Füge eine Handlung in deiner Sprache hinzuRare-book dealers Joel and Garda Sloane tie murder to the theft of a Shakespeare manuscript.Rare-book dealers Joel and Garda Sloane tie murder to the theft of a Shakespeare manuscript.Rare-book dealers Joel and Garda Sloane tie murder to the theft of a Shakespeare manuscript.
- Regie
- Drehbuch
- Hauptbesetzung
John Hubbard
- Phil Sergeant
- (as Anthony Allan)
Roy Barcroft
- Reilly - Casino Bodyguard
- (Nicht genannt)
Don Brodie
- Detective Jackson
- (Nicht genannt)
Don Castle
- Desk Clerk
- (Nicht genannt)
Empfohlene Bewertungen
Neither ROBERT MONTGOMERY nor ROSALIND RUSSELL can do much to raise this above an average Nick and Nora type of mystery as they try to solve a crime involving a stolen Shakespearean manuscript worth a fortune. Montgomery and Russell are both adept at this sort of comedy and make an excellent pair in the leads, so different than the roles they played in NIGHT MUST FALL.
The wealthy household where the first murder takes place is full of suspects, including RALPH MORGAN, JOHN HOWARD, REGINALD OWEN, ALAN DINEHART and TOM COLLINS. SIDNEY BLACKMER does a nice job as a crooked gambling house owner.
With Montgomery and Russell as the husband and wife team, the accent is more on comedy than mystery when Ralph Morgan is found murdered near the open vault in his library. As Montgomery investigates, there are plenty of red herrings that seem to plant suspicion on every member of the household.
Despite all the A production trappings, there's no way this can be considered anything more than a mildly entertaining programmer.
The wealthy household where the first murder takes place is full of suspects, including RALPH MORGAN, JOHN HOWARD, REGINALD OWEN, ALAN DINEHART and TOM COLLINS. SIDNEY BLACKMER does a nice job as a crooked gambling house owner.
With Montgomery and Russell as the husband and wife team, the accent is more on comedy than mystery when Ralph Morgan is found murdered near the open vault in his library. As Montgomery investigates, there are plenty of red herrings that seem to plant suspicion on every member of the household.
Despite all the A production trappings, there's no way this can be considered anything more than a mildly entertaining programmer.
This is the second installment of a series created by Harry Kurnitz from his book "Fast Company," featuring a husband and wife team, Joel and Garda Sloane, rare book dealers who were amateur detectives. The first outing was "Fast Company" starring Melvyn Douglas and Florence Rice. "Fast and Loose" came next. Then the Sloane's misadventures came to a screeching halt with "Fast and Furious" featuring Franchot Tone and Ann Sothern." One reason for the demise was the rapid turnover in the lead roles with different actors playing Joel and Garda in each film. A common thread for all three was the writing of Harry Kurnitz which accounts for the similarities in dialog and story structures.
True, the series may remind viewers of Nick and Nora Charles but in reality there are many husband and wife flicks from the period that were somewhat patterned after the successful and popular "The Thin Man." These three films can stand on their own without such comparisons being necessary. Of the three, the first "Fast Company" is possibly the best with Douglas and Rice making a fine pair of sleuths. But the other two have merits of their own.
Robert Montgomery and the indomitable Rosalind Russell interact well with each other. The story about a forged Shakespeare which leads to murder with a whole gallery of suspects isn't always easy to follow but it's worth the time and effort. Montgomery and Russell share many a witty line and comeback, not quite as fast, nor as cutting, as the repartee between Russell and Cary Grant in "His Girl Friday" which was released the following year but still enough gibes to keep all fast and loose. There is also a running joke that carries on to the end involving a donut cushion from a previous case when Joel Slaone was shot in the tush.
The title is apt for the script and direction which are fast and loose. Not on a par with "The Thin Man," but still an entertaining piece of fluff.
True, the series may remind viewers of Nick and Nora Charles but in reality there are many husband and wife flicks from the period that were somewhat patterned after the successful and popular "The Thin Man." These three films can stand on their own without such comparisons being necessary. Of the three, the first "Fast Company" is possibly the best with Douglas and Rice making a fine pair of sleuths. But the other two have merits of their own.
Robert Montgomery and the indomitable Rosalind Russell interact well with each other. The story about a forged Shakespeare which leads to murder with a whole gallery of suspects isn't always easy to follow but it's worth the time and effort. Montgomery and Russell share many a witty line and comeback, not quite as fast, nor as cutting, as the repartee between Russell and Cary Grant in "His Girl Friday" which was released the following year but still enough gibes to keep all fast and loose. There is also a running joke that carries on to the end involving a donut cushion from a previous case when Joel Slaone was shot in the tush.
The title is apt for the script and direction which are fast and loose. Not on a par with "The Thin Man," but still an entertaining piece of fluff.
'Fast Company' (already reviewed a few months back), 'Fast and Loose' and 'Fast and Furious' have been inevitably been compared to the generally superior Thin Man film series, also featuring husband and wife sleuths and mixing comedy and mystery with some of the biggest stars at that point in film history. Of the three 'Fast...' films, my personal favourite is 'Fast Company', which fared the best at balancing comedy and mystery and has the most eventful and most cohesive story although the two leads' chemistry is better here in 'Fast and Loose'.
