Die Saat der Gewalt

Blackboard Jungle (1955)

There is so much intensity and visual punch to this socially concerned schoolhouse narrative, it's hard to not overlook the pushiness of some of the plot and the blatant stereotyping of most of the characters. Glen Ford is, in fact, truly commanding here, and he becomes the movie. Most of the rest, really all the rest, are supporting roles, and not all of them do him credit. And this comes not from lack of talent, but from a script that has too many little agendas at work. Hey, but they are important and interesting agendas, so fear not. It's exciting going every step of the way.

Even young Sydney Poitier, for all his charm and ease on screen, is forced into a role, as a reluctant but talented student, that makes him a two-dimensional, and his relationship with Ford is pushed on us at the expense of the others. Some of the other teachers are convincing in their own ways, most of all Louis Calhern as a grumpy and jaded older teacher who expects the worst and gets it. There are moments of high drama that work--mostly violence or the avoidance of violence--and there are moments too contrived and too foreshadowed to contribute very much. The female teacher is set up to tempt the determined Ford main character, and she plays out in expected ways.

It might be a testament, actually, that the movie grabs you and won't let go even with these storytelling flaws. For one thing, it looks great (with photography by Russell Harlan) and is edited crisply, so technically it soars (and in a vivid widescreen black and white, not 4:3 like IMDb says). The director, Richard Brooks, clearly makes the most of the material. His career has left us a number of almost great movies, and this might be his greatest. It seems to have had the most impact in its time, sparking violence in the theaters where it was shown. And by using "Rock Around the Clock" it helped make Bill Halley and Comets and white rock and roll hugely popular.

But as just a movie, on the screen, it is Ford who takes on the subtle turmoils going on in his character's head, and you read it in his face and his stiff body language, and you believe him.

After nearly 50 years, this memorable movie about a New York City high school remains a standard by which so-called 'high school' movies are judged, made and measured. Without Blackboard Jungle, there might not have been a Fast Times at Ridgemont High, Pretty in Pink, or Breakfast Club.

Before Sidney Poitier 'came to dinner', before Vic Morrow went into 'Combat', before Richard Kiley 'dreamed the impossible dream', and, yes, even before Jamie Farr (ne Jameel Farah), donned a dress, they were all part of The Blackboard Jungle. This movie launched quite a few notable careers.

I chose to watch Blackboard Jungle after I saw Rebel Without a Cause in Film class. I enjoyed the first movie and after I learned what Jungle was about, I assumed that I would enjoy it as much as Rebel. I was wrong; I enjoyed Blackboard Jungle twice as much.

Blackboard Jungle premiered in 1955, the same year as Rebel Without a Cause and historical milestones such as Rosa Parks' monumental protest of bus segregation. In fact, race relations pay an important part in this film, which I will discuss later. The movie is about a teacher, Richard Dadier, who accepts a job at North Manual High School. At this school, he encounters a school-wide discipline problem. The two main perpetrators in Dadier's class are Gregory Miller, a black student whom Dadier comes to see much promise in, and Vic Morrow, the true instigator of violence, whose gang attacks Dadier. Over the course of the film, Dadier also encounters apathetic teachers, a principal in denial, and a wife who gives birth prematurely. Eventually, Dadier must decide if his pursuit to teach is important enough to endure the hardship.

This movie brings up some very important issues that were just important in 1955 as they are in 2001. Violence in schools is still a major topic, culminating in the Columbine shooting which everyone should remember. Also important is how teachers are to deal with this threat. Dadier dealt with it by reaching out to Miller and by confronting Morrow. But is this a realistic scenario? Sometimes students just cannot be reached, and it is irresponsible to ask teachers to directly confront weapon-totin students who have a propensity for violence. This just goes to show that solving violence in schools is difficult. It has taken at least 46 years; it will probably take many more.

No female students are portrayed in Blackboard Jungle. This contributes to the stereotype that usually teenage boys are the ones who instigate violence. Of course, the statistics show that male students are mostly responsible for school violence, and many stereotypes exist for a reason. Rebel Without a Cause demonstrates the female role in school insubordination well, by including a woman in the main gang. Still, I would have liked to see a female student element in Jungle, to show that girls are often involved, and that they also influence male student's behavior.

