Stürme über Morreale

"Ettore Fieramosca" (1938) is an engaging historical drama that takes audiences into the heart of Italy's rich past, where themes of valor, honor, and courage shape the lives of its characters. Set against the backdrop of the 15th century, this film brings to life one of the most celebrated episodes in Italian history, the Battle of the Garigliano, with passion and grandeur.

The story follows Ettore Fieramosca, a knight known for his courage and integrity, who leads his fellow warriors through the tumultuous struggles of battle. The film paints a vivid picture of the warrior ethos, exploring the importance of loyalty, bravery, and the internal conflicts that come with being caught between duty and personal desire.

What makes "Ettore Fieramosca" stand out is its attention to detail in depicting the historical setting. From the costumes to the battle sequences, the film immerses the audience in the period, while highlighting the dramatic moments of conflict and camaraderie among the soldiers. The battle scenes are intense, filled with the raw emotions of warriors on the brink of life and death, making them a central focus of the narrative.

The performances, particularly by the lead actor, who portrays Ettore, are powerful and compelling. His portrayal of the honorable but conflicted knight brings a sense of depth to the film, making the audience feel the weight of his decisions as he faces moments of great personal and moral challenge.

Though "Ettore Fieramosca" may not be as widely recognized today, it is a film that resonates with those who appreciate historical narratives centered on human strength and resilience. It captures the essence of a time long past, while telling a timeless story of heroism and sacrifice.

In conclusion, "Ettore Fieramosca" is a historical drama that is both entertaining and thought-provoking, offering a cinematic experience rich in culture and emotion. It's a hidden gem for fans of epic tales of valor and Italian history, one that showcases the timeless nature of courage and honor in the face of adversity.

ETTORE FIERAMOSCA was based on a widely-read literary action epic by Massimo D'Azeglio, published in 1833. Translated to the screen in 1938 by the most important director of the Italian fascist period, Alessandro Blasetti, it was intended to boost current patriotic fervor and pride in the Italian nation, and it contributed to a revival of Italian nationalism.

The story is set in 1500 when the southern part of the Italian peninsula was dominated by the Spanish. An invading French army, led by meanie Graiano d'Asti, fights the Spanish, among whom is Italian knightly-soldier Ettore Fieramosca. The French are beaten in battle, taken prisoners. French soldier Guy de la Motte (Osvaldo Valenti) insults the honor of the Italian fighters, essentially implying that Italians can't fight to save their lives. To get a measure of revenge, the Italians challenge the French to a 13 to 13 match jousting match to prove what mettle the Italians really have.

That challenge or "disfida" takes place in the Puglia city of Barletta, hence the subtitle of the original book, "La disfida di Barletta"---"The Challenge of Barletta." Needless to say, the Italians prove their mettle, knock their French opponents off their horses; Graiano meets his death; hero Ettore shouts "Hanno vinto gl'italiani!"---"The Italians have won!" Italian audiences of the time are said to have cheered wildly at these words.

Mixed in with this fighting and jousting is Ettore's love for Giovanna, the Duchess of Monreale. And her hand in marriage belongs to him as the ultimate trophy. Gino Cervi, popular star of the cinema of the Mussolini period, does a convincing job as Ettore. Elisa Cegani is a vision-like Giovanna. The music by Alessandro Cicognini rouses appropriately. (He would later write more poignant scores for De Sica's post-war neo-realist films.)

In New York in 1939, when the Italian population of New York was larger than that of Rome, this film played to audiences at the Broadway Cine-Roma Theatre. It is noteworthy that the Spanish are portrayed favorably here. Italy and Spain, of course, were both fascist countries and allies during the Mussolini and Franco period. The movie was understandably very popular in Spain. The hero's name, if translated becomes a very silly "Hector Proudfly."