Phantom from Space

A low budget sci-fi that has been undeservedly overlooked, for it achieves (within its B Grade limitations) a good deal of suspense and has a plot which veers unexpectedly into some non-formulaic territory.

'Phantom From Space' is a more thoughtful, interesting and likeable exploitation of 1950s UFO hysteria than many of its better known contemporaries.

I will never forget this movie. It is the very first sci-fi that I had ever seen. My parents took me to see this film when I was about 6-7 years old.

I was very frightened by the whole thing. I could not stop watching however. Every night for months after seeing the film, I made certain my bedroom curtains were securely drawn. I just knew that the alien was out there looking into my window at me.

By todays standards, the special effects were really Mickey Mouse. Perhaps a remake of this film will happen some day. If so, I will be first in line to see it. This time I will not worry about my bedroom curtains.

As low-budget 1950's sci-fi stuff goes, this movie turns out to be relatively entertaining, certainly better than a lot of similar type movies from the era. The movie is set on a single night, and follows various government officials (police, military and communications) in the search for an alien being who's crash landed on earth, and who's killed a couple of people. The problem in finding him is that he's invisible, except when under ultra-violet lights. The effects are really what makes this seem very low-budget. They're pretty typical for the era, which means not very good. The movie also gets off to a bit of a slow start, as all we get to do for a while is watch "Mobile 1" and "Mobile 7" keep reporting into "Central" as they try to pinpoint the location of a mysterious signal of some type that's blocking communications. The first 10-15 minutes contain a lot of "Roger, Wilco, Out" kind of stuff. However, the actual story isn't bad and has a bit of mild suspense about it, particularly because we're not really sure about the motive of the alien. Did he deliberately kill the two people, or was it an accident or possibly self-defence? Ultimately, I thought this was a decent enough movie to spend a bit of time with. 6/10

United Artists sure had a mess on their hands when they distributed Phantom From Space in 1953. The story is of an alien spacecraft that seems to have crash landed somewhere near Santa Monica, and the humanoid alien that runs around. The alien gets involved with murdering a couple humans, and also causes an explosion. It is later learned the alien most likely killed because it was being attacked by the humans. A manhunt for the alien is then organized. The alien is cornered but escapes by taking off his helmet and radioactive suit, which makes him invisible to humans. The suit and helmet are taken to a lab (We know it's a lab because of the roughly made "lab" sign that can be seen.) It is guessed the alien will come to the lab for it's helmet, which it needs for breathing most of the time. The alien shows up and soon the crime investigators, the scientists, and a dog are running here, there, and everywhere looking for either the alien or the woman who has encountered the alien. There is so much running around in the lab building that it becomes humorous; like a Three Stooges comedy. It is also humorous during all this running to see people slipping on the slippery floor in the building's hall. These shots of people slipping slightly were either unnoticed while being filmed, or the director didn't want to do another take. Much of Phantom From Space screams "amateur." Some of the sci-fi elements in this movie are interesting (the invisible alien being viewed under ultra-violet light, the description of foreign gasses the alien breathes in its helmet) while other sci-fi elements do not seem likely. The movie seems more like a cops and criminal story than a science fiction thriller. Even the music sounds like a crime-drama score most of the time. There are several things in the movie which may cause unintended laughter; including the monotone narrator who begins the movie, and again speaks during other parts of the movie. Unintended laughter may also be brought about by some of the situations and dialogue in this movie, and by the acting. For the most part the acting is bad. Some actors display wooden acting. Other actors seem extremely amateur. The special effects are mostly bad when compared to other low-budget films from this era, and they may also lead to unintended snickers. Only near the end do the special effects seem better when the alien is seen under ultra-violet lighting. All the running around and silly situations make the movie seem more like a feature for children. The movie can be entertaining only if viewed with a juvenile frame of mind. Phantom From Space is a bad film, but may actually be a fun reminder of comic books and science fiction serials.

Looked at solely from a technical and directorial perspective, "Phantom from Space" is a far better film than you'd expect. The acting is consistently competent, and the director keeps things moving briskly, without the longueurs that afflict most low-budget films. Scenes often use multiple camera setups, virtually unheard-of in films shot in a couple of days.

I have to take exception to the reviewer who complained about the cheapness of the special effects. They are exceptionally good, done by Howard Anderson, at that time one of Hollywood's leading opticals/effects houses. They wouldn't be out of place in a bigger-budget film (eg, "Abbott and Costello Meet the Invisible Man").

Don't get me wrong. This is not a particularly good movie, its principal problem being the lack of a compelling story. Had it had one, it might have become a classic.