For the era, the racial attitude of Blackboard Jungle is very progressive. Dadier confronts racial slurs in the classroom. The principal, who was tipped off by a student that Dadier was using racial epithets (when all he was demonstrating was the dangerous consequences of such racism), is not happy with this report and chastises Dadier. Both situations show that two important protagonists object to racism, signifying the film's aversion to this social aspect. This comes just after Brown v Board, simultaneous to Rosa Parks' significance, and long before the high point of the Civil Rights Movement. Blackboard Jungle should undoubtedly be recognized for its attitude on race relations and other controversial elements, such as rock and roll. At a time when rock music was still controversial and outside the mainstream, Blackboard Jungle opened and closed with Bill Haley and the Comet's "Rock Around the Clock." This was a bold step to take and was one of the reasons that the film was banned from many theatres. The relatively violent content also contributed to the barring of the movie and probably contributed to many riots that occurred in theatres while the movie was shown.

Overall, I enjoyed this movie, both for the issues it addressed, its support for educators and their responsibilities, and for its entertainment value alone. I highly recommend this film to anyone who is interested in educational dilemma, or someone who simply would enjoy a classic film with a progressive, realistic attitude. However, for anyone looking for a clone of Rebel Without a Cause, they won't find what they're looking for, but I guarantee they will enjoy it just the same.

I think this film is a perfect example of how children and teenagers never really change. Oh sure the music and fashion is dated and looks prehistoric, the kids use lingo from another time and dance to music from another time, but they still act like teens. They think they are the coolest kids of all time and no one will ever be cooler. Then a new batch of teens show up and a new batch and so and so on. And the unthinkable happens to everyone, they get older and then become the middle age farts who don't understand the new generation. When in reality the new generation isn't doing anything too different from any previous generation. I was a teenager in the '90s, guess what? The '90s are over and there are a new generation of teens now who think THEY are the coolest of all time.

Teens are rebellious and act up. They think they are immortal and can never die. They always have, especially since the 1940s and 1950s of America. Even the Bible documents a group of youths making fun of Elisha's baldness 3,000 years ago, "Go on up you bald head, Go on up you bald head" Poor kids, God came down with two bears and smote them all for making fun of Elisha. Unfortunately, God won't likely solve every youth problem like that anymore. :) Ways have to be found the way Glen Ford does in this film, to reach out to the troubled youth. And adults must always remind themselves that this is not a "new problem" as they so often wish to believe.

Blackboard Jungle is one of the seminal films in Glenn Ford's career. As Richard Dadier, newly minted teacher going into one of the inner city schools in New York City, he's nervous, but full of idealism and commitment that he can make a difference in the lives of these kids.

One of the aspects of Blackboard Jungle that is never discussed is the problem, still very much with us today, of illiteracy. For me the key to the whole story is when Ford has to get down to the level of running a movie cartoon of Jack and the Beanstalk in order to communicate with them. That's when he reaches them and also takes control of the situation in his classroom away from the school thug as graphically portrayed by Vic Morrow.

I was involved with someone for many years and his literacy level was very low. It made him angry and unable to handle the world and all the problems he had in life. He had a worse situation than the kids in The Blackboard Jungle. He was raised in a group home where they didn't care at all if you learned anything.

Blackboard Jungle is also memorable for the use of a previously recorded song by Bill Haley and the Comets that sold a few records the year earlier, but didn't set the world on fire. Director Richard Brooks heard it in young Peter Ford's collection and decided it would be his theme. Rock Around the Clock became a rock and roll institution after The Blackboard Jungle was out in theaters.

Blackboard Jungle also started another less fortunate trend. That of picking very obviously adult actors to play high school kids. A trend that has continued to this day with such shows as Beverly Hills 90210 carrying on the tradition. Capable players that they are and they certainly delivered fine performances, Sidney Poitier and Vic Morrow don't look like high school kids, especially not next to Rafael Campos who was in the correct age bracket when the film was being shot.

Teacher burnout is also covered in Blackboard Jungle with Louis Calhern leading the pack of cynics Glenn Ford has as colleagues. In many ways Blackboard Jungle is the grandfather of a film like Stand and Deliver where Edward James Olmos is the dedicated math teacher of inner city kids a generation later. Other than ethnic, not too much difference between Richard Dadier and Jaime Escalante.

Richard Brooks assembled and directed a cast that made a classic that's still agonizingly relevant today.