Vergeltung am Teufelssee

I first saw this peak time one Saturday night on UK ITV in the '70's and it's always stuck with me. It's a B+ Western with a good story and production, good acting and photography, and the very definition of Simple Yet Effective.

Six convicts on the run from a posse in blizzardy California in 1871, become five and then apparently stumble across a small settlement solely er manned by women. It turns out that their menfolk are away on some premise but on their way back while the good convict handsome Glenn Ford was waiting for one of them to return so he could kill him for revenge. Slimy Zachary Scott played the main bad convict manically convinced there was a fortune to be stolen somewhere. The women were in the main only lonely but the bad men were hogged up and dangerous even when not armed, and confirmed main old dame Ethel Barrymore's concern that they were wild bears and not men. The characters were all strong and strongly delineated, if made today the sex would probably be literally in your face but there'd also be a much greater sublety in everything as films are taken more leisurely nowadays. Everyone followed their correct moral paths right down to the morally ambiguous ending – however I suppose Glenn Ford should really have owned up to save the moral dilemma he put both the townsfolk and the majority of us viewers through who think it a good ending to a good little film.

In "The Secret of Convict Lake" danger looms in the winter of the 1870's when escaped prisoners hide out at a colony consisting mostly of women. There's enough drama to hold your interest as the ladies unleash some of their own frustrations as they contend with some slimey characters. Of course the "secret" is another matter which I won't reveal. The exceptional cast includes Glenn Ford, Gene Tierney, Ethel Barrymore, Zachary Scott, Ann Dvorak, Jeanette Nolan, Helen Westcott and Ruth Donnelly. There's also an impressive performance from Robert Hylton an actor with potential who should have had a bigger career in Hollywood.

Six condemned convicts escape over a mountain pass (one of them doesn't make it, leaving five) in a blizzard and take refuge in an outpost where the men have temporarily left their wives and assorted other females to watch over the property. It's quite a setup and the movie does not let it down. Directed by Michael Gordon who did the superior Another Part of the Forest, this film nearly equals that one, with the women acting fairly mesmerizing as they eye these cons first with suspicion and later with sympathy and then a little lust. It's fairly predictable but that does not detract from the scenes, especially with Ford and Gene Tierney and Scott with Ann Dvorak. While Glenn Ford is great and has the hero's role, the parts for both Zachary Scott and Jack Lambert as the two heavies, are both excellent. Shot in black and white, the opening scene of them trekking over a mountain in a full on blizzard looks dark and ominous. Gordon doesn't waste any character in the film. Everyone has a background which is revealed with just enough information to leave a lasting impression. Amazing this film hasn't been seen more.

The Secret of Convict Lake is directed by Michael Gordon and collectively written by Anna Hunger, Jack Pollexfen, Oscar Saul and Victor Trivas. It stars Glenn Ford, Gene Tierney, Ethel Barrymore, Zachary Scott, Ann Dvorak, Barbara Bates, Cyril Cusack, Richard Hylton, Helen Westcott, and Jeanette Nolan. Music is by Sol Kaplan and cinematography by Leo Tover.

I came here to kill one man. I don't mind killing a couple of others if I have to.

It's winter time here at Diablo Lake, and the five convicts who have survived the escape find themselves holed up in a remote village. Their reasons for being there differ, more notable though is that the men of the village are away prospecting, meaning the village is only currently populated by women.

It's a fine bubbling broth of scenarios, each convict is different, ranging from unstable psycho type, alpha male, twitchy youngster, simpleton and on to the calm likeable one who doesn't appear to belong in this company. So with the reasons for the men being here established, narrative then jostles with the inner fighting of the convicts, and the various emotional strands of the women folk. Suffice to say there is sexual tensions, mistrust, misrule, macho posturing and of course secrets to be born out.

Violence is sporadic but potent upon arrivals (one instance especially grabs you by the throat), and with the mystery of the men's crimes a constant question, intrigue makes for an enjoyable companion. Tech credits are uneven. The studio bound feel of the village sequences which fill out 90% of the pic are an itch, making you hanker for the more expansive snowy terrains that greeted us at story beginning. However, Tover's monochrome photography is suitably mood compliant, even if Kaplan's score isn't, while the lead actors are giving good value to offset some of the histrionics elsewhere.

Perhaps not the firecracker it could have been, given all the elements involved - particularly annoying that a strong feminist bent subsides into token play - this is none the less a most interesting piece that holds attention throughout. 7/10

From 1951, The Secret of Convict Lake stars Glenn Ford, Gene Tierney, Ethel Barrymore, Zachary Scott, Robert Hylton, Ann Dvorak, Jeanette Nolan, Helen Westcott, and Ruth Donnelly.

This is a departure from your usual western: First of all, it has strong female characters, including Ethel Barrymore, Gene Tierney, and Ann Dvorak.

Six escaped convicts are stopped by a blizzard in the Sierra Mountains. Jim Canfield (Glenn Ford) accompanies them, though he doesn't consider the other convicts buddies.

One is a slimeball, Johnny Greer, played by Zachary Scott, who is after $40,000 that he is sure Canfield stole, which is one reason Canfield was in prison, that and murder. There is also a psycho rapist and murderer, Clyde (Richard Hylton). One escapee died along the way.

The men approach a settlement, occupied by women whose men are away. They are treated decently by the women, but they are told to keep their distance. Canfield seems especially interested in Marcia (Tierney) who is engaged to marry Rudy, the brother of Rachel (Dvorak).

Canfield insists that he did not steal the $40,000 that Greer is after. He has his own reasons for being at the settlement.

As far as keeping their distance, it's difficult due to a love-hungry spinster (Dvorak) and an innocent young girl (Barbara Bates). There's bound to be trouble, and there is.

The ending is very unusual for the times, but to me satisfying.

Very good performances all around, big finale, and an effective snowstorm.