Die Schönen der Nacht

This film is highly recommended for those people who have an appreciation of an elusive quality called charm. Charm is in short supply in today's cinema be it French, American or other. Charm is difficult to define, but you know it when you see it. The daydreams of a young composer may seem like a frivolous topic, but an actor of the caliber of Gérard Philipe make it all seem so worthwhile. The essence of the story, for me anyway, is the collision between dream and reality - our hero is constantly reminded of how ordinary life is, how unsatisfying compared to his luscious fantasies. He is constantly brought crashing down to earth. But these scenes are precisely the funniest ones. I recall especially the scene in the classroom where the kids mock him to death - how humiliating, but still it's hilarious.

Gérard Philipe said that the director René Clair left nothing to chance. Every tiny detail, every nuance was carefully thought out in advance. The greatest problem for René Clair was that of rhythm. Apparently they were always trying to shorten certain scenes by a few seconds in order to heighten the comic effect.

One of the greatest of all directors and an actor of unquestioned skill, conscientiousness and charm collaborate on an effort that reminds us of what French culture used to be. It may seem dated or even corny to some, but I hope that for others it serves as an image of cultural values that will not be seen again.

....when France used to colonize (and civilize it)!When you know how that story ends ,such words make you wonder....

Gerard Philipe precisely plays a music teacher who 's dreaming his life away.His daydreaming takes him back to the French revolution -with all the usual clichés- ,to 1900 and to French Algeria .THe moral of this story is that you haven't got to travel far to find happiness cause it's always near you.

Two gorgeous ladies ,Gina Lollobrigida - he met the precedent year in the highly superior "Fanfan la Tulipe"- and Martine Carol give Philipe adequate support.

Probably inspired by "the secret life of Walter Mitty " (1947)

A splendidly madcap yet romantic depiction of the lure of the dreamworld on a down-at-heel composer. All told with a lot of vim and vigor but it still ends up dragging a little, never really engages the emotions, and as usual with Clair, the songs are poor.

The recurring joke from progressively older and older historical figures about how things used to be better when they were young is brilliantly executed, and the representations of the slipping in and out of the dream world reminded me of Eternal Sunshine as much as anything else.

A little too random and hit and miss overall but it's still an amazing idea for a story, perfectly realized on the technical level, and lovely to look at.

It could remind Fellini. But it is special. For naivety, the trip across historical periods, for lovely eulogy of love and friendship, for delicat humor and for charme. Explanation - the genius of Rene Clair. The talent of Gerard Philipe. The art to create an entire world in seductive manner, with sweet game of cliches. . The plot. And...the magic. To create a dream atmosphere is always a challenge. In this case is an impressive victory. And premise for a lovely film.

The protagonist's situation is similar to Walter Mitty's, expect that his fantasies are not waking ones, but rather, occur when he drops off to sleep, and they don't always go the way he'd have them go. The device of dream narratives shows Clair's fidelity to his surrealist roots, especially during the dream debut of the main character's "opera". I was surprised at how low other users rated this film, but I guess it's in keeping with Maltin's opinion that Clair's films after WWII were not up to his prewar standards. Ignorance is bliss, I guess: I thought it was great! Perhaps the character development is somewhat superficial, but the film is funny and fast-paced, with good production values and appealing principals.