Life with Elizabeth

Thankfully, episodes of this program are available on YouTube so I watched several of them. They exceeded expectations. Betty White and Del Moore had great chemistry; their banter was natural, almost seemed improvised at times. They navigated their scenes together with fine physical comedic skill and cleverly executed exchanges. White, as Elizabeth, was playfully funny, whether miming responses to the narrator (and on screen announcer, Jack Narz) or teasing Moore, who portrays her happily exasperated and expressive husband, Alvin. Writing wasn't bad, actually quite amusing at times, penned in part by veteran screenwriter George Tibbles (best known for his work on My Three Sons). This is clearly a lower budget program, which is to its advantage; there is more reliance on White and Moore to anchor the show. A lone harpist provides the theme music and cute soundtrack moments. Keep in mind that the show was broadcast in the early to mid-50's and has to be appreciated in the context of its time. But it holds up pretty well thanks in no small part to its stars.

Not the funniest show I've ever seen, but pleasant enough. The scripts are often silly, so-so at best but the star of the show is what makes it shine--Betty White, a real "sweetheart" presented here as a young, newlywed, rather impish version of Gracie Allen. The announcer introduces each episode, even speaks directly to Betty, and at the end prompts the cast to say "Good night." (Attention game show fans: the announcer, who appears on camera a lot, is none other than legendary game show host Jack Narz of "Concentration" and "Now You See It" fame, at the dawn of his career.) At least one video dealer is selling this for a dollar apiece and marketing it as "The Betty White Show," with a synopsis on the back of her short-lived 1977 sitcom that has nothing to do with this 1953-55 first-run syndicated effort.

I first saw Betty White on the Hoffman(n) my parents purchased in the early 50's on the Al Jarvis TV show (it had a different name). Her show, Life with Elizabeth was shown in the late afternoon. Two things I remember about LWE was there was a dog they owned who's name was Stormy ant the Thanksgiving show when the "first" turkey slipped off the platter and Elizabeth took it back into the kitchen and brought the "second" turkey to serve everyone. Everyone said it was really lucky that Elizabeth cooked two turkeys. I thought that was really funny because the previous Thanksgiving my grandmother dropped the turkey on the floor and my uncle's Doberman grabbed it and was out the door before anyone could stop him. Great memories of a simpler age. Probably not great television but not bad for then. A strong 7.5 for the era.

I was only a little kid, but this was one of my favorite shows. One device was used to end each episode. The last "vignette" or sketch in each show always degenerated into a big squabble in which all the characters were talking at the same time--nothing could be understood. At that point, Jack Narz, the announcer, would come on as a voice over, exclaiming something like, "Hey! Listen to me!" The squabbling would stop and the characters would look straight into the camera, breaking the "fourth wall." Narz would then say, "Say goodnight to the people." The cast would then say, "Goodnight everybody!" and resume their bickering until the scene dissolved. It was a trademark of the series.

My memories are not exact; after all it HAS been over 50 years.

Elizabeth appeared to be an ordinary, everyday housewife of her time(the early 50s), and so she was . . . er, aside from the fact that an off-camera announcer regularly led forays to check into the goings-on around her house, of course. And then, come to think of it, she wasn't exactly the docile, unassuming "little woman" that husband Alvin always hoped (against all reason) she'd turn out to be, either.

In a word, she was an imp. She delighted in puncturing Alvin's pomposity, always lovingly, but invariably disastrously.

Introduced each week by harp music, which gave a deceptively tranquil lead-in to what was to follow, "Life With Elizabeth" wasn't a 'situation comedy' -- indeed, that concept had barely been formed at the time; instead, it was a comedy of situations, usually two to each show, individual and unrelated, each of them introduced by the off-camera announcer who then just let events unfold. Once chaos had yet again been firmly established as the order of the day, his voice would be again heard, this time presumably as her conscience: "Elizabeth!" (pause) "Aren't you ashamed?"

She usually gave it a moment's thought before shaking her head impishly.

As with the harp music, the show itself was deceptive in its simplicity, the writing, production and, not least of all, the performances of Betty White and Del Moore who were letter-perfect. Produced by a local Los Angeles TV station (at which White and Moore had been staffers), "Life With Elizabeth" seems to have lived its entire life in syndication.

And Elizabeth kept life from ever becoming dull!