUE: "And they lived happily ever after."
    • Alternative Versionen
      In the version broadcaston television in North America in the seventies and released on VHS by Entertainment Programs International in 1997, the contestants in the striptease contest performing just before Bardot only did partial strip. The last contestant before Bardot wears panties and a bra made of daisies at the end of her act. But the DVD version released by Home Vision Entertainment in 2001 features a different take of the same scene that is almost identical except that the contestants get totally nude at the end of their act.
    • Verbindungen
      Featured in Der Tag an dem Elvis nach Bremerhaven kam (1979)

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 11. Januar 1957 (Westdeutschland)
    • Herkunftsland
      • Frankreich
    • Sprachen
      • Französisch
      • Italienisch
      • Englisch
      • Japanisch
    • Auch bekannt als
      • Mademoiselle Striptease
    • Drehorte
      • Paris, Frankreich
    • Produktionsfirmen
      • Films EGE
      • Hoche Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      1 Stunde 41 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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    Brigitte Bardot and Gisela Röder in Das Gänseblümchen wird entblättert (1956)
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    By what name was Das Gänseblümchen wird entblättert (1956) officially released in Canada in English?
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