One of the key films in all of Japanese cinema
"Chikamatsu Monogatari" , (aka "The Crucified Lovers"), is one Mizoguchi's lesser known works and yet it is no less extraordinary for all that. It is, of course, typical of its director; another tragic tale of corrupted innocence and the terrible hand fate plays in people's lives, in this case a wrongful accusation of adultery over a very simple misunderstanding. Shakespeare could have written this.
It's set in the 17th century and it paints as relentless a picture of cruelty and hypocrisy as Mizoguchi has given us and he shoots it almost in semi-darkness, (even the exteriors take place at night or are shrouded in mist or in shadow), so there is no escape for its protagonists nor for us; the inevitability of the lovers' fate is clearly signposted from the beginning.
As the couple forced to acknowledge their love for each other by unfolding events Kazuo Hasegawa and Kyoko Kagawa are superb, particularly Kagawa whose performance as the wronged wife is a masterclass in subtlety and tenderness. This is surely one of the key films in all of Japanese cinema.
It's set in the 17th century and it paints as relentless a picture of cruelty and hypocrisy as Mizoguchi has given us and he shoots it almost in semi-darkness, (even the exteriors take place at night or are shrouded in mist or in shadow), so there is no escape for its protagonists nor for us; the inevitability of the lovers' fate is clearly signposted from the beginning.
As the couple forced to acknowledge their love for each other by unfolding events Kazuo Hasegawa and Kyoko Kagawa are superb, particularly Kagawa whose performance as the wronged wife is a masterclass in subtlety and tenderness. This is surely one of the key films in all of Japanese cinema.
- MOscarbradley
- 27. Sept. 2016