Nothing but the Truth

The third and final teaming of Bob Hope and Paulette Goddard occurred with Nothing But The Truth, an ancient Broadway chestnut by James Montgomery that ran for 332 performances in 1916-17. There were two previous films made of this comedy, one in Sweden and the other in France.

As this was done during World War I, I'm betting that a great deal had to be modernized to get it up to 1941 speed. It must have been quite the stage farce in its day. It bares a great deal of similarity to No No Nanette and that shouldn't surprise because the guy who produced it on Broadway was the same Harry Frazee who sold Babe Ruth to the Yankees from the Red Sox to get the dough.

Just as Nanette was on a 24 hour bet to not say yes, Bob Hope is on a bet with Edward Arnold, Glenn Anders, and Leif Erickson to tell Nothing But The Truth from 4 pm. to 4 pm. It's a little sticky though because Hope didn't bet with his money, he bet with Paulette Goddard's and Goddard is Arnold's niece. To make sure Hope hews to the truth, the three men stick to him like flypaper, even as they're all invited to spend time on Clarence Kolb's yacht.

The bulk of the film takes place on the yacht and I imagine it was the same on stage. Glenn Anders's wife Rose Hobart is there and so is his mistress Helen Vinson which gives him a scary moment or two. All in all it's rather impossible to describe the proceedings, but the lines and situations come out of nowhere.

Funniest performance in the film for me is visiting psychiatrist Leon Belasco who catches Hope in a few compromising positions and is ready and willing to offer his services to what will be a fascinating patient.

But the whole cast does well and Paramount did well by the box office with Nothing But The Truth. It holds up very well today and could even use a remake. I can see Steve Martin doing a modern version.

Nothing But The Truth with Bob Hope became Liar Liar with Jim Carrey in the '90's, I know which I prefer. Carrey's take was a slicker more professional affair but too syrupy for my taste; this hasn't got the syrup but unfortunately it also hasn't got enough gags in it either.

The gang was all there: Hope, Goddard and Best, surrounded by Edward Arnold and some of the best supporting actors/actresses around in a film directed by Elliot Nugent with high Paramount production values in attendance. The story itself takes over, with some great possibilities in it (as Carrey exploited) but it's so wordy that ultimately the whole thing backfires. Too many plot or behavioural explanations stopped any flow and make the 90 odd minutes seem a mite too long a running time. Be warned if you're a sensitive soul - the racial stereotypes are out in force from the first to the last minute.

Having said all that, I've seen it a couple of times now and enjoyed it thoroughly. The only problem is I don't feel I'll be able to watch it again too soon, rule no. 1 being Absence Makes The Heart Grow Fonder!

Bob Hope, paulette goddard! Both giant stars from the 1930s, 1940s, 1950s. Fundraising shenanigans! Mister big shot ralston promises gwen big bucks if she can hit the fundraising goals. But behind the scenes, he works against her. Can steve bennett outwit those trying to trick him? None of it really makes sense, but just go with the story. And it does... sort of. Released october, 1941, just prior to world war two. Keep an eye out for clarence kolb... he was always the scheming, evil, bad guy in the background. It's pretty good. Directed by elliott nugent. Hope had already had big success with his films, quick thinking on his feet.

This is Hope's and Goddard's third and final comedy together. Similar to the musical NO, NO NANETTE it is the story of Hope who makes a bet he can say the truth for twenty-four hours. If he is successful, he wins a large sum of money that he has lost, given to him for safe keeping by Paulette.

In the attempt to get him to say the truth there are all sorts of situations and people who become involved with his escapades.

TRUTH is a wonderful screwball comedy, directed by Elliott Nugent, and the team of Hope and Goddard, fresh from CAT AND THE CANARY and THE GHOST BREAKERS, all big hits, once more brought the two stars together. They worked well together and were both by now reaching the top of their careers.

The story, however, didn't do much. Much too much the same thing about tricking Hope to say the truth. Some funny scenes where Hope, in drag, tries to sneak out of Goddard's state room on board the yacht they were guests. Some funny scenes between Hope and Willie Best, that wonderful black actor, fresh from their work together in GHOST BREAKERS, as Hope's sidekick.

Also in the cast are Edward Arnold and Leif Erickson.

This 1941 Paramount comedy is available on VHS.

Steve Bennett, a new recruit on a brokerage firm in Miami, gets an interesting proposal from Gwen Saunders. She has ten thousand dollars that belong to a charity organization and wants Steve to double the money because her uncle, who is the head of the firm will double the amount if it is done properly. At the same time, his new boss and his inner group make Steve a counter proposal if he will not lie once during the weekend.

This funny Paramount comedy of 1941 was a vehicle for Bob Hope, who at the time was at one of the best moments of his career. It helps that he was paired, once again with the gorgeous Paulette Goddard, who had been his screen partner before to excellent results. Both Mr. Hope and Ms. Goddard do fine work as they show a natural talent for this type of comedy. Others in the cast included Edward Arnold, Leif Ericson, Glenn Anders and Grant Mitchell.

"Nothing But the Truth" was directed by Elliott Nugent who paced the comedy at the right speed making one of Mr. Hope's best film appearances.