Fegefeuer

At a postwar isolated Pacific military outpost, the men are all taken with Sadie Thompson (Rita Hayworth) who is stopping for a couple of hours in between ships. They try to hide her from the rest of the base. She becomes the toast of the club and finds that she has to stay for a week due to quarantine. The religious Mr. Davidson is the head of the Mission Board who tries to run her off the island before she catches her boat to Sydney. She doesn't want to go back San Francisco and he suspects she's on the run from the law after being in the notorious Emerald Club of Honolulu. Marine Sgt. Phil O'Hara falls for the brash show girl.

Rita Hayworth rides that boat onto the island and shows her star power. She puts on a big show in this movie. José Ferrer is a good cold foil for her. Aldo Ray is a meathead. I can only imagine if the O'Hara role is played by somebody great like Marlon Brando. The story seems to be stuck between something really juicy and a bad morality play. It's a hard-boiled romance exploitation movie. I don't know what it looks like in 3D. It's not obviously shot that way. At its core, Hayworth shows that she still has it.

In the post-World War II, while heading to work in New Caledonia in the southwest Pacific Ocean, the liberal and joyful Miss Sadie Thompson (Rita Hayworth) is stranded in a rainy island in the Pacific when one crewmember gets typhus and the vessel Orduna is put in quarantine. Sadie befriends a group of marines from an American outpost and is courted by Sergeant Phil O'Hara (Aldo Ray) that proposes her to move together with him to Sidney, Australia. However, the moralist and powerful Reverend Alfred Davidson (Jose Ferrer) recognizes her from the infamous Emerald Club in Honolulu and forces her to return to San Francisco where she has a past that haunts her. Nevertheless nobody can run away from himself.

I have just watched "Miss Sadie Thompson" following the recommendation of a friend of mine. Rita Hayworth is impressively wasted for a thirty-five year-old woman, but perfectly cast in the role of a woman with a disreputable past. In a certain moment after the conversion of Sadie Thompson I hated this movie and I found it awfully moralist. However the unexpected plot point is great and saves this tale of corruption of the human soul. My vote is six.

Title (Brazil): "A Mulher de Satã" ("The Satan's Woman")

Having read some of the comments about this film I must disagree with much of the criticism made against this film. I have seen the 1932 Joan Crawford film "Rain", and while I agree that it is more successful in creating the mood and tone which is required for the story I consider this film version to have its own virtues. Rita Hayworth is good as Sadie (although unlike Joan Crawford she presents herself most of the time a a happy go lucky sort whereas with Crawford it is always apparent that she has a "bad" past)and Jose Ferrer is solid as Mr. Davidson. The location and Photography also add a great deal to the telling of this simple yet powerful story.

Rita Hayworth hardly fit Somerset Maugham's physical description of Miss Sadie Thompson in his short story on which the film is based.

"She was twenty-seven perhaps, plump, and in a coarse fashion pretty. She wore a white dress and a large white hat. Her fat calves in white cotton stockings bulged over the tops of long white boots in glace kid".

However she captured the spirit of the character and I think the film does do justice to Maugham's story. It was updated to the 1950's and opened out with the introduction of other characters - Aldo Ray and his U.S. Marine buddies - but the conflict between the missionary and the bar girl thrown together in Pago-Pago when their ship is quarantined still has bite.

I first saw this film in the late 50's and thought it was pretty powerful - you didn't hear words like 'prostitute' bandied around too often in movies back then.

José Ferrer ate up the role of Mr Davidson, the missionary who sets himself up as the anti-fun police and attempts to save Sadie's soul whether she wanted it saved or not - all the while suppressing a dark side.

Aldo Ray was good as O'Hara, the tough marine sergeant who also wants to save Sadie from her previous life. The marines seemed a little over-caricaturised. It wouldn't have come as a surprise if they'd broken into a chorus of "There's Nothing Like a Dame".

But this film is Rita Hayworth's. Catching the brashness of Sadie, she showed her range; very different to the soft-voiced femme fatale she often played. She sings and dances with stocky Aldo Ray, and is still a luminous presence. According to Peter Ford's biography of his father, "Glenn Ford: A Life", Rita desperately wanted Glenn to play O'Hara and go to Hawaii with her. This was at a time when she was beginning to show signs of the problems that would blight the rest of her life - Glenn Ford always provided an emotional safety net for her.

This film looks good and the story of barely repressed lust with its shock ending still stands up. And of course, a film such as "Miss Sadie Thompson" takes on another dimension knowing the course of the lives of the fascinating people who made it.

The old Sadie Thompson story gets the full Technicolor treatment and some eye-filling location photography of a beautiful South Seas island--but nothing hides the fact that the story is simply another reworking of the Somerset Maugham saga about a sinner, a man of the cloth and a bunch of rowdy U.S. Marines.

RITA HAYWORTH gives her all to put some much needed vitality into the tale and puts some heat into her dance number--"The Heat Is On"--while the men aren't shy about showing how they appreciate her earthy charms. But there's not much to say about the story and its labored message about sin and redemption with JOSE FERRER as the uptight preacher who takes a moral stand on her behavior but can't practice what he preaches.

ALDO RAY and CHARLES BRONSON are among the Sadie admirers in uniform and both of them do splendid jobs. Rita has a nice chemistry in all her scenes with Aldo Ray but her scenes with Ferrer never quite have the impact they're supposed to. She handles all the dramatic moments well, but there's a tired look about her face that is most noticeable during the latter half of the film.

Not exactly an upbeat tale, but Rita does make a believable Sadie Thompson.