Früchte des Zorns

This movie is so real..at least to this person, who lived these things that happened in the movie. I will tell a short version of my personal life to let you know how it affected me from my own experience of growing up in the Thirties

I think their must have been more then one car because ours was full of stuff in the back seat, clear up almost to the roof. Frankie, Bill and me (my brothers) all was on top of the stuff in the back seat, had to stay lying down was not enough room to set up. What I remember most about the trip was it was awful hot when we went through Arizona and we had not much water, the water we had was in a canvas bag, hooked to the front bumper to help keep it cool. We did not get much because dad was saving it for the car when the car got to hot. Mom told us to suck on pebbles, and we did. It was a bad time every where. No jobs or anyway to make any money.

We were going to California because their was suppose to be some picking work their, after we got to California we saw miles of potatoes all loose piled up high my guess would be about six feet high, they had put lime or something that looked like lime it was a white powder to keep people from taking them to eat.

We found a place to pick plums that they used to make prunes and we lived in a Quonset hut made of corrugated metal setting on a concrete slab. The public toilets were near were we stayed, Joe and his wife (Family friends)had their own Hut…this was the time that dad & Joe would sell tickets for people to watch them box each other in a ring at the recreation hall on the property. Also they joined a baseball team and played baseball, dad played left field. We got to watch them play for free.

Seems like Frankie and I played together a lot don't think Bill did because he was still a baby his self, Doris and Dorothy (my sisters) was still crawling so Bill could not have been very old at that time. Frank & I would go pick up plums off the ground and we would bring them home, Doris and Dorothy would set in the box and eat them. You can guess what they would look like when mom and dad got home, their was no air condition back then so they would take a hose and squirt water on the tin Quonset hut to try and cool it off some, I know when we went west we looked like those grapes of wrath folks in the movie.

That area was the first time I ever saw a frog walk, it was to hot for them to hop, when they tried to hop their bellies would touch the ground ( gravel) and would burn them, any way that's what we thought at that time. I saw the movie of Grapes of wrath a long time ago, and I remember it so well, I cried most of the time it was on because it reminded me of the hard time we all had back then, I was born in Oklahoma and it was just a terrible time in the late thirties I would love to see the movie again, its to me a history of my family, I am 71 1/2 years old now and still remember it very clearly.

Gene McDaniel

The Grapes of Wrath is the story of the Joad family, who are run off of their land in Oklahoma because of drought and poverty. I think that one of the most striking elements of this movie is the black and white cinematography. Obviously, there wasn't a lot of variation on this particular subject in 1940, but especially today, the lack of color enhances the feelings of poverty and desperation and emptiness due to the family's loss of their home. In this way, because it would not be nearly as noticeable in 1940 as it is today, this time-enhanced effect of the black and white film stock has allowed for the film's impact to actually grow with time.

Henry Fonda plays the part of Tom Joad, a young member of the family who is released from prison at the beginning of the film, only to find that his family has been driven from their home and is staying at his uncle's house until they can figure out what to do about their sudden homelessness. It is by pure coincidence that Tom was released early on good behavior, otherwise he may very well never have seen his family again. He finds them in a state of near desperation, as they begin more and more to realize the predicament that they are in. Their trek across half of the country, on their way to California to assume jobs that they've heard about, provides for a substantial portion of the plot and is extremely well-structured.

The family encounters every hardship imaginable on this journey, from family members dying to their struggle to feed themselves to their rickety old truck constantly breaking down. They run into disillusioned people who claim that they've been to California and there are really no jobs there, at least not nearly as many as there are people going to look for them. They are periodically and derogatorily referred to as `Okies,' a term which places them in a broad category of poor folks driven from there homes in middle America who are traveling to the coast to get jobs that aren't there. There is so much doubt and hardship presented that it is never really certain whether they really will find jobs. The audience is never able to assume a happy ending, because there is so much contrary foreshadowing throughout the film.

The struggles do not abate once the family reaches California and takes up shaky residence in residential areas that would be more accurately referred to as shanty towns, and the rest of the film is dominated by the family's efforts to survive in a new and unfamiliar place, while working for wages that are barely sufficient to prevent starvation. Ma Joad spends the majority of the film stressing the importance of keeping the family together, seeing it as the only thing that they really had left, but this is eventually set aside in favor of each member of the family not only surviving but also flourishing, which provides for one of the many powerful messages that the film delivers.

