Donovans Hirn

This film is one of my favorite 1950's horror/science fiction movies. I first saw this film on T.V. when I was about four and five years old, and it thrilled me then and I still enjoy it today. The story based on Curt Siodmak's novel was previously filmed in 1942 as LADY AND THE MONSTER. While that version has some virtues, the overall result was mediocre. It was filmed again 1962 as THE BRAIN with several character name changes and different plot elements. I last saw that version in 1970's. While I recall it being not bad, I don't remember it being as good as this version.

DONOVAN'S BRAIN is the best version primarily due the good performance of Lew Ayers as the possessed Dr. Cory with good support from Gene Evans. When I first saw this film again after many years I was impressed by Lew Ayers. When the evil brain of Donovan possesses Dr. Cory and he becomes Donovan, I had to remind myself that it was Ayers playing both "minds". This was done entirely by Ayers; the film employs no make-up or lighting tricks (as the 1942 version does) to create the different minds in the same body. Gene Evans lends good support as Cory's alcoholic but sympathetic doctor assistant. Steve Brodie is also good as the blackmailing reporter, but his role is somewhat shoehorned into the plot. He appears merely as someone for Cory as Donovan to knock off, and once he is gone, his blackmail threats are forgotten. However the scene's with Brodie are good. Note that when he confronts Cory/Donovan for a blackmail payment, he is wearing a worn out suit. When he returns for another payment, he shows up in a very expensive looking suit! The film is loaded with subtle touches like that.

When the noir cycle was running down (and out) in the early 1950s, the new spate of "sci-fi" movies could lay claim to being among its bastard offspring. These programmers about atomic mutants, mad scientists and monsters from the night sky took over the quick-and-dirty, bottom-of-the-bill status the noirs once occupied. Rarely, however, did they boast their known and seasoned casts or their distinctive visual style (how could they? They were all set out in the damn desert).

But they also inherited some noir veterans. Donovan's Brain was directed by Felix Feist (The Devil Thumbs A Ride, Tomorrow Is Another Day) and originally written by Curt Siodmak (Berlin Express).

Scientist Lew Ayres works on keeping monkey brains alive outside their bodies. When a powerful millionaire dies in a car crash conveniently nearby, Ayres volunteers to resuscitate the brain and succeeds beyond his hopes. In its electromagnetic bath, the organ pulsates and glows, developing telepathic powers. Soon it's taking over Ayres' personality; he starts living Donovan's life and continuing his dirty work, all the way to Washington.

Ayres' wife (Nancy Davis at her most charmless and plain-jane) grows alarmed, and plans to unplug the brain. Trouble is, it can sense hostility and defend itself....

Feist applies some practised suspense techniques to the story, and with Joseph Biroc's photography the movie doesn't look bad, either. But it's high point is Ayres as he shifts from mild researcher to the insolent, despotic Donovan. He makes the hour and a half something more than just passable.

There's always someone out there who feels he can do whatever he wants. A scientist finds a man, hanging on to life by a thread, from plane crash. He is unable to save his body, but decides he has the ability to keep the brain alive. It turns out that the brain is that of a man name Donovan who was a ruthless, cutthroat businessman, with no moral or ethical sense. Somehow, the brain begins to inflict its will on the scientist. It isn't long before the brain is ordering the man around and he isn't having him do acts of kindness. This movie is pretty bad, but it has a history, and people seem to enjoy it. My father, who probably saw about three movies in his life, knew this one. If you just want to have some fun and don't want to ask too many questions, this may be your cup of tea. Perhaps they should have sent the thing into politics. They could use some brains in congress.

A neat example of what you can do on a small budget. Dr. Cory starts out a regular, married scientist who just happens upon a body crushed in a car wreck but with the brain still functioning and normal. The brain is removed from the mangled body and kept alive in a fish tank. It isn't long before the brain starts sending telepathic messages to the good doctor. Soon he's doing the bidding of Donovan's living brain, like gaining access to the Donovan fortune and using it to intimidate just about anybody who stands in the late millionaire's path to gain control of most of the country's economic resources. Cory's change of manner is noted by his wife and best friend, and it isn't long before they are both targeted for removal.

Lew Ayres is in top form as the good Dr. Cory evolves into misanthrope Donovan. Amusing if one realizes Ayres began his career playing the gentle, heroic Dr. Kildare. Creative casting! Along for the ride is Nancy Davis - - the future Mrs. Reagan - - and Gene Evans, as Cory's loyal but confused assistant. Steve Brodie plays a blackmailing reporter who gets just what he deserves.

All in all, "Donovan's Brain" is well worth watching if you're in the mood for something different. It has been selected to premiere on TCM later this month.

Well-crafted sci-fi with minimal special effects. Of course, the premise of a disembodied brain taking thought control of its master has kicked around more than a few times. However, this is arguably the best version, thanks to a tight screenplay and a fine central performance. Ayers must go from nice guy doctor to tyrannical business tycoon whenever the evil brain takes control. And he does both in highly convincing fashion—sure a long way from young Dr. Kildare. Nancy Davis (Reagan) also delivers as the loyal wife. Her films may never have been very distinguished, but she was always a credible low-key performer. Note also that usual tough guy Gene Evans gets the thankless "Igor" role as the lab assistant.

I guess I could have done with fewer close-ups of the pulsating brain. Unfortunately, the effect comes across in fairly hokey 50's fashion. Then too, that all-out thunder and lightning sequence amounts to more than just a storm. Instead , it looks more like a rage in heaven, like someone above is really angry at what's going on below. The heavy-handed theatrics is really out of sync with what's gone before. Despite the two drawbacks, the overall result is better than expected, thanks to the A-grade performances in a B-grade movie.