Appointment in London

I quite love this film. It DOES feel a bit talky because it's predominantly so ground based...but the depiction of Wing Commander Mason's 90th "op" puts it into a class of its own. I love the audio in the raid of the Pathfinder commander...Has such an urgency and veracity which is irresistible. I agree that it's not in the same class as "12 o'clock High"...For me the film Gregory Peck should have won his Oscar for..it truly is a "maxium effort"..but it's an elegant and high quality cinematic testament to the heroism of Bomber-Command. I like too the Aussie pilot played by Bill Kerr in his darker blue RAAF uniform. We Aussies were there in high numbers like so many Commonwealth aircrew who included my Pilot-Officer Uncle Arthur(Nash)shot down with the loss of all in a Wellington bomber on a night raid over Dusseldorf.

This film was also released as APPOINTMENT IN London. Dirk Bogarde is the stalwart star of this wartime drama centered around the lives of the men of a bomber squadron based at Lincoln. A great deal of original aerial footage is edited into the film throughout, culminating in a huge bombing raid over Germany in the latter part of the film, which shows a genuine squadron flying in formation at night, and features the most astonishing real footage of the roaring inferno produced by such a bombing raid. There are also some shots of London in 1952 showing that there was still almost no traffic. Bogarde plays Wing Commander Mason, who at the beginning of the film has flown 87 sorties over Germany and is being urged on all sides to call it quits, but he is determined to go on until he completes 90 missions, because 'I have set my mind on it'. However, he is getting over-tired and everyone worries that he will make mistakes or simply not make it. My wife likes Bogarde a great deal. She used to be taken by her mother to tea with him and his mother in Denham Village when she was a child, when she became entranced by him and his peculiar charm. His mother was apparently rather butch. I only met him and chatted with him on one occasion, at Shepperton. He was certainly a major figure in the history of British cinema. He could be rather waspish, and was no heterosexual. One old friend of ours unexpectedly turned up on the credits of this film, Cecil Ford. He was credited as Assistant Director. I checked IMDb, and he had already been an assistant director for five years by this time. The next year he moved up to Production Manager. Dinah Sheridan plays the love interest in this film. Although everyone thought she was an English rose, Sheridan was really half Russian and half German. She did very well in the part, showing great restraint as 'a widow since Dunkirk' and not falling for the first airman she sees. Everyone in the film is very restrained indeed, and all the upper lips are stiff in the Old Style. This is seriously traditional British fare. Bryan Forbes does very well as an airman who doesn't make it. His wife is played by the interesting actress Anne Leon, who died long ago and made few films. She was very effective, but as she was no glamour gal, it seems she was not offered many parts. It is always a pity when people of talent are not properly recognised. In terms of names we might recognise today, Nigel Stock is uncredited as a co-pilot, not that you would notice. And that is about it. The film was ably directed by Philip Leacock, who went on to make another film with Dirk Bogarde three years later, THE Spanish GARDENER, and later in life was primarily a director of many popular television series. This film is probably about as realistic as you can get, as a portrait of Bomber Command in operation during the War. But it never sacrifices fiction for fact, and maintains strong story lines and dramatic narrative throughout, with all the accuracy serving to make it more moving and authentic.

I had seen this film when I was in school where it was shown as part of educational films screened by one of my schoolmasters who had himself served in the Royal Indian Air Force in Burma.Today I own a copy on DVD. The exploits of people in Bomber Command is brought out with extreme accuracy to the screen by creating an atmosphere that is taut and realistic. Dirk Bogarde gives one of his best performances as the Wing Commander who is definitely cracking under the stress of command but does not want to accept it. The scenes where he gives Bryan Forbes a dressing down will certainly strike a chord where his sense of responsibility to the team is exposed. The accuracy of operations of RAF Bombers during night sorties right from the point of take off, to the tension of the ground staff till their return is brilliantly photographed. There are no clichés or extended heroics quite common in similar films but dark realism of survival during the war with the atmosphere of the airfields and aircrew intact. Being the son of an Air Force officer who did some war service in India the realism is striking. I would certainly recommend it to the younger viewers who need to study such situations.

It has something of an inauspicious title, in that it doesn't do justice to the film making craft and subject matter on offer here in Phillip Leacock's film.

Leacock and his lead man, the splendidly regal Dirk Bogarde, produce a war film of undoubted human depth. There's no sledge hammer tactics to try and curry favour with the critics and film goers alike, no clichés bogging the narrative down, this is an honest to goodness telling of the emotional trials, strains, fears and peeves of a Bomber Command Squadron in England preparing for a mission during WWII 1943. Even the inevitable romantic threads are handled with skill by the makers, never cloying and adding impact as the heroes get ready for the big bully off.

Some of the action sequences show their age, but that's fine in the context of old time cinema, while the likes of Twelve O'Clock High (which came four years before this was released) set the bar too high for Leacock's film to be unfairly compared with. Yet this earns its stripes, very much so, because as those wonderful Avro Lancaster's take to the skies and thunder though the clouds, you realise you care about every single one of those involved in the mission, both in the air and on the ground. 7.5/10

I am surprised I haven't run across this one before discovering it recently on-line. What most of the other reviews have said is true. The bombing sequence at the end of the movie has a documentary quality to it readily evoking MEMPHIS BELLE -- not the disappointing 1990 movie, but the 1944, William-Wyler-directed wartime documentary released by the United States Army Air Forces during the war itself. It is also a highly detailed treatment that illuminates the RAF's night-time area bombing tactics far beyond else ever dramatized. By the same token, the entire rest of the film tends to be a straightforward representation of what it was like for participants in that phase of the war, remarkable as a movie for its minimization of histrionics. It deserves at least a bare minimum of a 7 on IMDb.