Charlie Chan auf der Schatzinsel

While in route to San Francisco, Chan's friend Paul Essex dies of an apparent suicide. The only clue is a threatening note from someone calling himself the Zodiac. Chan soon discovers that the Zodiac is a successful mystic. Together with a would-be psychic-buster and magician named Rhadini (Cesar Romero), Chan sets out to discover the source of the Zodiac's mysticism and unmask a killer.

I thought I had seen the best of the Charlie Chan series. Man, was I ever wrong. After a first viewing, Charlie Chan at Treasure Island has become one of my very favorite Chan films. It's not just one of Toler's best, it's one of the three or four best entries in the entire series. It's got everything a fan could ask for - an interesting plot, a larger than life villain, solid acting, compelling characters, real suspense, comic relief that's actually funny, and some of the best writing I've seen in a Chan movie. The final reveal is also one of the best in the series. It's not the usual drawing room gathering of the suspects (which I usually prefer), but a drawn out, tension filled scene in a theater full of people. And speaking of tension, Chan's first meeting with the Zodiac is amazing, if not a bit frightening. Charlie Chan at Treasure Island also benefits from a strong supporting cast. Cesar Romero, Douglas Fowley, Pauline Moore, and, personal favorite, Douglass Dumbrille add considerably to the film. Overall, this is one Charlie Chan film that I'm very much look forward to revisiting - and soon.

A lot of people think this was Sidney Toler's best Charlie Chan film. I don't know about that, but it is one of his better ones, that's for sure. It featured a lot of suspense, along with action and humor - a good bit of everything that makes the Chan movies popular among its fans.

Charlie travels to San Francisco to find out if a friend of his really committed suicide or was murdered. Son "Jimmy" (Sen Yung) comes along for the ride, for some help and some humor. The story revolves around the occult, a familiar theme in films back in the '30s and '40s. Charlie provides an a solid challenge to the charlatans who practice the occult and bilk people out of their money believing in that hocus-pocus. While Chan disproves that stuff, there is one case of a woman definitely having mind-reading abilities that our Chinese friend acknowledges.

A very young (and almost unrecognizable the first time I saw this) Caesar Romero plays a magician, and skeptic ghost-buster and something I can't say without giving away the ending. He was a likable guy and a good edition to the movie.

In all, a fun 75 minutes. Now, if we could just get this to come out DVD.

The infamous Zodiac Killer might have been inspired by this film. The most probable suspect, who has since passed away, used to love this movie and became obsessed with it. If you watch the film and then read about the Zodiac case, you'll see eerie patterns in the writings of the Zodiac Killer and the character of Dr Zodiac in the film. I can easily see how a young kid could be influenced by the creepy Dr Zodiac and the way he taunted authorities..just like the Zodiac Killer would do decades later with similar phrases. Anyway, the film is easily one of the best in the series and still manages to entertain and frighten a bit. I urge you to view this one!

On a plane headed to San Francisco, Charlie Chan and one of his sons witness the death of a famous writer. The man's death sets the film's plot in motion, as Charlie and company investigate the mysterious "Dr. Zodiac", a grim and extremely intimidating figure who is tall, wears a large mask, and has "psychic" powers.

This is one of the better films in the Charlie Chan series. The story has some really good plot misdirection, consistent with the theme of magic. I correctly picked the killer, but only after a certain plot point toward the end. Up to that point, I was way off in my guess.

But this film is superior to other Charlie Chan films mostly because of the terrific B&W cinematography. The lighting trends toward stark contrasts, with spooky shadows. Some good cross lighting and black curtain effects, together with great close-ups of eyes in the darkness, amplify the suspense. Overall visual styling is more complex, more artistic than in other Charlie Chan movies. The other-worldly persona of Dr. Zodiac combined with the striking visuals give the film real atmospheric character.

I do have a couple of complaints. The suspect pool is not terribly exciting. I would have liked for the existing suspects to have more screen time; also, I would have preferred a larger number of suspects. Second, the way in which the whodunit puzzle is solved is not standard, to say the least. But maybe back in those days, people gave as much credence to mental telepathy as they did to logical deduction.

The film uses San Francisco's "Treasure Island" as a backdrop to the story, which adds some contextual flavor to the film, though unnecessary to the plot. Overall, this is a fine film, one that will appeal especially to die hard Charlie Chan fans.

I recently bought this video on Ebay. I'm told it's hard to find in stores. I recall the Dr Zodiac scenes being frightening as a kid and you know, there are still scenes in this that give me the creeps.

The scene where the female psychic keeps sensing evil (evil looking like two eyeballs illuminated in the darkness) and that nasty looking Dr Zodiac gave me nightmares. I wonder why they don't make a Charlie Chan movie today with some Asian actor finally playing Charlie.