Füge eine Handlung in deiner Sprache hinzuAfter Wick Campbell's ward seeks protection with rival cattleman John Stewart, the embittered, jealous rancher hires ten outlaws to help him seize power in the territory.After Wick Campbell's ward seeks protection with rival cattleman John Stewart, the embittered, jealous rancher hires ten outlaws to help him seize power in the territory.After Wick Campbell's ward seeks protection with rival cattleman John Stewart, the embittered, jealous rancher hires ten outlaws to help him seize power in the territory.
- Regie
- Drehbuch
- Hauptbesetzung
- Townsman
- (Nicht genannt)
- Dealer
- (Nicht genannt)
- Queen Hotel Bartender
- (Nicht genannt)
- Gunman
- (Nicht genannt)
- Marva Gibbons
- (Nicht genannt)
Empfohlene Bewertungen
With some misplaced humour and a cobbled together plot, this ultimately ends up as a time filler for Randy Scott completists only. There's some enjoyment to be had from watching our Randy lob dynamite around, and Leo Gordon steals the movie as menacing villain Frank Scavo, but sadly it never comes together to make a worthy mark. Which when you have cast list that contains Randolph Scott, Richard Boone, Lee Van Cleef, Skip Homeier and Dennis Weaver! then that's a crime as much as it is a shame. 4/10
So, with these kinds of ingredients, why isn't the movie better than I think it is. For one thing, the direction appears pretty slack. The scenes simply follow one another without building into the kind of intensities expected from the rivalries involved. It's like Humberstone shot each scene without considering its dramatic significance to the narrative as a whole. So, for example, when gunsel Gordon takes over the town from Boone, there's no real sense of displacement, no real dramatic impact. Similarly, the dynamite sticks that act like grenades simply appear and also produce little dramatic impact. Yet both episodes are clever plot wrinkles, and with the right development could have helped lift the movie beyond the merely routine.
Also, too many times-- especially in standing conversation-- the actors speak their lines with perfect enunciation, as if they're performing from center stage. I expect that's also Humberstone's doing, but it comes across as stagey and inappropriate for a Western. And, of course, there's poor Donna Martell who looks great but is rather painfully no actress.
Still and all, it's an interesting, if somewhat convoluted, story and a treat for the eyes. And seeing all those familiar faces from other films almost looks like a reunion of sorts. I expect some good-hearted soul in production decided on a payday for a number of veteran performers. Also, it's a good chance to catch Skip Homeier in a rare sympathetic role, and Dennis Weaver shortly before his slow-talking, slow thinking deputy on the classic series Gunsmoke. Anyway, disappointing or not, no Western starring the granite-jawed Scott can afford to be overlooked.
I wondered if the version I saw on British TV had been subject to editing, such was the jerky plot, but the original runtime of 80 minutes was accommodated by the 85-minute viewing slot (including a couple of commercial breaks). The relationship between Maria and Howie seemed to happen instantaneously, and the "ten wanted men" turned up in town almost spontaneously.
It was good to see Skip Homeier acting against type; he's nearly always a bad guy who gets killed; here he's even slow to rise to provocation from one of Campbell's heavies. I was half-expecting him to turn out bad but...
Leo Gordon stole quite a few scenes from Richard Boone, who didn't perform that well. He had the most complex role in the film, with a chip-on-the-shoulder, somewhat pathetic infatuation with a young girl, and a really mean streak.
Lee van Cleef didn't have much to do. "High Noon" apart, his filmography up to now had been unimpressive, but his day was coming.
Quite apart from his misplaced sense of humour at the beginning, Scott took a foolish risk by walking into the bad guy's saloon by himself, and where were all his ranch-hands in the final confrontation? Without them, he had an unimpressive set of allies in the siege. Earlier he had recalled how he had won his land from the Apaches despite them burning him out four time, so perhaps he had a strong sense of indestructibility. John Wayne would have carried off the role better.
Moonraker
"Ten Wanted Men" is that type of western with many clichés of the genre but also entertaining. The fifty-seven year-old Randolph Scott is still convincing in the role of an old cowboy that became a successful rancher and needs to use weapons again to protect his family, his friends and the town he helped to build. Lee Van Cleef in the beginning of his career has a minor role as an outlaw and Richard Boone and Leo Gordon perform the typical villain. My vote is six.
Title (Brazil): "Arizona Violenta" ("Violent Arizona")
Wusstest du schon
- WissenswertesHarry Carey is listed in the opening credits but not in this entry. He was a big part of the early Westerns and his son Harry Carey Jr. was part of the John Ford Stock Company (the "Cavalry Trilogy"). CORRECTION: Harry Carey's name is not in the opening credits for good reason - he died in 1947.
- PatzerWhen John Stewart and Wick Campbell have their showdown, John draws and fires his revolver. There is the sound of a shot, but Stewart doesn't actually fire the weapon. He never cocks it and the hammer never moves in order to discharge a round. Also, there is no muzzle flash or gun smoke.
- Zitate
John Stewart: You know, Campbell, you're not thinking straight. Since you became a big man, you have the idea that everything should be done the way you want it, and that's dangerous. Better straighten yourself out before someone does it for you.
Wick Campbell: You, Stewart?
John Stewart: Possibly.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Hombres violentos
- Drehorte
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- Laufzeit1 Stunde 20 Minuten
- Seitenverhältnis
- 1.85 : 1