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Despite having a pretty lacklustre cast, John Gilling adapts his own story quite well here to create a slightly more intriguing mystery. This time the visiting American box-office star is Larry Parks and he dons the role of journalist "Desmond". He has barely stepped off the plane when he finds himself embroiled with "Anna" (Lisa Daniely). Her part in the film is somewhat short-lived and soon our intrepid reporter is discovering that not only is he a person of interest to the police, but he is also being sought by her erstwhile employers who know that he has her valuable - and incriminating - contacts list! What adds a little to the interest here is the style of story-telling. Whilst it does deprive the plot of much jeopardy, it also sets an effective template for what is the retrospective nature of the unfolding of events. The supporting cast - notably Constance Smith as his assistant "Jane" are adequate and although it could comfortably have lost fifteen minutes off the rather meandering central section of the film, it's still a decent little thriller.

Another film with an american lead but at least he plays an american. I love the plot idea and it works well at the beginning with decent acting. It slows when the 'committee' gets mentioned and some bits are a bit improbable towards the end. But it was worth the watch!

I thought TIGER BY THE TAIL was one of the better Tempean Films movies I've watched, something which has a kind of Hitchcockian 'wronged man' thriller flavour to it. It stars the Kansas-born imported American star Larry Parks as a journalist who arrives in London and immediately falls for the charms of a femme fatale, played well by Lisa Daniely. Unfortunately she's also involved with a criminal gang, who soon have Parks in their sights.

This is a short and snappy chase thriller with plenty of tension to recommend it. There's also a surprising amount of atmosphere and funny moments, like when Parks visits Thora Hird's house which is straight out of a Hitchcock movie like SABOTEUR. Parks and Constance Smith aren't the most exciting of leads but they're not bad and you get supporting players like Alexander Gauge and Ronald Leigh-Hunt who can be relied upon to give professional performances. The interlude in the hospital is very well done. John Gilling once again directed, from his own script.

Although reportedly a travesty of the late John Mair's 1941 novel, this film version still packs plenty into just 85 minutes; particularly when it develops a Hitchcockian sense of humour that anticipates 'North by Northwest' at about the halfway mark, at which point heroine Constance Smith also assumes a more prominent role. (A fourth-billed Cyril Chamberlain too has a much more prominent role than we are accustomed to seeing him in.)

The first of two films made by Larry Parks during his European exile (the second being John Huston's 'Freud' in 1962) after being blacklisted in 1951; the scene where he gets roughed up on behalf of the sinister "committee" by a bunch of mean-looking goons who want to know "Where's the contact list?" must have instilled in him a sense of deja vue.

The action is fast, the drama tends to constantly accelerate, the villains are unpleasant enough, one of them appropriately sadistic and stupid at that, the murders tend to multiply, the car chases tend to constantly involve more cars, both the ladies are attractive and lovable enough, although one gets killed and the other gets out of any trouble without a scratch, the plot is thick enough and constantly gets thicker, while we never learn anything about the "committee" which all the villains seem frightened to death of, so the main intrigue is actually missing, suggesting some monkey business in counterfeit money and laundry. Lisa Daniely as the first lady in the parade actually cautions Larry Sparks not to ask any questions, while he commits the mistake of insisting on getting something out of her, which triggers all the problems and plunges him into a gruesome mess of unpleasantness. Larry Parks as the journalist is actually very much reminding of Jack Lemmon, they are the same type, and there is a lot of humour refreshing this film. Larry Parks was actually one of those many exiles from the US during the McCarthy witch-hunts, and like so many others he did better in British films than at home.