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Okay, it's not an Oscar-winner, but this movie is a lot of fun, especially if you're a Bette Davis fan. The setting, a spooky, isolated British mansion, is strongly portrayed; by the end, you really feel like you've spent time some time within the oak-paneled walls. Bette looks just like she did in "All About Eve" -- same hairstyle and similar wardrobe, so it's easy to imagine that this could have been a Margo Channing movie. And of course her costar is Garry Merrill, with whom she also starred in "Eve." This was adapted from a stage play, so I think it's interesting to pay attention to the structure and limited changes of location, which are an indicator of its stage pedigree. This one shows up on TCM once in a while; sit back and enjoy.

Overblown melodrama with Bette pulling out all the stops and putting any idea of subtlety aside. If you enjoy films where she turns in that sort of performance as opposed to her quieter work in films like Dark Victory or Watch on the Rhine than this is for you. Reunited with her Now, Voyager director but certainly not on a script of that calibre he seems unable to rein her in, everybody else tries to compete and while the rest of the cast turn in decent performances when Bette struts into view blowing smoke and popping her eyes no one else stands a chance. Filmed directly after one of her best performances in All About Eve and with new husband Gary Merrill in tow she apparently didn't think much of the script and as she sometimes did when faced with less than stellar material she plays to the balconies. Deliciously grand and over the top.

Another Man's Poison is directed by Irving Rapper and adapted to screenplay by Val Guest from the play "Deadlock" written by Leslie Sands. It stars Bette Davis, Gary Merrill, Emlyn Williams, Anthony Steel and Barbara Murray. Music is by John Greenwood and Paul Sawtell and cinematography by Robert Krasker.

A whole bunch of fun if expectation levels are correctly set. Another Man's Poison is essentially a one set piece (confirming its stage origins), with primary focus on just five people and a horse. It's a tale of murder, deception and carnal desires, the latter of which is wrung out via Janet Frobisher's (Davis) affair with a much younger man who happens to be the intended of her secretary.

Frobisher is quite frankly a bitch, something which Davis attacks with relish and no little amount of histrionic camp. She's the fulcrum of the story, but all the other key characters here are either stupid, ignorant, devious or all three in one go! Oh yes, this is a regular hot- bed of people you really wouldn't want to be hanging around with for long.

It's these characterisations that along with Krasker's photography just about earns the pic its film noir badge. The script isn't up to much - where stories about changes being made by Williams and Davis and Merrill (hubbie and wife) being unhappy – are common place, but it never outstays its welcome by being boring and Bette being batty is always good entertainment. 6.5/10

Another in a long line of Davis' deliciously evil roles. This film has the same feel as "The Little Foxes", but with a bit more scenery chewing. I was a little puzzled as to some of the plot developments, but on the whole such things don't mean much when you're watching Davis and Merrill try to outmaneuver each other.

I didn't care much for the rest of the cast, but what does it matter? Davis makes it a very satisfying experience.

Still fresh from their success and newfound love in "All About Eve," Bette Davis and Gary Merrill made this independent film, "Another Man's Poison," based on a play by Leslie Sands.

Davis is Janet Frobisher, a successful mystery writer living in a mausoleum of a house out on the moors. When her husband's partner in a bank robbery comes there looking for him, Frobisher announces that he's in the study - dead from the poison she gave him (medicine intended for her beloved horse, Fury). While they're attempting to dispose of the body, Frobisher's paramour, whom she summoned earlier, arrives with his fiancé (who is also Frobisher's secretary). The bank robber, named George Bates, introduces himself as Frobisher's estranged husband and settles in.

This is a neat, atmospheric story with an edgy, vital performance by Davis. Merrill, ruggedly handsome, is appropriately gruff and sinister. Though his character thinks he and Frobisher might really have a chance at playing house, his competition is the very handsome, young Anthony Steel, a popular British matinée idol of the '40s. Emlyn Williams is marvelous as the nosy, annoying veterinarian who keeps stopping by.

"Another Man's Poison" seems to have been made rather cheaply - the print I saw was not of great quality, and the lighting is on the dark side. Though the setting is somewhat static because it was originally a play, the film is very intriguing, and Davis always worth seeing. Highly recommended.