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1951's "The Bushwhackers" is a very tight, tough hour-long Western, featuring a solid cast of capable veterans. The Civil War has just ended, and confederate soldier Jefferson Waring (John Ireland) believes he'll never again have to point a gun at another man. Unfortunately, he soon finds himself in a lawless Western town where the settlers are battling to defend their homes against evil, greedy homesteaders headed by Artemus Taylor (Lon Chaney), a crippled, wheelchair-bound madman whose bitterness is matched by his devoted daughter (Myrna Dell), who may be even more ruthless than he is. Among the many familiar faces, Wayne Morris easily stands out as a marshal clearly working out of Taylor's pocket, yet trying vainly to keep the peace, mainly through jailing the unarmed Waring. Third-billed Lawrence Tierney, never at home in Westerns like his younger brother Scott Brady, is totally wasted as a hired gun, dispatched midway through, while Jack Elam relishes his bad guy role, whether lasciviously eyeing the ladies or simply killing people. Despite playing the lead villain, Lon Chaney has very little screen time (only three scenes), but this elderly, arthritic character led to his being cast as Gary Cooper's elderly, arthritic Marshal in the subsequent "High Noon."

A pacifist-minded ex-Confederate gets caught up in a land war as he seeks a new life in post- Civil War Missouri.

Considering the bizarre cast, I guess I was hoping for too much. After all, the compelling Tierney, Elam, Chaney Jr. and Dell are all established movie toughies. Then there's the unpredictable Ireland and Morris, performers comfortable playing with a wobbly moral compass. And finally there's the luscious Malone playing the good citizen, though she could also wobble when necessary, e.g. Written On The Wind (1955). Trouble is Tierney's entirely wasted, disappearing early on. No scary stare or frozen face here. As a result, there's no logical showdown between him and Ireland, as dramatically promising as that would be. Also, Chaney only gets a few minutes of loopy screen time, while Morris seems unsure of what he's supposed to do as the Marshal. And the latter's really too bad since the Marshal's uncertainty could be the story's most interesting character.

The narrative itself is fairly familiar—greedy plotters trying to drive settlers off their land so they can cash in on the railway coming through. Not exactly a ground-breaking premise. On the other hand, shifting alliances among the town folk add character interest, while a restrained Ireland carries the film even though in a clichéd role. Still, I like the fact that the settlers organize themselves without waiting for the hero to save the day. That's a good non- clichéd touch.

All in all, I'm wondering how a budget indie like this was able to assemble such an exotic cast, and whether they had to haul legendary juicers like Tierney and Chaney out of the nearest Hollywood bar. Too bad the screenplay didn't make better use of these colorful characters. That would have made something truly memorable. Instead, we get an unexceptional if occasionally interesting western.

"The Bushwhackers" is one of the rare movies in which John Ireland had the male lead. Ireland was just an okay actor who did well in many of the supporting and smaller roles he got in films. But, he wasn't a top-drawer actor, and without the more handsome looks he was relegated to being a supporting actor and frequent cast member.

Ireland does well in this film. It's a different type of Western. The film opens with some gritty scenes of the Civil War and the war's end. Ireland's Jefferson Waring has had his fill of killing and guns, and he heads for the West to start life anew - without any firearms. When he reaches Independence, Missouri, he finds himself embroiled in a feud in which a land baron is trying to run off settlers. That was a worn-out plot of many Westerns in the 1950s.

The story has some nice twists, with Waring getting the short end of a couple of encounters and winding up in the hoosegow. And, naturally, there's a girl who eventually helps Waring change his mind about moving on.

Other characters include Marshal John Harding, played by Wayne Morris, and Cathy Sharpe, played by Dorothy Malone. A standard bad guy in Westerns is Jack Elam, here playing Cree. The big extra in this film, and reason to see it, is Lon Chaney Jr. He plays Artemus Taylor. I don't think Chaney was ever in another Western.