The Grapes of Wrath is not exactly an edge of your seat film, but it is a shockingly realistic portrayal of the suffering that so many people and families experienced during the Great Depression. The performances are flawless, and the experience is not only powerful and moving but also educational. It's no secret that most people do not watch movies to learn, but there comes a point, at least once in a great while, when a person should watch a film that requires a little mental thought processing, and in such cases, The Grapes of Wrath is an excellent choice.

It's difficult on a first viewing of "The Grapes of Wrath" not to be somewhat disappointed with it. So much of Steinbeck's beautiful novel is left out of the film, and it's hard to see his story and characters wedged into the "gee whizz" style of film-making so prevalent at the time. But once you get beyond a comparison of the movie to the book, you begin to realize that John Ford created a beautiful piece of work of his own, and the film inspires a great deal of admiration, and deserves credit for its gutsiness at tackling a story that wouldn't have gone down smoothly with film executives at the time.

Of course the most controversial parts of the book are left out (like its final image, for example), but Ford still managed to work around the constraints forced upon him to fashion a hard-biting film. Henry Fonda is perfect casting for Tom Joad--never have his otherworldly eyes been used to greater effect. And Jane Darwell is pitch-perfect as Ma Joad--she captures the tough-as-nails dignity that the character has in the novel. The whole movie is lit by expert cinematographer Gregg Toland, who uses shadow and reflection to cast a ghostly pall over everything. Indeed, much of what Ford wasn't able to include in the film as words he communicates instead through images, and isn't that what a good book-to-film adaptation should do? One of those films that feels ahead of its time.

Grade: A

In rural Oklahoma, Tom Joad (Henry Fonda) is walking and hitchhiking home from prison, after a stay of four years. After taking a knife at a dance, Tom hit the attacker with a pan, killing him. Nevermind that it was self-defense, Tom still gets sent to prison. He hasn't heard from his parents, Ma (Jane Darwell) or Pa because they aren't the "writing types". A fierce dust storm makes Tom's final few steps treacherous. Arriving back at their small cabin, where his family are sharecroppers, Tom and his passing friend, Casy (John Carradine) are startled to find no one at home. A shell-shocked neighbor informs the other two that the family has been kicked off their land in foreclosure. They are nearby at Uncle John's house, where his family is about to suffer the same fate. Its the Depression and the Dust Bowl has ruined the land, taking off the top soil; no one can grow crops. When Tom catches up with his Ma and company, they are overjoyed to see him, for their plans are to pack a truck and move to California, where handbills show pickers are needed. Grandpa doesn't want to leave the only home he has ever known, so they drug him with medicine and haul him along. Now on the Mother Road, route 66, the journey is difficult; the truck breaks down frequently, no one wants them to stay long anywhere they rest, and Grandpa dies of a stroke. Will California really be the Golden, Promised Land? NOT ON YOUR LIFE! This heartbreaking adaptation of Steinbeck's classic is a must-see for the whole wide world. This family of hard-working folks has one calamity after another, just trying to earn an honest and living wage. Those who lived in the Dust Bowl part of the country were hit especially hard, as the soil had been overworked and winds took the topsoil off, creating damaging storms to crops, humans, and animals. No better were the "lies" of the handbills, advertisements that migrants were needed in California, where over 300,000 poor helpless folks showed up for very few jobs. The cast, with Fonda at the helm, is wonderful as is the scenery, costumes, and careful direction to show the truth of a desperate situation. Wanna get down on your knees and thank the Lord for what you have, Americans? You will when you view this amazing film!

This classic adaptation of "The Grapes of Wrath" features a fine cast as well as a skillful production headed by director John Ford. Henry Fonda and Jane Darwell are well-remembered for their roles, which are among the defining roles in their careers. The only limitations that it has come from the original novel, with its heartfelt but sometimes contrived story.

Besides Fonda and Darwell, the supporting cast features plenty of good supporting players, including Charley Grapewin and John Carradine. All of them make their characters come alive believably. They also fit together well and complement one another's performances, which accentuates the themes involved in the struggles of the Joad family.

For all that the Steinbeck novel is so revered, and for all that his story is an often compelling depiction of its characters, with whom many in the era could identify, it would have been better if it had not been so heavy-handed. Even given that the times were bad, more balance in the characters outside of the family, and in the Joads' experiences, would have made it an even better story. Certainly, this is barely even noticeable when compared with the stories in many present-day movies and novels, which often dispense with any attempts at plausibility.

And that does not stop this adaptation from being a worthwhile and often moving film. Ford clearly appreciated the potential in the material, and he and the cast work together to make each character count, and to give meaning to each scene.