Füge eine Handlung in deiner Sprache hinzuThe history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.The history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.The history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.
- Nominiert für 1 BAFTA Award
- 2 Gewinne & 1 Nominierung insgesamt
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- Self
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- Self
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I don't possess a vocabulary to convey the impact the images had upon me. I sat unmmoving, sick to my stomach. Those images would not leave my head.
As a student of history, I had seen still images and brief clips of the victims of the Holocaust. None of it compared to seeing these images moving across my screen.
To any doubters of the Holocaust, I say, "Watch this film!" It did happen. This is the result of hatred and complacency. We like to think it couldn't happen here, until we remember the treatment of the Native Americans and the slaves brought to this country. We think it could never happen again, until Cambodia, East Timor, Bosnia, Rwanda, etc., showed it still does.
Another purpose is to show the ultimate failure of the Nazis at Nuremburg to take responsibility for it. It would have been welcome to also depict the complicity of others: big business, the other victims of the Nazi's, similar atrocities such as the My Lai massacre, ethnic cleansing, genocide, state violence and so forth but this was not possible given the length of the film and its purpose. Today, when there is so much holocaust denial, people need to be reminded not that the Nazis were demons but of the consequences of unchecked state power without an ethical base.
The film opens in 1955 with an image of a barren field of grass with lush romantic music in the background. The scene then abruptly shifts to wartime. We are in Auschwitz and the prisoners are arriving. We are shown scenes shot after liberation that are so shocking that they have never been made public outside of this film. Resnais does not spare us: the hair shaved off the heads of women piled high on the floor, bodies -- men -women - children -- are tossed in a garbage pit like so much rubbish, their fat used to make soap. The film only lasts a short time, but the images remain indelible. Unwillingness to acknowledge responsibility is depicted in brief scenes of the Nuremberg Trials. As we witness the conscious distortion of the past still going on today, we are left numb.
This is the one to show if you want people to understand the truth of what happened and the reason for its reaction in today's current events....It is shocking in a special way. I showed it to my classes. Students were warned, and told what was coming, they said it would be "nothing" By the end some were crying and moaning in horror...
It was so difficult for me to sit through that I was tempted to shut the DVD player off three times, but I told myself, "No, this is important. It has to be seen, if only as a reminder of what can happen when an inhuman world-view is fused to state-of-the-art technology." The Holocaust was far more (and worse) than simple mass-killing, awful as that is. It was a business decision, coolly and scientifically calculated, to destroy millions of innocents while reaping a profit from them- in death as well as in life.
The sight of the starved, broken bodies, the ghastly scenes taken in the medical labs in the death camps, the sight of little children being led by the hand to their last train ride. It is all so monstrous as to be indescribable.
I am glad I watched it. But I do not think that I'll be watching it ever again, and I give it a 10. It affected me that deeply.
This movie is probably the best holocaust documentary ever made. The images of piles of human hair, emaciated skeletons being pushed around by bulldozers, lampshades of human skin, men looking like corpses walking around, has never left me. The opera and classical music in the background helps to further add to the shock value of this film.
After about 10 minutes, kids in my class told my teacher we didn't want to watch this movie anymore. We stopped it and there was still 30 minutes left in class. We didn't learn anything about economics that day, we talked about the holocaust instead.
Wusstest du schon
- WissenswertesIn the DVD re-release, there is a subtle but controversial difference in one of the still photographs of a Nazi concentration camp in southern France. In this version the distinctive profile of a French gendarme can be seen at one of the camps, implying that the French Vichy government of the time was aware of and perhaps involved in the management of the camps. This same photograph appears in the original version but the gendarme's profile was obscured at the insistence of the French government (who commissioned the film) when the film was in post-production.
- PatzerIn the film a popular myth about the Third Reich is presented as fact: The claim that the body fat of prisoners in extermination camps was used to produce soap. Though evidence does exist of small-scale soap production, possibly experimental, in the camp at Stutthof concentration camp near Danzig/Gdansk, mainstream scholars of the Holocaust consider the idea that the Nazis manufactured soap on an industrial scale to be part of World War II folklore.
- Zitate
Récitant/Narrator: With our sincere gaze we survey these ruins, as if the old monster lay crushed forever beneath the rubble. We pretend to take up hope again as the image recedes into the past, as if we were cured once and for all of the scourge of the camps. We pretend it happened all at once, at a given time and place. We turn a blind eye to what surrounds us and a deaf ear to humanity's never-ending cry.
- Alternative VersionenBefore its original release, there was a still of a French gendarme (policeman) watching a roundup at Pithiviers. He is easily recognizable by the characteristic French "kepi." Wanting to deny complicity, French censors insisted this shot not be allowed, so for its original release, the image was altered so that a wooden beam covered the gendarme and his kepi. In 1997 or 98, the original version of the film was re-released in France, finally revealing the gendarme. The original American release of the film did not translate all the dialogue for the subtitles, in particular leaving out one of the two references to Jews: "Annette, from Bordeaux." Subsequent releases restored the original text: "Annette, a Jew from Bordeaux."
- VerbindungenEdited from Nazi-Konzentrationslager (1945)
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Details
- Laufzeit32 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1