With the Civil War over, ex-Rebel John Ireland vws never to kill a man again, and heads west. He gets caught up short in Missouri, where paralyzed Lon Chaney Jr. Is burning out land grant recipients because the railroad is going to come through, and make the land worth a fortune. He's assembled a team of baddies, including Laurence Tierney, Jack Elam, and daughter Myrna Dell; the good people, like newspaper editor Frank Marlowe and his daughter, Dorothy Malone, are scared to oppose him. The only thing standing in his way is a shortage of sociopaths. Some of Chaney's hirelings have scruples.

Rod Amateau's first movie as director has an overtly stated political theme, which is carried out in a heavy-handed fashion by a highly competent crew and interesting cast.. Yet while you can see the roots of ultra-violent spaghetti westerns here, it isn't well carried off.

Ah, The Bushwhackers, also known as The Rebel, a Western packed to the rafters with ever watchable actors, but unfurled like an amateur homage to Oaters a decade or so before.

Co-written and directed by Rod Amateau, and starring John Ireland, Dorothy Malone, Lawrence Tierney, Lon Chaney Junior, Myrna Dell, Wayne Morris and Jack Elam, film finds Ireland as Civil War veteran Jefferson Waring, who has vowed to never pick up a gun in anger again. However, upon wandering into the town of Independence, Missouri, he finds a town awash with sinister rumblings as Lon Chaney's Don Vito Corleone figure - backed by Dell's nefarious daughter - is plotting to own all the local land because the Railroad is coming and there's going to be a high premium placed on said land.

Cue Waring being pulled from emotional pillar to emotional post, with Malone batting her eyelids amidst a strong portrayal of feisty sexuality, until he takes up the good fight for the greater good in readiness for the finale that holds no surprises. There's a mean spirited edge to the plot which keeps things interesting and spicy, and although they are under used, having Tierney and Elam as thugs for hire is always a good thing, but it's directed and edited in such a cack - handed way there's little to no flow to the picture. Making it practically impossible to invest in the characterisations.

Unfortunately the DVD print provided by Elstree Hill is a disgrace, not even up to the standard of a VHS copy of a copy! A shame because through the gloom and scrambled fuzz of the transfer, you can see Joseph Biroc's noirish photography trying to break out. The actors make it worth a watch, in that Western fans can tick it off their lists, but nobody should be fooled into thinking there's an exciting picture here, or that it has observational intelligence about a scarred war veteran, because it has neither and Amateau's subsequent "non" career in film after this tells you all you need to know. 5/10

By the time Lawrence Tierney appeared in the b-western THE BUSHWHACKERS, his leading man career was finished.. but he's used importantly here, at least in the rudimentary stages: a hired thug appearing before crippled land baron Lon Chaney Jr and the lethal daughter who hired him to kill off random settlers...

Ironically, Chaney and daughter are correct about the squatters being more interested in big money than settling down... while Tierney continues bullying more underdogs, including passive leading man John Ireland, a Civil War veteran who, during a historic prelude, promised to never use a gun again...

The familiar plot-line seems somewhat original, mainly because the venomous Dell's Noreh Taylor, actually held back by her commanding/demanding father... she would have fared much better as the sole heavy, perhaps with hired-gun Lawrence Tierney being smitten with his blonde boss or... some kind of side-plot that would keep him around longer...

Unfortunately, the third-billed DILLINGER icon is anticlimactically killed halfway through, cutting the overall threat in half, leaving sparse closure between Ireland and the only person worthy of a vengeful showdown (left with henchman's henchman Jack Elam)... but at least he has honest newspaperman's idealist daughter Dorothy Malone (who handles a gun well herself) to retire with: He just needed to work a lot harder to rest with those laurels.

At times this seems like two separate movies:the first half is a mature study of a disgruntled war vet-the second half degenerates into a routine shoot 'em up. Ireland is great as the brooding war vet, Tierney(as in "Resevoir Dogs")the sullen villain. Chaney is reminiscent of Barrymore as the wheel-chair bound cattle baron. Highlight of the film is Chaney's damning accusation "You lose, soldier. You lose again!" Once the fireworks begin,all is predictable. Morris shows flashes of real talent as the corrupt town sheriff; Dell is good as the vixen. This one almost seems to be a pimer for the Ireland directed "Hannah Lee" that was released the following year. Worth staying up for, or at least setting the VCR.

