... und immer lockt das Weib

In St. Tropez, the orphan Juliete Hardy (Brigitte Bardot) is an eighteen years old woman sexually active and ahead of time, strongly desired by the wealthy middle age man Eric Carradine (Curd Jurgens). She has a crush on Antoine Tardieu (Christian Marquand), the older son that works in Toulon of a poor family that owns a modest shipyard, but he just want to have one nightstand with her. When Juliete's stepparents decide to send her back to the orphanage because of her bad reputation in the town, Antoine's brother Michel Tardieu (Jean-Louis Trintignant) proposes to marry her and she accepts, and she begins to love him. But when the Tardieu family decides to sell the shipyard to Eric and Antoine returns to St. Tropez, her lust for him blossoms again and becomes an announced tragedy.

This is the first time that I watch "Et Dieu... Créa la Femme" and I found it a surprisingly good movie. The story is extremely sexy and ahead of time, and works mainly because of the extremely beautiful and sensual Brigitte Bardot. Her sensuality and eroticism is impressive even in 2007, and I confess that I felt in love for her. The IMDb Tagline "...but the devil invented Brigitte Bardot!" is amazing, certainly one of the best I have ever read in this outstanding site. My vote is seven.

Title (Brazil): "…E Deus Criou a Mulher" ("…And God Created the Woman")

A rich man by the name of "Eric Carradine" (Curd Jürgens) wants to build a casino but needs the land owned by working class man named "Antoine Tardieu" (Christian Marquand) and his family. As it so happens, both men know a young and attractive woman named "Juliete Hardy" (Brigitte Bardot) who lives life to the fullest and it's because of her wanton disregard for convention that each want her in the worst possible way. Although Juliette loves Antoine and gives serious consideration to running off with him, she accidentally overhears Antoine bragging to a friend that he plans to sleep with her that night and then cast her aside the next morning. To further complicate matters, upon returning home that evening her foster parents tell her that they have decided to return her to the orphanage within a few days because of her flirtatious conduct. So, with nowhere else to go she accepts a sudden marriage proposal from Antoine's younger brother "Michel" (Jean-Louis Trintignant) who absolutely adores her. Needless to say, this infuriates Antoine and the rest of the family who don't think very highly of her at all. Not only that but she doesn't change her conduct in the least--which only intensifies the sexual tension for all concerned. Now rather than reveal any more I will just say that this film created quite a stir when it first came out and it's not hard to imagine why as Brigitte Bardot's performance was absolutely sensational. Having said that, however, I don't think the overall drama was nearly as sharp as it could have been. Additionally, I think it is only fair to say that this film's subject matter pales in comparison to other movies of this type today and with that in mind I have rated it accordingly. Slightly above average.

This was the movie which launched Brigitte Bardot as the sex symbol of the fifties and sixties in the the role of the teenager Juliette. And this is really a movie about a woman. She fills the screen during the whole projection with her gorgeous and generous anatomy and also with her way of smiling, talking, laughing, walking and dancing in a mixture of flesh, fire and beauty displaying moreover her personality and her fears, desires and anguish. However she is no "femme fatale" and only a tender teenager who cannot be blamed for having been born so pretty, charming and physically well shaped and who sometimes appears almost like a defenceless child. The story involves not the classical triangle but a quadrilateral instead whose vertices are besides Juliette herself, her young husband, his brother and the rich middle aged businessman who covets her since the beginning. The end of the story is somewhat conventional but acceptable anyway. This movie was received like a bomb in the movie world shaking some moral canons and shocking a lot people although by today's patterns it can be judged as rather innocent. Anyway the story is simple,original and well conceived and the actors play well which makes it a good movie after all.

Before this movie, I had never seen a naked woman that moved. Unless you count the images in magazines waving in the breeze! Ever since then I have had a love of slim blondes with long hair, , so I guess it must have had an effect on me. Besides that, "Art Films" were rare in Australia at the time, so it was quite a revelation to me. I don't remember much of the film, but the picture of the beautiful Bridgette will always remain in my mind. It was nice to see, in later years that she became such a strong advocate for animal welfare, and has retired semi-gracefully to her villa. Thank you Bridgette for all the entertainment.

one of films who seems have a single actor. because Roger Vadim use the eroticism of young Bardot for a touching story about youth, choices and love in real inspired manner. but that option has the importance for build a large mirror of a period. the borders of an age who seems more present in our society than in "50's and that could be the key of its success today. the grace to explore the desires of a young woman looking for a strange, obscure form of happiness. Trintignan in a of role who reminds the noble characters by Dostoievsky and the Romantic idealist . Curt Junger as the lover who use his power for define his age , cruel analyzer of the others. a film who seduces. and a film who gives precise definition for an obscure state of soul.