Der Hofnarr

If this satire of the Middle Ages and hereditary monarchs is not the most hilarious film ever made, in most viewers' books it stands right next to their favorite. The inspired casting of Danny Kaye as a performer who wants to be a patriotic fighter, gorgeous Glynis Johns as his stern captain, Angela Lansbury as a love-prone princess, Cecil Parker as her lascivious and bumbling evil father (a usurper of course), Basil Rathbone and Michael Pate as his co-conspirators and Robert Middleton and Mildred Natwick as roadblocks to the restoring of a baby as the rightful king of the realm guaranteed a film filled with well-acted fun. The script and direction of this colorful, vivid and side-splitting film were delivered by Norman Panama and Melvin Frank. Mention should also be made of the gorgeous Edith Head costumes, the art direction, sets makeup, hairstyling and blocking and the songs by Sylvia Fine, Sammy Cahn and others. Other stalwarts in the cast who do very well also include Alan Napier, Herbert Rudley, Noel Drayton, Edwin Astley as The Black Fox (Kaye's boss), John Carradine and more. Millions to this day are still laughing about: the "An Unemployed Jester" song; the switches from hypnotized bumbler to dashing super-swordsman that afflict Kaye in the course of his penetration of the royal stronghold; the classic duel Kaye fights with with the Gruesome Griswold (Middleton); the switching of poisoned drinks that occurs just before the duel with everyone repeating "The poison is in the vessel with the pestle, etc."; and the high-speed knighting of Kaye that precedes both these scenes. The climax of the film features a battle between midgets and foresters doing combats against the usurper's misguided loyalists, and Kaye's exhibiting the royal birthmark on the baby king's bottom to prove his right to lie on the throne. What ends with a song called "Life Couldn't Possibly Better Be" and begins with "You'll Never Outfox the Fox" has by that scene traversed areas of hilarity few have ever ventured upon, or even dreamed to reach. A key to the film lies in the comedic use of Mildred Natwick as a spell-casting Svengali exercising power over the Princess (lansbury) who is besotted with the idea of romantic love; half the goings on are due to her machinations that complicate an already astonishing situation. The rest is made possible by Kaye's impersonating the jester Giacomo (Carradine) who has been sent for by the bad men to do in the opposition. The colors are gorgeous in this film, the acting far above average, and Kaye is at his absolute best whether doing faked accents, signing a lullaby to the boy king or proving that courage is not a matter of muscles at all. This is a movie to fetch out of the vault on any holiday, or for any other excuse. With a bit more care at cutting down Sylvia Fine's vaudeville- type material for Kaye, the movie might have been as appreciated when it was first released as it is now.

Danny Kaye is excellent in this old fashioned family comedy mixed some musical numbers, slapstick humour with wonderful wit and wordplay. The story moves along regardless of the fact that some events occur just to set up some of the jokes, and also some of the editing effects in one scene are really dated! But you're laughing so much that it doesn't matter.

This is a wonderfully old fashioned family comedy that despite it's age still feels freshly funny and acts to show us how crude and ham-fisted comedies such as American Pie etc really are.

Go and find this and watch it today!…..Get it? Got it! Good!

If you can watch this movie without laughing, please seek immediate medical attention -- you may not have a pulse!

Much is made of Danny Kaye's outstanding performance in this film; it is clearly his best. Basil Rathbone, Angela Lansbury, and Mildred Natwick also do some of their finest work.

A word about the writing: this is not an adlib fest, a la Robin Williams. It is not a cornucopia of bodily functions, as in "Something about Mary." What it is, is a finely crafted example of comic writing that meshes like a fine Swiss watch. But you'll hardly notice as the cast and script click, because you'll be laughing too hard.

Note: "Princess Bride" aside, this movie also contains the finest swordplay ever captured on film.

IMHO, one of the top funny films. I saw it when it first came out, and we enjoyed it so much, we nearly bought tickets to see it again, right away.

There are so many high points in the film that listing them would put me over quota. A close relative who's nearly humorless to this day says, "Get it? Got it. Good," when she wants to underscore a point she's made. Once in a while, I'll mutter "The vessel with the pestle..." when things seem to be getting a tad complicated. The film has impacted me significantly.

The lyrics of some of the sings are really good. "The Malajusted Jester" seems like something out of a Gilbert & Sullivan operetta.

This is doubtless Danny Kaye's comedic magnum opus. It isn't a "must see" (what is?) but if you haven't seen it, you're missing a lot.

"The Court Jester" is a terrifically funny movie, with a wonderfully complicated comic/adventure story, memorable characters, and outstanding dialogue. It also offers a great showcase for star Danny Kaye's many talents.

The story is a nicely done comic version of the Robin Hood-type adventure tales. Kaye is one of a band of rebels hiding out in a forest, led by "The Black Fox", who are opposing an evil king who has usurped the throne. Their secret plan to restore the rightful king involves having Kaye impersonate the evil king's new court jester, so that he can gain the monarch's confidence. But even as the rebels plot, the king's own nobles are maneuvering for advantage amongst themselves, some with murderous intent. The question of whom the king's daughter should marry also comes into play. The early part of the film moves somewhat slowly as all of this is established, but then things get delightfully complicated, and the laughs and adventure both start coming quickly. There are several outstanding sequences, and a fittingly wild sword fight finale.

The cast is filled with outstanding actors - Glynis Johns, Basil Rathbone, Angela Lansbury, and many others - who make their characters entertaining and memorable. The dialogue is terrific, and the cast does justice to it every time. The story and the medieval setting also make a great showcase for Kaye's varied talents such as singing, dancing, role-playing, and his other comic gifts.

All of this makes "The Court Jester" a wonderful and timeless film, great comic entertainment done with exceptional skill and talent. Don't miss it.