A Confederate veteran Jeff Waring (John Ireland) arrives in Independence, Missouri shortly after the Civil War, still with intention of never using a gun again. He finds that rancher Artemus Taylor, an arthritic despot, and his henchies, Sam Tobin and Cree, are forcing out the settlers in order to claim their land for the incoming railroad.

The Bushwhackers is a well-acted western, with some interesting characters such Taylor's independent daughter who has a mean streak mile wide and even pips her father to that post on that score. The enchanting Dorothy Malone plays a daughter of a newspaperman who she berates for not revealing who is behind the attacks on other settlers. John Ireland is quite good as the pacifist, but you know he won't stay pacifist for long. Lon Chaney Jr. Steals the scene as the barmy rancher.

The plot is quite strong with some twist and turns and some grittiness is executed quite well. A little disjointed in places as scenes jump from one scene to another without flowing naturally, but it's a decent western with an arresting plot and fine characters. It's a little violent for its time - such as Jack Elam killing settlers and burning down the house with delight on his face - and has some noir flavour.

(1951) The Bushwhackers WESTERN

Co-written and directed by Rod Amateau starting the movie with the end of the civil war, and former confederate soldier, Jefferson Waring (John Ireland) vowed never to lift another gun ever again, only then as soon as he resides to a different town, he comes across a land baron, Artemus Taylor (Lon Chaney Jr.) and his hired gunmen/ outlaws of Sam Tobin (Lawrence Tierney) and Cree (Jack Elam) terrorizing against farm owners to build a railway across.

The film feels very rushed making it very forgettable and such little action despite some of the drama moments being well done.

Ex-Confederate John Ireland flees reconstruction and it's test of his vow of non-violence. Heading west, he winds up in a town under the thumb of powerful land baron Lon Chaney and his sadistic enforcer Lawrence Tierney, who are killing stealing land in anticipation of the railroad. Trying to leave, Ireland is only pulled in deeper.

Another hard-boiled, low-budget 1950's western noir, The Bushwhackers is vivid and fairly violent entertainment that's definitely worth checking out. Like nearly all good westerns, it does a great job of manipulating the viewer, building up to the moment when all bets are off and the hero straps on his six-gun to take care of business.

Here, Ireland and Tierney are fantastic. It's too bad that these two great actors were pretty much relegated to minor films (Tierney especially) due their alleged drunken exploits.

The rest of the cast, Wayne Morris, Dorothy Malone (who's beautiful), and Jack Elam, are all great too.

Using a theme that became quite popular decades later, Amateau scores well on his directorial debut. The original title of this movie was to be "The Rebel" however, producer Broder was unable to keep his hands off anything he was involved in, hence the uninspired title. It is interesting to note that Director Amateau years later in his TV show "Dukes of Hazzard" named the automobile "The Rebel." Ireland is perfectly cast as the emoting Civil War veteran, only seeking peace, but willing to fight and kill to get it. The supporting cast is extremely interesting, featuring the, by then has-been Morris, Tierney, Dell, and Chaney. Considering that Ireland, Chaney, Tierney, and Morris were renown for their drinking bouts, working on this picture must have been a real challenge. The end result is a very good, if dated western, featuring some of the finest acting put on celluloid.

I totally forgot this western directed by the TV future director Rod Amateau, and whose this is the first film. It is pretty well done, played, with interesting characters, not so usual, if you compare with other movies of this kind and period. I did not expect to find Dotty Malone here, but John Ireland yes. The most unusual for me is to find an evil female character, so early in western history. The only thing that bothers me is the so predictable ending, such a shame. Lon Chaney Jr is awesome here as an evil dude, of course, but he brings something different from what he usually gives us. His performance among his best I have seen from him.