Tom Brown's School Days

Comparing this, 'Little Men' and 'Swiss Family Robinson', all made in 1940 by RKO and based, 'Tom Brown's School Days' is not as good as the unjustly forgotten and actually very good 'Swiss Family Robinson' but it does fare much better than the terribly adapted and mediocre at best 'Little Men'.

As an adaptation, 'Tom Brown's School Days' doesn't have a huge amount to do with the original source material, which is one of the best books depicting schoolboy life. However, it is a quite good film on its own, haven't seen any other adaptations yet so can't compare.

It does have its flaws as a standalone, the ending agreed does feel rushed, anticlimactic and not as complete as it could be, some of the script does lay it on a bit too thickly with the sentimentality and juvenility and although a more dominant focus on Arnold comes off well because Arnold is an interesting character for a titular character there should have been more of Tom Brown, who sometimes did feel like too much of a supporting character in his own story.

On the other hand, 'Tom Brown's School Days' is a beautifully shot and very capably directed film (though Robert Stevenson did go on to even better things), and the period setting is both quaint and austere and suitably so. Anthony Collins' score is superb, it complements the film beautifully and fares even better on its own. The script is not perfect but has some nice doses of humour, poignancy and charm. The story is told with a great charm and lively pace, with plenty for youngsters to delight in and enough for adults to be interested too.

Cedric Hardwicke, benefited by Arnold being very interestingly written, is wonderful in the role, appropriately stern and authoritative. He was a fine actor and his performance ranks up there with his best in my opinion. The three juveniles fare just as well, Jimmy Lydon handles the title role exceptionally, Freddie Bartholomew plays East with an appealing charm and Billy Halop is a suitably intimidating bully.

To conclude, flawed but quite good and worth seeing, especially for Hardwicke. 7/10 Bethany Cox

Whilst I thought that Cedric Hardwick gave an excellent performance as the headmaster, I thought that the performance of Robert Newton was better

Since this was made, there have been some other very good movie versions of the story, but this adaptation of "Tom Brown's School Days" is still worth seeing. It has a good cast and good atmosphere, with effective story-telling by Robert Stevenson.

Cedric Hardwicke is well cast as the stern headmaster Arnold, and the three most important young characters also work well. Jimmy Lydon as Tom, Freddie Bartholomew as his friend and rival East, and Billy Halop as the bully Flashman all give good performances.

The boarding school setting is also done effectively, and it works both in creating the right atmosphere and as a period setting. There are times when it pulls you right into the world of the young characters, a world in which they are their own masters in many ways. Their boyish loyalties, threats, fears, rivalries, and misunderstandings all come across believably.

On a broader level, it also succeeds in establishing the tension between the adult's (i.e. the headmaster's) goals and the students' goals. Some of the more recent versions have probably done an even better job of communicating the themes while also making the story entertaining, but this one does a solid job as well, and it deserves also to be remembered.

Plush Hollywood production values (including atmospheric photography by cameraman Nicholas Musuraca, soon to be become legendary for his work on film noirs) combine with offbeat casting (such as Dead End Kid Billy Halop as Flashman) and the bold decision to cast an actor rather than a star as the inspiring Dr.Arnold.

The film begins and ends with a reminder that Arnold himself died in only his 47th year, and nearly two centuries later bullying remains (as he himself says) "a tradition in our schools". Still going strong, alas.

Jimmy Lydon plays the title character, but the point of view occasionally cuts away to Cedric Hardwicke as the radical and revered Thomas Arnold. Judging by this movie, his great innovation was to cast out liars and talk the Sixth Form into badmouthing bullying.

Even so, the performances are fine in a Code-compliant manner, with a solid juvenile cast including Freddy Bartholomew and Gale Storm in her feature debut. It's also director Robert Stevenson's first American movie. He would stay for the rest of his career and by the early 1970s would become the most successful movie director ever, if you went by unadjusted-for-inflation grosses of all his movies. He was not an auteur. He gave the producer and, it turned out, the audience what it wanted. At this point, he was becoming the go-to director for Ye Olde England movies. Like many a director, he retreated to TV in the early 1950s, but hooked up with Walt Disney in the latter half of the decade, and directed many of his gimmick live-action comedies.