The second film 1939's 'Fast and Loose' is a fun and inoffensive enough entry in the series but despite preferring the chemistry here and the female lead is superior here, as said already comedy and mystery were balanced better in comedy and mystery and did prefer the story in 'Fast Company'. Not that those elements were done badly here in 'Fast and Loose', just that they were done better before. This is a very watchable film if not a must watch.
Will begin with what is good. Fred MacMurray is charming and commands the screen very well, with strong comic timing. Rosalind Russell is even better when it comes to the comic delivery, never looks ill at ease, looks great and very easy to like, to me she has more presence here than Florence Rice did in 'Fast Company'. They have a very endearing and witty chemistry together that really helps lift the film, of all the 'Fast...' films this is the film for me that had the most spark between its two leads. It is slickly directed and the supporting cast do well, the standout being Etienne Giradot.
Generally the script is snappy and sophisticated enough and the story does intrigues. The production values are slick and have some elegance and William Axt's score has some moodiness and light-hearted edge.
At times though, the film could have gone at a tighter pace and could have been shorter as there isn't enough plot structurally to sustain the film. There are also a few too many twists and characters which made it not always easy to follow, parts are downright confusing. The ending seemed rushed and could have been a little more suspenseful.
Not all the characters seemed necessary to the story and seemed there to pad things out.
Decent film overall but not great. It does well in the comedy and falls a little short when it came to the mystery. 6/10
The second film 1939's 'Fast and Loose' is a fun and inoffensive enough entry in the series but despite preferring the chemistry here and the female lead is superior here, as said already comedy and mystery were balanced better in comedy and mystery and did prefer the story in 'Fast Company'. Not that those elements were done badly here in 'Fast and Loose', just that they were done better before. This is a very watchable film if not a must watch.
Will begin with what is good. Fred MacMurray is charming and commands the screen very well, with strong comic timing. Rosalind Russell is even better when it comes to the comic delivery, never looks ill at ease, looks great and very easy to like, to me she has more presence here than Florence Rice did in 'Fast Company'. They have a very endearing and witty chemistry together that really helps lift the film, of all the 'Fast...' films this is the film for me that had the most spark between its two leads. It is slickly directed and the supporting cast do well, the standout being Etienne Giradot.
Generally the script is snappy and sophisticated enough and the story does intrigues. The production values are slick and have some elegance and William Axt's score has some moodiness and light-hearted edge.
At times though, the film could have gone at a tighter pace and could have been shorter as there isn't enough plot structurally to sustain the film. There are also a few too many twists and characters which made it not always easy to follow, parts are downright confusing. The ending seemed rushed and could have been a little more suspenseful.
Not all the characters seemed necessary to the story and seemed there to pad things out.
Decent film overall but not great. It does well in the comedy and falls a little short when it came to the mystery. 6/10
I love the films with Robert Montgomery. There was no one better at light comedy roles. And Roz was no slouch either. That's why this picture was so disappointing.
This picture is about two murders and 40 minutes too long. Don't try to keep up with who killed whom and why-you'll get a headache! Normally with a 30's whodunit you wouldn't expect to keep up with the plot twists. But here they just bog down the lifeless story more. It's dull and formulaic. Only the charm, wit and affection of the stars make this watchable at all.
But still, I'm not sorry I saw It-because as a film "buff," I wouldn't have believed otherwise that Montgomery and Roz had made such a stinker!
This picture is about two murders and 40 minutes too long. Don't try to keep up with who killed whom and why-you'll get a headache! Normally with a 30's whodunit you wouldn't expect to keep up with the plot twists. But here they just bog down the lifeless story more. It's dull and formulaic. Only the charm, wit and affection of the stars make this watchable at all.
But still, I'm not sorry I saw It-because as a film "buff," I wouldn't have believed otherwise that Montgomery and Roz had made such a stinker!
It's a good thing Robert Montgomery and Rosalind Russell were the stars of "Fast and Loose," otherwise, there would be nothing to recommend it.
They are wonderful as a sort of penniless Nick and Nora hot on the trail of a stolen Shakespearian manuscript. I found it a little hard to follow as far as who killed whom and why.
Both actors were excellent at both comedy and drama, and in fact, right before seeing this, I saw them in "Night Must Fall." What a difference! And really, it is a tribute to the talent of both that they could do such different types of films so easily.
I wish they'd had a better script to work with. This film is too long and too confusing. But if you want to see two masters at work, by all means, check it out.
They are wonderful as a sort of penniless Nick and Nora hot on the trail of a stolen Shakespearian manuscript. I found it a little hard to follow as far as who killed whom and why.
Both actors were excellent at both comedy and drama, and in fact, right before seeing this, I saw them in "Night Must Fall." What a difference! And really, it is a tribute to the talent of both that they could do such different types of films so easily.
I wish they'd had a better script to work with. This film is too long and too confusing. But if you want to see two masters at work, by all means, check it out.
Wusstest du schon
- WissenswertesThe scenes with an inflatable donut allude to the earlier Mord, wie er im Buche steht (1938), wherein Joel Sloane (this time, Melvyn Douglas) is shot in a place that makes it painful for him to sit down.
- PatzerJoel and Garda sustain black eye injuries from having their auto run off the road by Lucky Nolan's gang. They even put raw meat over the black eyes for relief. The black eyes are shown in the next few scenes. But a few hours later that night, both eyes return to normal.
- VerbindungenFollowed by Fast and Furious (1939)
- SoundtracksWhy'd Ya Make Me Fall In Love?
(uncredited)
Written by Walter Donaldson
Played over the closing credits
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Strel v noči
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 20 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen