Der Schrecken von Mark's Priory

The Case of the Frightened Lady is directed by George King and based on a play by Edgar Wallace. Edward Dryhurst adapts to screenplay, Jack Beaver scores the music and Hone Glendinning is the photographer. It stars Helen Haye, Marius Goring, Penelope Dudley-Ward, Patrick Barr, Felix Aylmer, Ronald Shiner and George Merritt.

Mark's Priory: The ancestral English family home of the Lebanon's. Mark's Priory: Home to secrets, suspicion and possibly a psychotic murderer.

One of a number of old British films newly discovered for DVD release, George king's movie is a mystery thriller in the classic "old dark house" mode. Edgar Wallace's play had already been adapted to the screen in a 1932 film version directed by T. Hayes Hunter, with two subsequent television versions appearing in 1938 and 1983. Clearly it's a source story that has proved popular with producers. Although creaking with its undoubted stage bound origins, film delivers the goods for those willing to accept that the first half is driven by dialogue and character development. After an initial "shriek" opening, the picture settles into a literary stride where there's no real sense of impending menace or creepy atmospherics: in fact a good portion in this quarter is jovial as plot takes in major characters at a community dance party. However, conversations are relevant and it seasons the ingredients for the stew about to be cooked.

Once back at Mark's Priory, we at last reach the realms of mystery/thriller land and the hunt and guess who begins. Characters are strong for the formula; a head of the family who appears to be hiding something, a doctor who may have an iffy past, shifty footmen servants and naturally a pretty girl catching the eye of some debonair suitor. Throw in some shadowy photography by Glendinning and a terrific piano led score by Beaver, and fans of films of this ilk have much to enjoy; and thankfully the big "reveal" of the story is not too shabby either. Cast are well tuned for the material, particularly Goring, Aylmer (isn't he always?), Shiner and Merritt, the latter two of which making a wonderful double act as the intrepid coppers investigating the dastardly goings on. While keep an eye out for a young Torin Thatcher impacting with a character marker for future roles to come. 7/10

"The Frightened Lady" popped up on YouTube soon after I viewed "Written in Blood" (Caroline Graham, excellent author of the Midsomer Murders series) a 2d time and read the book a 2d time also. Although I could hardly make sense of "Frightened Lady" at first, it gradually began to make sense in a Midsomer sort of way - a shrewd old woman, proud of her "blood line," wants her piano playing son, Sir Lebanon, last of the family line, to wed his lovely cousin being held captive in a big old manor house filled with gruesome shadows and scheming footmen. An architect arrives to prepare for upcoming renovations but the old lady who wants repairs also wants everything to remain the same. Right! Well, the bottom line turns out to be something like that "Written in Blood" plot but instead of a Writers Circle we have a composer of odd jazzy-classical melodies and an elderly woman much like Honoria L'Idiot - if I may say so. You know what happens to the blood line when cousins marry cousins.

Penelope Dudley-Ward (Isla) is the frightened lady of the title. From the first shots of the film when she screams at the shadows that are following her in the house, you can't help but laugh and fear for your oncoming experience. It doesn't say much when the comedy detectives are the best thing about the film. It is woefully acted by all the main players who deliver their lines in that clipped English which is just plain fake – the word "exactly" becomes "exectly" – it's just nonsense. The film does keep you watching to see how things pan out but it ends just as badly as it started with some laughably crass dialogue being spouted by the appalling Helen Haye (Lady Lebanon) accompanied by a hysterical closing head shot of her. It's not meant to be funny, though. A nice, spooky venue is wasted in this badly acted effort.

Another lively potboiler from George King, in which the absence of Tod Slaughter is compensated by some ripe ham from a young and dashing Marius Goring instead.

The picture it paints of a decadent aristocracy on the brink of the cataclysm of a second world war is not a pretty one, with the men neutered by in-breeding (replenished only by strong women marrying into the House of Lebanon) while surrounded by muttering, disrespectful servants.

Intriguing romanticism in an old noble castle with an ancient history and a brilliant pianist and composer as the last baronet in the line of a dying family, whom his mother (Helen Haye) keeps insisting on getting married to keep the family going, which doesn't quite turn out as she had wished. Some weird butlers with too much knowledge of what is going on and an old doctor (Felix Aylmer) with a doubtful past as a practitioner in India plus a few murders makes up a dire soup of great thriller suspense. The young baronet is Marius Goring, who must have loved playing this debatable genius, while Penelope Dudley-Ward provides the necessary beauty as the frightened lady who has reason to be frightened indeed. It's a brilliant thriller by Edgar Wallace, and if you like beautiful music, romantic settings, exotic intrigue and horrific murders, you should not miss this film.