Liebe, Tod und Teufel

During the early 1950's Hollywood had a magnificent obsession with what they called historical films. ' Ivanhoe ' arguably started them, and they were set in a mythical ' Middle Ages ' which must have helped many children of that era with their history lessons. ' Quentin Durward ' appeared reasonably late in this cycle, and Robert Taylor who had appeared in a few of them was paired with Kay Kendall, and as far as I could see there was little chemistry between them. In my opinion Kay Kendall with her great sense of humour steals the film, and with her wonderful voice shows how absurd this whole genre is. The story begins in Scotland with Taylor being sent to a troubled France to get a bride for his very old uncle, and to keep the story going he lands himself in a mess of politics that must have baffled many who saw the film. No spoilers except to say that there is a unique fighting scene where two men have a sword fight hanging from bell ropes in a burning castle. It is well worth waiting for because it is a fantastically good bit of film making. I love these films because of their delusional freedom to play fast and loose with historical fantasies. ' Quentin Durward' is not in my opinion the best, but it is highly enjoyable and Kay Kendall is worth seeing in any film.

For a French viewer,it is always much fun to see how Hollywood treats our history.For sure,Louis the Eleventh would be amazed if he saw the Château de Chambord in his kingdom whereas this castle (400 chimneys)was built more than thirty years after his death.But on the other hand his castle of Plessis -Lès-Tours (Lès doesn't mean 'the' but "next to" ) was his favorite residence:it's here that he kept his Fillettes (=girlies) where he imprisoned his enemies.Unfortunately these cages do not appear in the movie.

However,Hollywood shows the historical figures as French conventions do in cinema:Robert Morley's shrewd smart king and Charles Le Téméraire (Charles the Bold)are depicted in the same way as in "Le Miracle Des Loups" a French classic swashbuckler which was filmed twice ,the first version by Raymond Bernard in the silent age.

"Quentin Durward" is entertaining stuff,suitable for the whole family but it is not as exciting as "Knights of the Round Table "-which featured a more beautiful leading lady in the shape of Ava Gardner- or mainly "the prisoner of Zenda" ,my favorite Thorpe movie.Besides,the part of the villain is too underwritten (remember James Mason in "Zenda").Best moment:the duel among the bells .

Richard Thorpe managed a few amusing moments in "The Adventures of Quentin Durward" which has a trapped Kay Kendall, whose only hard way to escape was to get rid from the evil black villain William De La Marck (Ducan Lamont).

Robert Taylor (Quentin Durward) engaged with De La Marck a rare but extremely exciting duel to-the-death with ax and dagger in the burning bell tower, swinging on the bell ropes in a rhythmic motion, getting from side to side with the sound of the ringing bells, until the destruction of the vile Count...

The best part of the film is the performance of the delicious heroine, Kay Kendall, 'one of the Cinema's few outstanding Comediennes,'whose beauty and artistic talent flourished the story, set in the 15th-Century France...

Kay Kendall (1926-59) went away much too young of leukemia...

Kay performed the maiden in distress, the medieval heroine fitting well into a motion picture which caught beautifully Scott's novel... The plot was simple: an elderly English Lord (Ernest Thesiger) sends his nephew (Robert Taylor) to seek in marriage a French Lady (Kay Kendall) on his behalf... He falls in love with her himself..

Sir Walter Scott wrote the novel in 1823... His 'Ivanhoe, 'The Talisman' and 'Rob Roy' have received most attention from filmmakers...

Another quality of "The Adventures of Quentin Durward" is the good acting of Robert Morley as the cunning, outrageous, very winding King, a characterization so different to his great performance as the weak-minded Louis XVI in "Marie-Antoinette" opposite Norma Shearer... This delightful British actor played excellent supporting roles in good-humored or pretentious roles...

Robert Taylor was the perfect cavalier, the man of word and sword, the romantic adventurer who appeared to relieve a charming Lady..

The Adventures of Quentin Durward is directed by Richard Thorpe and adapted to screenplay by Robert Ardrey and George Froeschel from the Walter Scott novel. It stars Robert Taylor, Kay Kendall, Robert Morley, George Cole and Alec Clunes.Music is by Bronislau Kaper and Eastman cinematography by Christopher Challis.

"Our story begins in Scotland in 1465~~when knighthood was a drooping blossom~~but the Scot, as usual, was poor in naught but cash."

So it begins, the tale of Quentin Durward (Taylor), who travels to France to find out if the Countess of Marcroy (Kendall) will make for a suitable bride for his aging uncle. Once there, though, Durward gets wrapped up in the political shenanigans of King Louis XI (Morley) and the Duke of Burgundy (Clunes). More pressing, mind, is that the Countess and Durward are attracted to each other.

The third part of an unofficial swashbuckling trilogy made by Richard Thorpe and Robert Taylor, Quentin Durward comes out after Ivanhoe (1952) & Knights of the Round Table (1953). Out of MGM's British studio at Elstree, film is delightful in period flavours and potent as a costume romance, but sadly lacking in vigorous wonders. The weakest of the three Thorpe/Taylor swashers, picture often has tongue planted firmly in cheek as it unfolds its story amongst some marvellous French and English locales. Cast are good value, especially the likes of Morley & Clunes, but Taylor at 44 is a bit long in the tooth to be entirely convincing in the derring-do department.

Good honest fun in the main, if a little too plodding in patches, but a climatic bell tower duel played out on swinging ropes is alone worth viewing the film for. 6/10

This is a film to be watched with a wide and affectionate grin. Outstanding are Robert Morley as Louis XI, the infamous and wily 'Spider' of France, and Robert Taylor as the eponymous Durward, a would-be chivalrous hero born out of his time who is none too sure of himself. The necessary, and highly satisfactory, heroics are spiced with a rich leavening of humour and some genuine moral questions - how much should a man sacrifice for his country's sake? His love? His life? His honour?

But above all it is a joyous and thrilling romp that doesn't take itself too seriously. Durward wants to be a knight in shining armour, but circumstances tend to conspire against him, and his lady is definitely the stronger-willed of the two; though like the audience, she cannot resist his puppydog charm. And ambiguous, cynical, cowardly Louis is often in danger of stealing the show outright, as he sits at the centre of his web and pulls the strings that manipulate all the other characters - a far-from-two-dimensional villain after my own heart!

Definitely a superior swashbuckler, with a saving vein of humour.